January 2011

And MY Winner, for BEST Picture IS...

January 31st, 2011

Actor's blog. STARdate 013111. Monday is my FAVORITE!!!

On today's agenda I am going to dive into the inner workings of my likee-likes and go through a specified list of my most FAVORITE FILM(S) of all time. As you can imagine, it's always a tough choice to just pick one. I cannot. I've been asked SO many times that very question and the answer is always the most convoluted, detailed and genre-specific query for me.

So, let's break it down Y'all!!!

My FAVORITES FILMS (By GENRE):

ACTION
The Killer

Directed by John Woo. While filming for decades in his native China, he truly defined a new kind of Action by choreographing gunplay with moving cameras, Mexican stand-offs (A nod to Director Sam Peckinpah), kung fu, doves and ten THOUSAND bullets. Everyone in the Action game copied his style after he and his body of work made it over the Pacific and was distributed in the early 90s. My buddy Harry and I watched those pirated VHS copies of The Killer and Hardboiled til the tape was about to snap. Still soundly beats any Action/Adventure movie's ASS today. And Chow Yun-Fat was the MAN. He made you want to kick someone's teeth in, run from room to room brandishing double-fisted guns and then dive behind the sofa while emptying an entire magazine clip all at once. And the comedy of that is Chow detested violence. Even before Crouching Tiger, Hidden Dragon he was that good. Fuckin A right.

COMEDY
(American) This Is Spinal Tap

With Rob Reiner at the helm, former Lemmings Alums Christopher Guest and Harry Shearer joined with Michael McKean to write, produce and even perform the original music, to the first fully-realized, improv-based "Mockumentary". What resulted may be the most memorable, Heavy Metaltastic and hilarious film every to come out of the United States. Christopher Guest built a cottage industry with this Mockumentary style in later years, but this film was not to be believed. It had many guest star cameos (that were all hysterical; Billy Crystal, Paul Schaefer, Dana Carvey, Fran Drescher, Howard Hesseman, Fred Willard, Paul Benedict...) and worked SO WELL because it was taken so completely seriously. Unlike most comedies today.

(UK) Monty Python and The Holy Grail
No one could match the Monty Python team when it came to intelligent, absurdist, laugh-til-you-cry moments of comedic brilliance. Done on a very low budget and infinitely quotable (As was Spinal Tap) the fact that they took documented history, turned it on it's end, were able to still include clever poop and fart humor, and practically made every scene stand on it's own, is a testament to having those 6 Men's brains in the right place, at the right time in and gave us what may be the definitive comic lightning bolt. All of their work was equally smart, satirical and gut-busting, but this is likely their best. And many of us could sit in a room and recite every scene, word-for word, over and over, do it again the very next day and still laugh our asses off. 

CRIME
The Usual Suspects

Many of you may say that I should be ashamed of myself for not choosing The Maltese Falcon, The Big Sleep, The Killers, Chinatown, Fargo, The Sting, Goodfellas, L.A. Confidential, or countless others. But those all had you knowing, for the most part (with a couple exceptions), whodunit and why. This one was the crime caperEST with a superstar cast of characters and twists like nobody's business. You didn't know who to trust and just who WAS Keyser Soze? If you were trying to guess and got it before the film ended or unfortunately heard about it and saw it anyway knowing, you really missed it. This film missed nothing. And unlike the many of the crime films I listed, it left you satisfied and fired up to watch it again to see what you really may have missed in the quagmire of it all. Even if you figured it out. I didn't figure it out at first. And still didn't want to on subsequent viewings. Is that weird? And how about that there practically wasn't even a crime per-say? How's THAT for a twist?!

DOCUMENTARY
Hoop Dreams

Sure, Michael Moore gives you entertaining propaganda and Ken Burns is the master of the REAL historical cinematic document, but to follow two basketball playing, inner-city 12 year olds, watch them grow, mature and struggle for the next six years on film, takes; patience, perseverance, sleepless years, and a little good fortune to hone 250 HOURS of footage into a 3+ hour unexpected tale that has you cheering, shaking your head in disbelief and wondering what happens next. What Director Steven James and his fellow Producers Peter Gilbert and Frederick Marx discovered on this journey, is that the best thing about making a great Documentary: You cannot script real life. But when it does it for you better than anything you could have dreamed up on paper? That's magic. That's life, unscripted, captured on film. Documented. Slam dunk.

DRAMA - (Tie)
Citizen Kane
If you would like to discuss pure CRAFT, every film fan, filmmaker and film teacher MUST talk about this one. I believe it's a Federal Law. Citizen Kane is still lauded as one of, if not, the GREATEST MOVIE EVER MADE. At the age of 26 Orson Welles was touched by the Gods (And had a very privileged upbringing when you come right down to it), and you cannot deny him the originality, breakthrough camera techniques, design and sheer balls he demonstrated in bringing this loosely interpretive biographical film of Newspaper magnate, and fascist American dictator, William Randolph Hurst. When you make a film like this, that at the time was blacklisted, underappreciated, and DEFINED what filmmaking was to be for the next 70 years, there's only one direction to go. Downhill. And that's what happened to Welles. He worked til he dropped, sure, and even showed up in The Muppet Movie. But the story behind this film, is nearly as spectacular, fascinating and tragic as the film itself.

The Godfather
Francis Ford Coppola and Al Pacino almost got fired from the project by the studio and they wanted Robert Redford to play Michael Corleone. Because a seemingly rogue Director, who took the lead after film school with contemporaries like Lucas, Spielberg, Bogdonavich and Scorsese, stuck to his literal guns and made the ultimate 'Family' film. He created a Crime saga. He orchestrated a Dramatic symphony. He made us an offer we couldn't refuse. This is another one of those perfect films. Like the works of Mozart, if you took out one note, changed one word, altered one scene or hired that other more famous Actor, it wouldn't work. Even when Coppola did make changes to release the chronological "Saga" edition of Parts I & II, it surprisingly made even more sense. The sequel is equally as compelling and outstanding, but I'm not going anywhere near Part III again. All I'm glad to know is that lucky for his Daughter, the Directing apple didn't fall far from the tree. And speaking of which, his wine is actually pretty good too.

FANTASY
Star Wars

I know what you're saying. Couldn't Star Wars be considered Sci-Fi? Yes. But Fantasy has it's origins based around mythos, creating an entire world and George Lucas has said on many occasions that Joseph Campbell, Folklore and Shakespearean themes influenced him greatly on the elements he incorporated into the story. Space was merely the setting, but the world he created was high fantasy. And like Orson Welles before him, Directors will list Star Wars as the film that changed the entire way a movie was imagined, made, marketed and sold as a modern day blockbuster epic. And JUST like Welles, Lucas peaked as a Director with the one that made his name an Icon. He never equaled the raw feeling, majesty, ingenuity and originality that made those of us at the age of 7, 8, 9 and older, see the frickin' thing 10 TIMES in the theater in that summer of 1977. I have to give kudos to Peter Jackson and The Lord Of The Rings Trilogy, as he is the only Director able to come close to what Lucas achieved with a Fantasy franchise in scope and grandeur.

FOREIGN
Seven Samurai

I keep mentioning the importance of Directors' influence upon other Directors, Actors, Producers, Writers and that their style, dedication to their craft and creativity has no choice but to jump start your imagination. Nearly every Director I have mentioned in this list have ALL, and I mean EVERY SINGLE ONE, listed Japanese filmmaker Akira Kurosawa as one of their MAJOR influences. I too will concur. He was a master poet with his storytelling camera. A group of bandits invading a Village in 16th century Japan, do battle with seven Ronin (Samurai), who are hired by the Villagers to defend their harvest. All the Samurai have different character traits, strengths and weaknesses, but the last member, Actor Toshiro Mifune, is the one you root for and identify with. He was Kurosawa's Muse and appeared in many of his projects afterward. Many films have copied it's 'Recruit a band of Hero-types to complete a mission' and there have been the obligatory mediocre remakes, but this one still holds up after more than 50 years. And never watch a foreign film dubbed. It's stupid. Hear the beautiful language and learn to read subtitles. I do.

HOLIDAY/FAMILY
A Christmas Story

As a writer, I think I would like to be Jean Shepherd when I grow up. But since I'm never going to grow up, I can deal with not being him I suppose. But boy could he spin an intelligent Holiday yarn with such a wink and a nod. He wasn't the only reason a movie like this gets shown every season for 24 hours straight on one TV network. It's arguably the most popular and well-known Christmas tale outside of A Christmas Carol or It's A Wonderful Life. In fact, I hear Shepherd was a real pain-in-the-ass on the set, demanding, and a wee bit nuts. He was merely the provider of the source material. The MOST thanks are due to the the Director, Bob Clark, for bringing the 1940s Americana experience so vividly to life with wit, humor, pathos, peace on earth, good will to men and one Official Red Ryder carbine action 200 shot range model air rifle. And even he couldn't do it alone without the amazing performances of Peter Billingsley, Melinda Dillon, Darren McGavin and the entire cast and crew. This was also a great picture about love, Family and can stand up against any other animated or targeted Family demographic film. It's another example of those low budget, character study, lightning in a bottle productions that showed how much could come from so little. FA-RA-RA-RA-RA RA-RA-RA-RA. (Snicker) Yeah I know. But, it's so right.

HORROR
The Exorcist

What scares you the most? The dark? Serial Killers? Snakes? Spiders? Other words beginning with "S"? How about the Devil? If you believe in that sort of thing. William Friedkin was at the top of his game in 1972 with the TOTALLY AWESOME film The French Connection. He had Gene Hackman play Popeye Doyle, Roy Schieder was his partner and made a cool, anti-hero NYC Police story based on real Cop, Eddie Egan. After the success of his crime drama dealing with heroin dealers and corrupt cops, he decided to tackle the church and it's little, dirty secret known as Exorcism. It was so real. It seemed so real. His Docu-Drama style that worked so well with his grimy, NYC Cop story, worked a little TOO WELL for this subject. The other William, writer William Peter Blatty, did his homework when writing the book and took inspiration from an "actual" exorcism with a Maryland boy from a blue-collar family and changed it to a cutesy, white-collar, daughter of a movie star. Friedkin cast every role brilliantly, but 12 year old commercial Actress Linda Blair, stole the show. She self-admittedly said that she had no idea what she was doing, had never done a film and was playing make believe to the best of her abilities and according to the script. But with Friedkin's obsessively brutal Direction, Blatty's disturbing script, Dick Smith's frightening make-up, Ellen Burstyn's understandable hysterics, Max Von Sydow and Jason Miller masterfully tag-teaming with God, Mercedes McCambridge's dubbed, cigarette and booze fueled voice and a fearless stunt team of Men and Women being whipped around rooms and taking falls down 100 steps in Georgetown...an entire world was scared to death in 1974. And it still scares me when watching. It's not the Devil, but that wickedly creative team assembled. Much too vulgar a display of power.

MUSICAL
Singing In The Rain

It was a testament to the age of the modern Movie Musical and the dawn of a shiny new era. All the leads could sing, dance, hoof, do acrobatics, and were charming, self-effacing and made you forget anything bad could happen in the world. Their biggest worry in the movie, or Silent Movie Star Don Lockwood's biggest worry, was everyone's in Hollywood at the time the movie was based on. Silent films were becoming talkies. And more specifically, with Al Jolson and The Jazz Singer, singing and dancing Musicals! People needed to forget that they were in the midst of a World War and escapism was the order of the day. Donald O'Connor told us to Make 'Em Laugh and Debbie Reynolds showed us that even those nobodies who have a dream, the talent and gumption to take a chance, would eventually get noticed. But what do we remember from one of the greatest Movie Musicals? Probably more than The Jets and The Sharks, The Lollipop Guild, The Rain In Spain, Tradition, Mary Poppins, Shall We Dance or life being a Cabaret? Gene Kelly, singin' and dancin' in The Rain. It just such a wonderful feeling. I CAIN'T STAIND IT!

MYSTERY
North By Northwest

Hitchcock. Perhaps one of the greatest Directors who ever lived. Having one of the most popular, handsome and charismatic movie stars at the time, Cary Grant as his lead. It is another in those series of films that can cross so many genres; Crime, Suspense, Thriller, Adventure, but it constantly has you on the edge of your seat trying to figure out what happens next and who's who in this case of mistaken identity, deceptive riddle, wrapped in an enigma inside Lincoln's nose. You had even more star power with James Mason playing the heavy, Hitchcock's requisite blonde beauty, Eva Marie Saint and a very dashing bad guy, Martin Landau. Yes, even he was dashing, AND a bad guy. Bernard Herrmann did nearly all of Hitch's most effective soundtracks and this one ran the gamut of all the genres I listed here. Another masterful creative collaboration between the two and even the opening title sequence was stylish for the time. This film also introduces the infamous "MacGuffin"; the object, or device, in a film that everyone seems to be chasing, but has no relevance to the actual plot. Grant's mistaken identity "George Kaplan" may be that very device in this. And look for Alfred Hitchcock in the end of the opening credits. He makes a cameo in almost all his films.

ROMANCE
The Princess Bride

For romance, is going to The Empire State Building the closest thing to heaven? Could you be friends with a woman and still want to have sex with her? Would you reject love entirely and hang out at a gas and sip on a Saturday night by choice? But for all you HARDCORES, would you DIE for love? Wesley and Princess Buttercup would. Rob Reiner again makes my list with a pure, complete and delightfully wondrous Fantasy film. And one of the most Romantic tales ever spun. It also works so effectively as a smart, irreverent comedy combined with an Errol Flynn-like adventure sensibility. There are chases, escapes, ROUSes, miracles, Giants and even Mandy Patinkin. Granted, he's not singing, but we love him anyway as he most likely utters the film's most memorable line. But at it's heart...there is True Love. First comes love, then comes Mawwwige.

SATIRE/BLACK COMEDY
Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb

Is it possible I made up a sub-genre so that I could include Stanley Kubrick amongst my favorites? Mmmmmaybe. I've actually combined two legitimate movie genres because they're very similar in theme. Dr Strangelove neatly rides the line of both and gives me justification for such a move on my part. But fuck it. It's my favorite list...so there. Besides, I get to kvell about Peter Sellers again and Stanley Kubrick may just be on par with Hitchcock as far as pure Directing Genius. He was a perfectionist, obsessive and an odd, quirky soul. This film hits the mark as both a Black Comedy and a scathing Satire of the Cold War, Armageddon and Politics. Plus, you had Peter Sellers playing three different characters (And Kubrick allowed him to ad-lib a great deal of his script and dialogue), George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens and even a young James Earl Jones in one of his earliest roles. What it all adds up to is one of the best Satirical Black Comedies and best films ever. And if I HAD to pick MY FAVORITE FILM, if someone held a gun to my head and forced me to answer, this would be it. Unofficially.

SCI-FI
Blade Runner

Before Ridley Scott became a bit pretentious and overbearing with his 'Award Winning' films like Gladiator, Black Hawk Down and the unmentionable travesty that was Hannibal, his two earliest film(s); Alien, and of course, Blade Runner have still yet to be equaled as Sci-Fi masterworks. They both live in the a run down, dirty, and most likely, very probable future. Harrison Ford follows Raiders of The Lost Ark with his Hardboiled Sam Spade in Space...Rick Deckard. Phillip K. Dick's story 'Do Androids Dream Of Electric Sheep' was amazingly realized with such detail by Scott and presented on such a scale that I would not be surprised if the future 50 years from now was EXACTLY like it was pictured in this 1982 production. The design, effects, characters, storyline and execution was spellbinding for the time it was made. The same could even be said for Alien three years previous. Literally ahead of his time. Rutger Hauer's performance was especially haunting, controlled and groovy as the lead Replicant Roy Batty. "Batty". Yeah. He would've been SO COOL as Lestat if Ann Rice had her way back then.

SPORTS
Rudy

Sean Astin established himself as a young, yet very underrated, Actor who could carry an entire movie with his turn as Daniel "Rudy" Ruettiger. In a family of steelworkers, Rudy was destined to follow in his familial lineage. But this plucky real-life smallfry bucked the odds and was determined to play football for the late 60s/early 70s College Football Dynasty, Notre Dame. Even though Rudy didn't have the size, the grades or the athletic talent, he spent years following his dream, endured many hardships, defied the naysayers and made many of us cry like a little bitch with a skinned knee when he plays for only the last few minutes of the game, sacks the quarterback and then gets carried off that field at the end. Who says being too small was a handicap? Like a little bitch...with a skinned knee. Every. Time.

SUSPENSE
Rope 

Jimmy Stewart, Farley Granger & John Dall are practically flawless in this lesser-known Hitchcock masterpiece. Montgomery Clift was supposed to play the John Dall part, Brandon. That would have been REALLY interesting and perhaps even better than it was, seeing as how it was based upon the infamous Leopold & Loeb case of two Homosexual lovers committing a murder. It was adapted for stage and then filmed by Uncle Alfred as if it were actually on a stage (Well a sound stage specifically). Only 10 edits were in the entire film. You can count them whenever the camera zooms into someone's back and then zooms out. And then there are a few random cuts too, BUT...think of how long it took for the rehearsal process, setting the lights in multiple rooms, camera moves and then everyone in cast and crew having to perform it near perfect. For multiple takes. At 5-10 minutes a piece. And if someone sneezes or drops a line at 9 minutes...MAN! Knowing this only adds to the suspense if you're aware of the fact. The real suspense starts from the end of the opening credits and doesn't let up for the next 80 minutes. It was never done before and hasn't been done since. No one is crazy enough to. He was and then "laughingly" passed it off as a cinematic stunt. This was ACTUAL cinematic genius at work. Hitchcock's cameo, it is suspected, is either walking down the street at the end credits or 55 minutes into the film as a silhouette in the back window cityscape.

WAR
Saving Private Ryan
There are an infinite number of variables and sub-categories when it comes to great War films; Epic (Braveheart, Gone With The Wind, Bridge on The River Kwai), Vietnam (Platoon, Apocalypse Now, Deer Hunter, Full Metal Jacket), WWI&II (Lawrence of Arabia, The Great Escape, Das Boot), but for the simple feeling of what war was like, without actually being there; the horror, the blood and guts, the fear, the emotional and mental torture, the fortitude, the hate, the Brotherhood and longing to go home, this is THE film. Steven Spielberg not only created a love letter for every veteran who fought, lived through and died in battle, but something akin to a work of art that is so real, it was as if you lived through The Great One yourself. Many Veterans have claimed to have either refused to watch it again, because it was so eerily accurate, or thanked Spielberg profusely for being able to recreate what it was really like and bring them a feeling of catharsis. Schindler's List had a similar effect. Exhausting, fulfilling, heartbreaking and ultimately, so powerful. Not to be watched without a strong constitution and/or Zoloft.

WESTERN
Unforgiven

For the man who first came to prominence as Director Sergio Leone's 'The Man With No Name' in all those Spaghetti Westerns, not only did Clint Eastwood star with such charisma in the seminal epic Western; The Good The Bad an The Ugly, but he also must have paid attention when it came to Directing. This is the most complete Western I've experienced. I love John Wayne, Leone, John Ford and all the classics mind you. But you could practically taste the dirt, feel the pain, hear the bullets whizz past your face, see the cold rain hitting your boots and notice craggy wrinkles start to form on your skin throughout the entirety of this film. And with a cast of Eastwood, Morgan Freeman, Richard Harris AND Gene Hackman (Who took home a Best Supporting Oscar for playing Little Bill)? None better. And deserves got nothin' to do with it.

FADE OUT
EXUNT
FIN'
THE END
EXIT...STAGE LEFT EVEN!

I remembered to add the fabric softener, but the friggin' detergent spilled all over the trunk.

January 30th, 2011

Actor's blog. STARdate 013011. RESPITE SUNDAY, however, no rest for the wicked. Gotta keep moving, like a shark. You heard of that right? If a shark doesn't keep moving it dies? Remember that scene in Annie Hall where Diane Keaton and Woody Allen "lament" their failed relationship:


So, gotta keep moving forward. I'll rest when I'm dead...starting tomorrow.

Laundry, taxes, pick up the pink one (Gina) and discuss bills & stuff. The trunk of our car smells as fresh as a mountain spring. But in the trunk. (Sniiiiifffff) Ahhhhh. I tells ya Miss emergency flare, it's like we're frolicing on Kilimanjaro. And one big spot looks way cleaner than the rest. So either, behold the cleaning power of Arm & Hammer laundry detergent, or, what the hell have we been doing with that trunk? Disposing of bodies? Did Jen and I go on a sleepwalking homicidal rampage, take a drive up to the Meadowlands and bury the incriminating evidence in a cement foundation next to Jimmy Hoffa?

We're on the run to do errands now, even with Sheriff Buford T. Justice and the law in hot pursuit. I wonder if we dug deeply enough? Curses! Sloppy work there "Stump Legs" Pedini. You're goin' to electric chair for 'dis one ya Mook! They'll never take me alive ya see! Nyah! Nyah! See!!! Nyah. Coppers.

What the hell.

My brain is a very active place and I'm leaving the above, just so you can get some semblance of what occurs when I free-form write and just start typing in the middle of exposition. I become Edward G. Robinson Apparently.

Okay. (Neck crick) Yeesh. Gotta shake that image off.

On today's agenda, Jen goes to get her taxes done while I currently sit here doing our fine washables. Even if we're busy before we pick up Gina from her "Father's", we at least are spending time together, and that's been more often. I'll find out within the hour if we're screwed, blued and tattooed (too late) or if the Gods see fit to cut us that ever-lovin' break I've been lamenting so we can have more time together and I can see Gracie more often.

Even though I've mentioned that I don't believe in luck, I'm ironically superstitious. You know, throw salt over your left shoulder if you spill it, seeing the clock at 12:12, 11:11, 10:10, incessantly, MUST MEAN SOMETHING! I'm a nut case.

Ooo. My phone is blinking, this must mean news from Jen and taxes. Fingers crossed (sigh).

...

...waiting...

...

PHEEEWWWWW. Slight, collective sigh.

We're not screwed and blued but we are still tattooed.

I'm talking a large breath. After my next two weeks of gigs, getting money from being Sackboy a couple weeks ago and my own tax return (hope, hope), this may be our new start. It's been a damn difficult time in the past year and 2011 may have us seeing some sunshine. But not too much, we like dark, dark is good.

There were just as many very good things about 2010 as there were horrible, but on the whole, this year HAS TO be better. Not trying to thumb my nose or shake my fist at chaos, random events or entropy, but it just HAS TO BE! Shaking fist, nosy thumb. I can then spend more time with Gracie, pay off a couple debts still lingering, we can catch up on bills, get back to even (sort of) and then may have to up and move on top of it. We'll see.

But the evening is upon us, we'll wind down for a bit and tomorrow, I begin to get organized for the week before I go away. Gotta do my taxes. And you know what? In 2010, I actually made the most money I ever have in 18 years as a Performing Artist. Huh. Interesting. Good thing with the year I had. Also, we have our first Band rehearsal in two months since we've been gigging so often. Yet, we still have 2 gigs this coming weekend with some new songs.

Keep moving Sharkey.

It's a nice day to start again

January 29th, 2011

Actor's blog. STARdate 012911. It's Saturday, LET'S JAM!

Ever have one of those days where you really wish you could have a do over, but as the day progressed, it turned out okay?

I'm most definitely exercising the right to talk about the good part(s) of the day first. Saw Gracie first half of the day and not only were we happy to see each other, but we got to play all afternoon. First in her toy closet, then we watched a SpongeBob marathon and then played Angry Birds on her iPad. An addictively fun game, especially when you share and tag-team. We unlocked 5 new levels! It might be good material to base a satirical sketch on. Like, I have the time to write between this blog, other projects I'm writing and producing in limbo and gigs I'm doing. But, still my brain is formulating ideas containing great hilarity.

Gracie got clingy, as did I, when I had to go catch the bus to get into the city for my gig. She is such a good girl, understood I had to go, but still didn't want me to.

Whimper.

It's always awkward when Gracie thinks that just because Daddy's there, he's home and is gonna stay. But Cat and I tell her that I have my home and they have their home and we both Love her more than anything, even if we don't live together.

She's much better than in recent past visits for certain, but it doesn't make it any easier on anyone. Cat and I are cool with each other, but it still sucks. Grumble.

Mneeeyhehwhuhuhuffqwgahds.

Oh my. I just channeled Angry Birds and Strong Bad. Holy Craaaaap.

Sorry, shakin' off the bad juju. Another good part of the previous 24 hours was that Jen and I had a very nice evening Friday. Spent some quality time romanticizing  after Gina went to bed. We didn't go to sleep too late, however Gina was up before 5 which soured our chances of sleeping in.

Ngnnnnfensphngshgrrrrr. Grumble Grumble.

She's been cranky for no good reason the last few days, but you know the twos & threes. The years where they're inquisitive, have questions about everything and they ask you the same question twice, so you answer it calmly and politely twice. Because you know damn well you have to keep your cool for an inevitable third and perhaps even a fourth time, so you're patient in the midst of frayed nerves. But you were probably the same way at her age. A two or three year old thinks it's all about them and don't know any better because they're only two or three. So she's been driving Jen cuckoo, and her Ex finally decides to take his own Daughter for the afternoon until Sunday night after 2 1/2 weeks of juggling "priorities". That's all I'm gonna say about that.

An issue that hung like a pall over the day, in addition, was that our living room apartment wall/ceiling is warped and starting to cave because of the accumulating snowfall and flat roof we have on the building. The Landlord had the Maintenance guy come and as we suspected, there's black mold. Which most likely has been there for a while. Might account for some lingering health issues Jen & Gina have had lately. I've spent a good deal of time working in the city, so me, not so much. Also, there's small holes in the attic roof, letting in a draft. We may have to move. But that's not even the suckiest thing about having to move. It looks like Jen won't get back nearly as much as we though from taxes because the government has garnished her unemployment insurance refund because they don't have the necessary paperwork. They actually do, and she submitted it, but they're of course denying it and we need a lawyer to contest it. Man, it's like the government nickles and dimes the working class, because they overspend everywhere else and we're always the ones who get it in the ass.

Fuck it.

The government, not our asses. Ouchie.

I think I may get some money back, but am not counting on much. It all depends on filing "Single" now, with a child and child support, and most of my income being 1099s. I'm Filing at Actor's Equity this week for free w/my Union card (SAG card works too). Membership does have it's perks and privileges, but as to not be disappointed when I get everything calculated, I'm expecting diddley squat. If I do get anything, it will be a nice surprise. Ahhhhh. The life of the disappointed Artist.

Zzzfshhhhhknkplnnntmmfrkconfoundedbcnfrshdndgrrr.....MAN!

Can we get a fuckin' break?!

Zen.

Find your Zen complainy-pants.

Jen and I are still very, ridiculously happy and I'll be home Sunday - Tuesday before I have to go into the city again. And the Gracie visit was a very nice, happytime, good, positive visit.

Another happy to round out the day, the Band had a gig on the Lower East Side in Chinatown.

LET'S JAM!!!

It was at Bar that didn't scream the word "Dive", but it had it's Divetastic elements that I always appreciate in a rustic, NYCity setting. It had a very groovy, decent sized stage downstairs and a pretty adequate sound system. Yet another Private 80s Party and once again, most people did a bang-up job with costumes, accessories and hairspray. It was a KICK-ASS show courtesy of Your Friendly neighborhood White Wedding.

The peeps went away very impressed, more than excited by the evening, we even got fed, very mediocre pizza, but hey, it was free. Although, Dave got some roast pork that he wasn't about (It's Chinatown. Mrrrowwwr...here kitty, kitty...) so I tried it, it was good and improved the pizza a bit when I infused the two. We got some free beers, quality was sacrificed again; Bud, Bud light, nothing fantastic. But no complaints for freebies, yet there was a small beer bottle that caught my attention called Sessions that was okay. I dug it HepCats and Daddyos. Had a very retro look, feel and taste. Yay for free stuff since I was dirt poor before last night. I only had enough money to get back to the apartment after the gig, so I walked from Port Authority to the Lower East Side past Delancey coming back from seeing Gracie in Suffern. It was a hike, but my fat ass needed it and I was able to window gaze a bit. But let's not forget about a nice payday that made my feet feel better. Or payevening for us opposite schedule Night Owls.

Here a couple pics I got on my long trek downtown:

Hootey Hoo!

Dat-a sure-a eeza spicy meatball!!!

January 28th, 2011

Actor's blog. STARdate: GetInMyBelly! It's Friday! BITE ME!

I'm telling you most sincerely, that having theme days makes it not only easier to pick out a subject, but also keeps me from delving into a dark recess of my busy cerebellum, filled with confusion, mired in worry and diving into the bleak chasms of my...HEY MELON HEAD!!! Man, gotta stop doing that.

Okay. Foooood.

My Fatherland is Italy. I'm half-Italian. My Motherland is Canada. I'm half French-Canadian. So when I go to whack somebody because they didn't pay the Godfather, they'll probably find me because I left traces of Maple Syrup and my cuddly pet, Fluffy, left Moose tracks.

It's not that I don't love jelly doughnuts, Kraft Dinner, Bumbleberry pie, a 6 pack a Tuborg, 5 Golden Tukes, 4 pounds of Back Bacon, 3 French Toasts, 2 Turtlenecks and a Beer in a tree. Thanks Doug & Bob. Now take off you Hosers.

But growing up we were more heavily influenced by my Dad's side of the family. The Italians. So, my Mom learned how to cook Italian and many, many meals, especially Sundays and Holidays, made by my Mom or Grandmother were brimming with pasta, meatballs, breadballs (a favorite of my Brother's and mine), baked ziti, meat, spinach and cheese breads, bracciole, ravioli, hot sausage, chicken and veal cutlet parmagiana, Italian grinders (the New England style sub sandwich), Sicilian sheet pizza, Italian cookies, cannoli, espresso and all finished with a shot of Anisette. I just drooled on my keypad. Again. Gotta stop writing these every week when I'm hungry.

Even last night, Jen, Gina and I treated ourselves to Pizza because we prepare meals probably 5-6 nights a week. It's easy and delicious Italian fare: sauce, cheese, hand-made dough sprinkled with spices and parmasean. Mmm. Courtesy of Serpico's Pizzaria down the street.

I'm gonna miss my buddy Pete DeGiglio's Birthday Timballo celebration on Sunday. Make sure to follow his entertaining blog, as another Brother of the fold Actor and just a super-talented, awesome Guy and Pal of mine:

Peter DeGiglio - The Skinny http://petertheskinny.blogspot.com/

In his honor, I'll give you a the recipe for today's theme that he so generously makes for his guests. I've been to a couple past celebrations, being a Paisan and a fellow, hungry, good friend, am SO going to miss the deliciousness:

Timballo Di Tagliolini

Timballo, or Timpallo, means a drum, as in the timpani of a symphony orchestra. A number of years ago, in a movie called "Big Night," the preparation of a timballo di maccheroni was featured and made a big impression on audiences.

The dish contains; pasta of some kind, ragu, sausage, tiny meatballs, salami, prosciutto, porcini, green peas, cheeses, hard-cooked eggs, chicken livers -- in short, all the ingredients that might go into an elaborate baked pasta can also be layered in a sweetened pastry crust and baked into a free-standing drum.

To make the pastry:

1. Combine the dry ingredients in the bowl of a food processor, fitted with a metal blade, then add the butter cut into 1-inch pieces. Pulse the flour mixture and butter together until the mixture resembles coarse meal. In a small bowl, beat together the egg and the lesser amount of milk, then pour it into the work bowl. Pulse a dozen or so times to mix thoroughly, then let the motor run a few seconds, until the dough gathers into a ball. If the dough seems dry and doesn�t quite hold together, add a little more milk. Remove the dough from the food processor bowl and place it on a board. Knead it a few times. Let it rest under a kitchen towel. Divide the dough into 2 portions, one about 3/4 of the dough for the bottom of the drum, the remaining 1/4 for the top crust. Form two 1-inch-thick disks, wrap them in plastic and refrigerate (to rest) for at least 30 minutes. (If refrigerated longer, return to room temperature before rolling.)

To make the ragu:

2. In a 3-quart saucepan or casserole, combine the onion, carrot, celery and olive oil. Set over medium heat and cook, stirring frequently, until the vegetables are soft and beginning to brown, about 20 minutes. Add the chopped beef and stir well to mix with the vegetables. Continue cooking over medium heat until the meat has lost all its raw color and has started to brown, about 20 minutes. Add the Marsala and the white wine. Let cook another 3 minutes. Add the pureed canned tomatoes and salt. Simmer very gently, uncovered, for 1 1/2 to 2 hours, stirring every 15 minutes or so and making sure to scrape down the sides of the pan every time you stir. When finished, the meat should still be covered with sauce. Add water a little at a time, if necessary. Allow the sauce to cool, then skim off any fat that has risen to the surface. The sauce can be made ahead, cooled and refrigerated until the timballo will be assembled, but make sure to cool it to room temperature, without stirring, before refrigerating. That allows more fat to separate and rise to the top.

3. Just before assembling the timballo, with the sauce skimmed and just warm, pour the sauce into a strainer and strain the meat out of the sauce. Reserve the meat and sauce separately. You should have a little more than 1 cup of sauce without meat.

To make the white sauce:

4. In a small saucepan over medium heat, melt the butter. Stir in the flour and cook for about 2 minutes. Pour in the milk and stir vigorously to combine. Stirring constantly, cook until sauce simmers and thickens, about 5 minutes. Season with salt, nutmeg and pepper. Cover and set aside.

To prepare the peas:

5. Place the peas in a skillet with one tablespoon butter. Cook, stirring occasionally, over medium high heat, until heated
through, about 2 minutes. Cover and set aside.

To assemble and bake the timballo:

6. Butter a 9-inch springform pan. Preheat the oven to 425
degrees.

7. On a lightly floured board, roll out the larger disk of dough
into a circle at least 16 inches in diameter -- large enough to
cover the bottom and sides of a 9-inch springform pan. Then roll
out the small disk into a circle at least 11 inches across.

8. Gently drape the larger circle of dough over the springform
and carefully fit it into the pan. Let the excess dough hang over
the edge of the pan. Set aside covered with a dish towel to
prevent drying.

9. Boil the tagliarini in salted water until not quite done.
Drain it, then toss it in a bowl with the strained sauce from the ragu, mixing well.

10. Make a layer of half the pasta on the bottom of the
pastry-lined pan. Make a layer of half the meat. Make a layer of half the white sauce, then half the peas, then half the grated cheese. Repeat with a layer of pasta, meat, white sauce, peas and cheese. (There will be some sauce left in the pasta bowl. Mix it back into the remaining meat for the last layer of meat.)

11. Cover with the top crust and cut the pastry to shape. Brush
the edge of the circle with the beaten egg and pinch together.
Use the remaining egg wash to brush on the top pastry. Cut 2 or 3 slits in the pastry.

12. Place the timballo in the next-to-the-lowest rack for about an hour, until the pastry is well browned. If necessary, after 20 to 30 minutes, drape a piece of aluminum foil over the top to prevent it from browning too much. Remove the foil for the last 5 to 10 minutes of baking to make sure the top is well browned. When done, the pastry will have pulled away from the sides of the pan slightly.

13. Let the timballo cool 10 minutes, then remove the springform ring and slide the timballo onto a serving platter. Serve hot.

And there are hundreds of wonderful Italian restaurants in the NYC Metropolitan area that include Long island and NJ, but I love so many I've been to and this one of the best. It's on Mulberry Street in the heart of Little Italy:

Il Palazzo - Little Italy, NYC

http://www.littleitalynyc.com/ilpalazzo/

It's Thursday! GLOOM & DOOM!!!

January 27th, 2011

Now last week I whined and morosed (I made it a verb) about how crappy things can really get. As STRONG as I tend to be in moments of great adversity, how BAD, SAD and just plain MAD the Universe seems seems to be treating my life, even though it's not as bad as all that. How things don't make sense and no matter how hard I work, I'm doomed to fail. This life of an Actor is so frustrating that I just wanna defecate at random moments and have a POOPSMITH follow me. I am unfortunately not THE KING OF TOWN nor do I delude myself into thinking that my blog will make me a best selling Author or internet sensation when on Friday my theme will give you a recipe on cooking things like MARZIPAN. I never had a sports COACH give me pro-active life-lessons from a to Z, and the cute cheerleader never let me shake her POM POM. Life can really CHEAT you. You hear me out there friends and BUBS? 

Makes me just want to weep. 

Sigh.

But TODAY I am going to give everyone reading, including myself, a present.

When life gets me down I turn to the internet. And not just any installment of MST3K that you can stream from your old television streaming channels, which I'll kvell about soon, but something that was created online, has remained there and may be one of the smartest, most clever and most absurd pieces of pop culture ever created. There is joy in the online world.

Because in this world there is HOMSAR Runner...No.

That's not right. Correction. In THIS WORLD THERE IS:

HOMESTAR RUNNER!!! 


www.homestarrunner.com

Even though it's not a FAVORITE theme day, once again I must share the joy with everyone reading if you have never experienced, heard of, or laughed til you cried. Or, peed.

Homestar Runner was created by Brothers Mark and Mike Chapman. "The Brothers Chaps" are the principal creators of the entire Homestar Runner body of work. The brothers create the cartoons using Flash out of their home in Decatur, Georgia. They are sometimes referred to by the acronym TBC.

In 1996, during the Olympics in Atlanta, Mike Chapman and his friend Craig Zobel created a children's book called "The Homestar Runner Enters The Strongest Man In The World Contest". They did this out of boredom and to satirize the poorly made children's books they saw at their local mall. After writing and drawing it, they copied about 15 books and gave them to some of their friends to read for fun. 

In 1999 Mike started learning Macromedia Flash and decided to practice on some of the characters from the original book. His younger brother Matt Chapman performed the voices for the cartoons and together they launched a website to show their close friends their cartoons. Word-of-mouth spread, and their website and characters have become a smash hit gaining an underground cult status. They have had numerous offers from cable networks to produce a cartoon, but have remained true to their own formula by retaining full ownership, rights and having the freedom to create their own work at their own schedule. In ten years they went from selling a few T-Shirts and sundries from their own homes, to needing a production and merchandising team of people to help sell millions of items from only their website.   

Mike is married to Melissa Palmer (The voice of Marzipan), and have one child. Matt is married to Jackie Chapman with whom they have two children. As of January 2011, their steady stream of cartoons has diminished due to their growing happy families and now produce new toons at the average of one every month or two, when at their peak, they produced two a week. Updates have become fewer, but sales of their merchandise and the numerous legions of fans has always been steady and continues to grow.

The Main Characters are:

 
 
 
 

   Pom Pom

 
 
 

    Coach Z

 
     

     Bubs

 
       
   
   Homsar
 

It's so funny, so cool and you feel like part of a secret society when you either quote, sound like or realize someone you know is hip to the experience. The website is incredibly interactive, has tons of short toons, a museum, games, welcome tutorials explaining the world and characters. The main toons are called Strong Bad Emails in which Homestar's Evil Nemesis in Free Country, USA (Population: Tire), Strong Bad, answers Fan's email on his Compy (and it's various incarnations of upgrades). There are also Big Toons, Teen Girl Squad, Cheat Commandos, Marzipan's Answering Machine, Peasant Quest, Holiday Toons (Decemberween Costumes Rule!), Puppet Stuff, as well as Character recreations, alternate Universes and the adventures of other secondary Characters. And most all have a surprise easter egg at the end, if you search with your cursor. Even MORE fun! Here's the site Wiki:

http://www.hrwiki.org/wiki/Main_Page

It has all the information you could ever want.

If I could do work with these guys, David Lynch or do multiple roles in a film like Peter Sellers did, I could then die a very happy Actor and never have to complain about my career again. But until then...

GLOOM & DOOM!

But here is my Top 10 Favorite Homestar Runner cartoons in no particular order...other than chronological...yeah):

http://www.homestarrunner.com/sbemail57.html
http://www.homestarrunner.com/sbemail58.html
http://www.homestarrunner.com/sbemail69.html
http://www.homestarrunner.com/tgs3.html
http://www.homestarrunner.com/sbemail118.html
http://www.homestarrunner.com/sbemail140.html
http://www.homestarrunner.com/sbemail141.html
http://www.homestarrunner.com/sbemail150.html
(This one, #150, Alternate Universe, proves HOW COOL The Brothers Chaps are. They love TWIN PEAKS.)
http://www.homestarrunner.com/buginmouth.html
http://www.homestarrunner.com/DNA.html
(And yet ANOTHER homage to TWIN PEAKS with - The DNA Evidence)

But even with a Top Ten above, what may be the BEST Homestar Runner cartoon, gold medal, ne plus ultra, my very own personal, and many people's, FAVORITEST EVER:

CRYING
http://www.homestarrunner.com/sbemail109.html

It's amusing and ironic how the majority of these Homestar cartoons include crying or mentally breaking down. But after watching dozens of these today looking for my faves, I'm in such a good mood. And now, Jen and Gina are home and I get to visit Gracie Saturday.

The heart of a Champion!

Don't crush that dwarf! Hand me the pliers...no wait. Oh that's not a dwarf, it's an underage teen. And they're not being CRUSHED. Aw man, they're...EEEEEW.

January 26th, 2011

Actor's blog. STARdate 012711.

It's WHERE'S SUBTLETY Whendsdays! I mean Wendsdays. Wed-nes-da...forget it.

TODAY'S subject for this week's thematarrific day is a HOT, STEAMY, SULTRY topic that to me, personally, is like taking a cold shower, rinsing my netheregions with alum.

It's all over the news, major corporate sponsors are pulling their ads, parents are in an uproar, an understandable one this time, and ONCE AGAIN it's thanks to our good friends at MTV. Who so generously gave us the inception of my WHERE'S SUBTLETY GeorgeWendtsday theme topic with the programming of the show, Jersey Shore. Which I understand will now be going to Italy to film season 4 because the Producer & Programmers say, get this, "The cast is headed to the birthplace of the culture they love and live by."

I see.

I've been to Italy and I've never seen obnoxiously drunk, gym-obsessed, fake-tan, boorish American Brats behaving like a bunch of spoiled infants. Unless they were on a European Spring Break in Florence. What's the biggest punchline of this whole concept? A couple of them aren't even Italian. Guess what? I'm not watching Season 4 either. Battin' 1.000! If they wanted to go to the birthplace of the culture they love and live by, just stay where you are and embarrass your fellow NJ residents. Please. Europeans can't stand Americans anyway because we're represented by schmucks like them. Sigh.

The questionable item at the heart of this week's subtlety discussion is MTVs new show, Skins.

I remember seeing ads on the big Viacom jumbotron when I was flyering in December. It was sandwiched in between commercials for new seasons of Comedy Central programming and Spike TVs Lingerie Football League. Yes, you read it right. Entertainment has fewer and fewer jobs for Actors and far more willing participants for televised crapola and expoitation.

Fuck it.

My impending failure may be becoming more imminent. I'm getting closer and closer to turning in my union cards and just dropping my pants at every audition. Even if they don't require me to. And even if it's an alternate/optional underwear day.

Before I get into a very brief summary, which will be so very brief because I'm not one to give too much attention or promotion to something I don't care for. It's also a discussion topic that precludes the need for briefs; I'd like to mourn the passing of MTV, yes, MUSIC Television.

Bow your heads.

Lights please.

Loved ones, friends and followers, I would like to regale you with a story of a simpler time. When my younger Brother and I were pre-pubescent saplings, relaxing on the steps of our colonial domicile, enjoying the green tinge of our youth. As the fresh dew cascaded off the morning grass, bright neon colors emblazoned fabrics, feathered hair gave off the fragrant whaft of follicular enriched mousse and you can bet my friends a REVOLUTION was beginning in this fashionably- challenged country called CABLE TELEVISION!

CAN I GET A CO-AXIAL HOOK-UP!!!

During the early days of that sparkling dawn, if you were fortunate enough to subscribe, you received a small black box which simply had one single dial that occupied approximately 60 wondrous channels on it's illusive, yet glorious band. I remember one beautiful channel in particular, # 14. That being Home Box Office (HBO). The heavens parted as your wrist carefully rotated to see the wonders of pay television late-night, after Mom & Dad went to sleep of course; colorful swearing, gut-spewing violence and boobies. Hee. My parental units most likely knew I would sneak peaks after dark. Mostly because there were no Parent Lock controls to have them do their work for them. Naughty, morbid and brimming with puberty was I, but as the years progressed, I had the courtesy, and the gumption, to ask if I could watch the latest horror movie premiere. They said yes. They had a somewhat liberal outlook. Even then, as it is now, gruesome carnage and gore was more acceptable than sex. I had to sneak the latenight peeps, but was allowed the violence as long as I "Don't come crying to us if you had nightmares." They knew it was fictional make-believe and even the Bible had it's fair share. They should take no fault or blame dear ones, tis just our repressed culture you see.

When I turned a mere decade and one years in this time of Yore a NEW, MAGNIFICENT and CULTURE-DEFINING channel was about to premiere: Music Television (MTV). Now, 24 hours a day/7 days a week you were served a heaping platformspoon of music videos beginning with The Buggles' "Video Killed The Radio Star". The very first music video to permeate the cablewaves. From here on out Artists like Cyndi Lauper, Billy Idol, Van Halen, Pat Benetar, Michael Jackson, Weird Al Yankovic, Bon Jovi, The Bangles, Madonna, Bruce Springsteen and countless throngs of others would have a technicolor soapbox to not only promote their albums, but showcase their creativity, or lack thereof, for an audience of captive millions.

And like the radio stations of old, the Music Television era had hosts know forthwith as VJs. I can recall ALL of their names like a cult roll call of Apostle-like personality: Adam Goodman, Alan Hunter, J.J. Jackson, Martha Quinn and Nina Blackwood. They appeared like friends, peers, hipster fashionistas who spoke to our generation with a common purpose and singular creed, "I want my MTV". We were amongst the converted who spent the better half of my younger days infusing my brain cells with musical memories that are now and forever burned on the brain. You could consider my Brother and I the faithful and devoted followers of the disaffected, radically rebellious and cathode ray tubular, "Twentysomething" generation.

Friends, some almost THIRTY years later, the tenets of which MTV was firmly entrenched and solidly built are now passe. Secondary stations still play those golden years, but they have transformed mostly into classic mythos. The holy, streaming waters of YouTube plays those bygone years for those who seek it, to reminisce but still feel the icy sting of wanting.

Let us now say goodbye to our old friend MTV, Music Television and take our own moments of silence for it's passing.

Twice the Sigh.

Now, I must elaborate upon the reasoning for my own heartfelt Eulogy.

MTV programming is becoming no more than a side show. A publicity stunt. A controversy flop house of irresponsibility and debauch. I am by no means against those principles or a Puritanical soul in the least. In fact, my values bend towards the philosophy of "everything in moderation". I have admittedly stated that I am not particularly religious. Spiritual certainly, and always searching for deeper meaning in the Universe. But TV is getting to be a tiny bit ridiculous. It's too much. TV has always been a commercial medium and the fact that mutliple advertisers are pulling out is a sign that this isn't just conservativism, but a bad idea.
There are those that are unfortunately too ignorant or responsible enough to handle this, and oh boy, we gots a slew of those types living here in the land of the "free". By and large, we hate taking responsibility for our own lapses in judgment. America, FUCK YEAH!

The Producers of "Skins" have repackaged yet another British show and attempted to sell it to the American People as a tamer version of itself. Showcasing teens drinking, doing drugs, having sex and participating in irresponsible behavior. Yeah. Tamer. They have said it merely shows what teens deal with and are just like in real life. They think that it's a purportedly intelligent, psychological framework. They say it tackles tough issues responsibly and with an air of sensitivity.

Huh. They make a big assumption that people in this mostly conservative country are ready to deal with that. They think kids DO NOT emulate what they see and that's the Parents responsibility, not theirs, to teach kids. Most Adults don't teach their kids because they're too afraid or ashamed. Okay then. MTV is taking the old, "It ain't our fault for programming this so just change the channel or be a responsible Parent" defense.

Why then are Parents surprised when they see this show on their DVR, when they didn't program it to record, even when they forbade their child not to watch? Or after ordering them to behave, tell them sex and drugs are just plain bad and then their own teen gets pregnant, goes to the emergency room with an OD or .20 blood alcohol level after they throw a party at their house when they're away?

Kids are watching regardless because the kids on the show seem cool, rebellious, they're on TV and because find kids find a way.

I can't say this show was a good idea even in the UK, but it should never have even been considered as an option here. People here in the US are not flexible enough with their attitudes on "tough" subjects like sex, drugs and booze when it comes to behaving responsibly. The culture has gotten more repressed and thusly, people act out even more.

Hell, I've even said it before that some Adults are kids themselves and how do you teach your kids how to behave when they can barely do it themselves sometimes. They have tons of Reality Shows on television RIGHT NOW showing grown Adults and even Parents acting just as irresponsible and immature as the kids do.

This is not to say our Parents acted that way. They didn't. They're weren't apathetic. They told us what we needed to know. They didn't give specifics or suggestions, but they did teach us respect and gave us some guidance. The rest was up to us to decide for ourselves as long as we were being "safe". I'm not going to speak for my Brother, but I was a tad irresponsible, took unnecessary risks and played with fire, however, I was never stupid about it. I was curious because I didn't have the facts and without knowing what I was missing, I got curious. Human nature.

Just talk, discuss, have a heartfelt, but productive, serious and understanding conversation with your kids and if you don't even have kids yet, either you just shouldn't (If you're too immature yourself and keep being a grownup kid) or make it part of raising them.

I'm better off because our Parents at least cared enough to talk about stuff, even a little bit, but a great many of my peers, friends and even loved ones rebelled HARDCORE because of lack of guidance or because their Parents didn't care or did it themselves.

Triple sigh.

Why not stop telling kids what they CAN'T do, because then it makes you want to do it even more. Right?

Maybe they can start by discussing with kids what you could do, might want to avoid doing or wouldn't do if I were you, but, I'm not you, however, here's what you should know. We all simply need to be careful and give the right information with an understanding intention. Cat and I see eye to eye about this with talking to Gracie when she gets older. Even with her Parents not together, we still love her just the same and want her to make her own choices, but give her the facts, never be afraid to ask questions and teach her to be safe and responsible by learning from our mistakes and from her own if she makes them. And she will.

Remember...You can catch more flies with honey than vinegar.

Try not to order, yell, forbid or force but talk and use some common sense.

(Snicker, SNARF!)

Sorry, it's just difficult saying that with a straight face when I saw an ample-sized, inebriated, 45 year old corporate Woman at my gig last week drone on loudly about how people don't do what she says, even her kids. She didn't notice I watched her say this while I was in the Sackboy costume. But then she saw me and ordered her assistant to take pictures of her "touching the sack" as she engulfed more mixed drinks and made more lewd attempts to be clever.

Look out Jersey Shore, Skins and Teen Mom! Here comes Pickled Unfunny Obnoxious Corporate Women of New York City!

It reminds me of a really funny bit Comedian Louie Anderson used to do:

Louie's Dad: I DON'T WANT YOU KIDS TOUCHING THESE TOOLS!!!

Louie: Well then, you shouldn't have told us.

Mister crescent wrench, how are ya?

I'm with The BAND

January 25th, 2011

Actor's blog. STARdate 012511.  

I'm calling a MULLIGAN! 

Since this is MULLIGAN TUESDAYS it should be no surprise to anyone, but today I am going to guild the lily and go on about a subject I just tackled Saturday. 

The BAND! 

Monday nights, for the past 4 weeks, has been 80s night at Brooklyn Bowl. As I've mentioned previously, it's the hip, trendy place to go in Williamsburg, Brooklyn. You can book a public Birthday party, or just see a Nationally recognized musical act on the weekends while you rock & bowl to a DJ/VJ...AND they have REALLY great food. I'm not kidding. Since we play, we get free booze, a meal freebies each as well and on top of that we get to sample the menu every week. It's really killer stuff. And I'm a self-professed foodie.  
Now, we're not a nationally recognized act mind you. Yet.  

But in the local NYC band scene there's only one other 80s band that we're in direct competition with as far as skill, show quality and reputation. I'm not giving their moniker, that'll give 'em unnecessary promotion, but their name is a popular 80s novelty gaming item, likely misspelled because of copyright.  And it's not Trouble with the built-in Pop-O-Matic. Although that would be a cool name. I would go to that show. 

Their Manager is the owner of a different hip bar and watering hole in downtown Manhattan and they're the regularly scheduled, contracted Saturday night party band. It's a cool venue and great exposure. Because of their connections, they've gotten more national notoriety in the past year and book retro, quasi-famous former 80s music Stars to play with them there. It's cool for them as they've also done some TV shows, had special coverage and peaked a bit in 2010. But it's almost seems like a curse, because that gig has them locked in and they only have scattered shows and appearances elsewhere on their calendar. I'm not guessing or trying to make us sound better. It's online in their news section on their site. The dates are all that venue and only 2 other shows in the next few months. Needless to say, they're our nefarious Arch-enemy. Lex Luthor to our Superman. Victor Von Doom to our Fantastic Four (Or Six in our case). The Cavity Creeps to our Advance Formula Crest Gel...you get the idea.   

There are actually 3 other 80s Tribute/Cover bands in the immediate area that we've been keeping tabs on, looking for, and spying on to see with whom we have to compete with. 2 of these bands are of no legitimate concern and look like start-ups. Another one though has a cool site, decent song list and good look, and it appears they may be following our lead as far as the type of show they put on. But their mp3 samples do not sound that great and we're not really concerned about them either. None of these other groups are too frightfully busy on their calendar as well. One of the least impressive groups hasn't posted news and dates in over 7 months! Not a good sign for them.  

That's kind of the way it is in the party band world; band members' priorities change, people get attitudes, egos, in-fighting, rehearsals become less frequent, line-ups change over and over and many people don't have the patience to gig for year(s) making hardly any money and always having to bring people("bringer") to bar shows. 

White Wedding has been through stumbling blocks like I just mentioned at one time or another. Nothing too soap-opera-y, from what they tell me, but the core of the group has remained because of the love for music, live performance, an affinity for 80s music and a singular belief that over time, things WOULD get better. And they did. It took about three years of hard work, before I showed up in August 2009 and then JC a few months after that, but we have just about arrived where we set our goals. 
We book about 5 different bar & grill type venues regularly (which give us a very fair base minimum salary, and no "bringer" requirement, although they appreciate it when we do), Private Event gigs like Birthday Parties, Reunions and even Weddings (which means much more $ and we're booking them much more frequently), we freelance with a few different booking agents and have freedom to play other multi-borough (including L.I.) venues helping us build a larger audience while still keeping our fan base. Yeah, we have fans and groupies who follow us around to our shows. They're all SO COOL and supportive. 

This positive word of mouth, client referral and constant promotion by our Agents, and our own self-promotion in addition, will help us book even more frequently multiple times a week (one of our goals). It's what we want and what we've achieved. We have a couple gigs coming up this Winter/Spring/Summer which will give us the exposure that other band captured some of...BBKings -www.bbkingsblues.com - on February 25th at 11PM anyone!?! This won't be our first gig at BBKings (I told you, the Band worked very hard before JC & I showed up) but I think this will be our biggest turnout and one of the most important events in our evolution. Brooklyn Bowl was also a big coup for us because it's the same people who book acts for BBKings. There is whispering in the wind to keep us at Brooklyn Bowl performing a few more times after our Monday night "residency". 

This month has been UNBELIEVABLY COOL as far as the sheer number of gigs we've had per week. Winter is usually a death knell for Bands and gigs alike. But we're the busiest we've ever been, have been making more money than we've ever earned AND we are sounding tighter, musically cleaner and so comfortable with each other onstage that we've hit our stride. Diamond Dave, my bass-playin', bandmate benchmark, said to me last night, "Most Bands plateau at a certain point musically and are happy if they just remain consistent. But we keep getting better and better and it's unbelievable how the crazy the crowds get now." He's right. And what's more astounding is that in lieu of rehearsing, we're learning songs on the fly, performing them cold, and they sound as good as if we spent hours rehearsing them. That DOESN'T happen normally. It really shouldn't, but the Private Party we had Saturday requested "The Promise" by When In Rome on Wednesday for one of the birthday Boys. We could have said no, but we were all game to try, learned our parts by ear, did it Saturday and the client was ecstatic because she knew we hadn't rehearsed it. And then we did it last night and went over BIG! The crowd loved it.

That's why we do it. People are so happy when we play well, when we do our very best to accommodate requests either before or during the show and the very possibility for us to add MORE to the show creatively and make it even better than it already is, excites us all.

This shows that hard work, practice, commitment, reliability rehearsal, going above and beyond and finding the right balance when it comes to your career choices and people you work with is always of supreme importance. When you give less than 100%, and half-ass things in any part of life, it effects everyone around you and leaves you with only half an ass.
That make wearing pants a little awkward.  

The future looks bright but you know what I realized about this post? I haven't said anything negative about myself, my career or how NOT to succeed in your acting career.

Why am I a FUCKING mentally and emotionally deranged IDIOT?

Even after all this positivity and Band lovefestyness, there's a possibility that our gigs will dry up, venues cancel & our dates could go to other bands or we could lose a band member from a random act of chaos.

Why do I do this to myself and my brain? You know what this stems from? I did something yesterday that I ignored, but still sent my brain into a bad headspace. And I swear, if I ill-advisedly step on a scale again, EVER, knowing that even if I feel good, I'm gonna be unhappy with what it says...I'm sticking large garden gnome in an uncomfortable bodily orifice. 

And not in a good way as if it were some sort of kinky, post-gig Band orgy.

With that in mind, here's a picture of such an object to give you a sense of scale and let it invade your consciousness as to how such a thing would feel.

Enjoy!

I feel like I'm at a crossroads, and there's like, a Denny's on one corner, and an IHOP on the other

January 24th, 2011

Actor's blog. STARdate: 012411. It's FAVORITE Mondays!

Last week I went and got all "funny in the head" talking about my favorite Actor, Peter Sellers, and other Actors whom I find particularly groovy.

Today, I will discuss the fairer of the sexes with my FAVORITE ACTRESS(ES). In all honesty I do not have an absolute favorite like last week, but what I'll do is give a list that is similar to my list of Male Actors: Character/Lead Actresses that I find to be risk-takers, no fear in taking a role that would be too over the top, make them look funny or hideous and they also need the ability to have a sense of humor about their work and themselves. These ladies have those same qualities (Well at least as far as I know, they could personally be shrill fish-wives, but a man can still have his fantasy that they're just bustling rays of sunshine accoutered in lycra, right?):

Bette Davis
Lucille Ball
Anne Bancroft
Dame Maggie Smith
Dame Julie Andrews
Carol Burnett
Cloris Leachman
Madeline Kahn
Gilda Radner
Dame Judi Dench
Dame Helen Mirren
Meryl Streep
Emma Thompson
Jodie Foster
Helena Bonham Carter
Tracey Ullman
Kate Winslet
Cate Blanchett
Reese Witherspoon
Hilary Swank

I know, again, a lot of Brits and comedic Actresses, but all of these lovely Ladies are impressive and if I've left a few out, it's not because they're not great, but these are ones I like personally.

I'm a cuttin' today's post short because it's a long week a-comin' and I guess once and a while I need a real break. Maybe I'll update this post when I have more time and actually pick a few Ladies who I REALLY like and why.

Ain't NOTHIN' like a DAME! (Literally and "figuratively"...Rrrrrooowwwrrrrr) Actor's blog. STARdate: 012411. It's FAVORITE Mondays!

We now return to your regularly scheduled program, already in progress

January 23rd, 2011

Actor's blog. STARdate 012311.

Sunday. Theme today? RESPITE.
This'll be a brief post every Sunday, cause I need a break once a week, but knowing me, it'll probably just fall short of my usual Moby Dick-like novel but longer than an O Henry poem. Huh. Dick-like. I'm such a Knucklehead McSpazaron.

I'm working on a new project. Spent this afternoon at my good friend's apartment and I can't divulge what it is, or, who we're working with yet, but sufficed to say, it's top secret.

Well, not so top secret that the Secretary will disavow any knowledge of my actions, or, so secret that if I told you I would have to rip your ears off, gouge your eyes out, sew your lips shut, bash your head in or rip your appendages off so that you couldn't hear, see, speak, think, write or foot morse code the information I told you to anyone else. That would be just plain wrong and a wee bit messy.

Wait, what was I talking about again? I honestly forgot. Freak. My brain is a dangerous place to be in. Information just slips in and out of the transom of my consciousness.

Yes. That's exactly it. so let's keep it that way and forget I even brought it up in the first place.

So anyway, about this new project: It's such a COOL idea and I'm really honored and flattered that I would be asked to participate. I really believe that being asked to help develop this from the ground up, laying the foundation and workshopping it with some very talented fellow Writers, Directors and Producers, that this has a real shot to be something that will make some big noise in the theater world.

And those of you reading who have been paying attention to my failed example of being in the entertainment industry, listening to my tales of woe, my stories of limited personal and professional triumph, ongoing frustration and continued banging my cranium against a brick wall?

I Don't wanna jinx it, because I don't believe in luck anyway, but this particular day of rest in which I speak of a project that I was invited to be a part of because I do my job well, network, stay in touch with people I know who are equally talented, may not have a name yet, but are on as equal footing as you in the talent department, whom you trust and can collaborate with to create a piece of work that could very well be the break you've been working your whole career for...

...Well, I'm not putting all my eggs into getting my hopes up a shot in the arm to choose your own idiom...

...But I'll keep everyone updates when things progress. Until then, we'll have to wait and see. However, to keep you occupied til tomorrow, please wait while you listen to some light music:

"Girl From Ipanema"

Astrid Gilberto & Stan Getz
  

Tall and tan and young and lovely
The girl from Ipanema goes walking

And when she passes, each one she passes goes - ah

When she walks, she's like a samba

That swings so cool and sways so gentle

That when she passes, each one she passes goes - ooh

(Ooh) But I watch her so sadly
How can I tell her I love her
Yes I would give my heart gladly
But each day, when she walks to the sea

She looks straight ahead, not at me

Tall, (and) tan, (and) young, (and) lovely

The girl from Ipanema goes walking

And when she passes, I smile - but she doesn't see (doesn't see)

(She just doesn't see, she never sees me...)

We'll be back. Right after this.

Late Night Double Feature Private Show

January 22nd, 2011

Saturday's theme, one and all, from here forthwith, will be known as the entity, titularly entitled:

LET'S JAM

With the one possible exception of the second weekend in February (I go for a week to the Midwest to train the new Emcees for StarQuest, my old touring gig) White Wedding will have, and has had, a gig every Saturday night. And those weekends that are open in the spring will most likely be filled into the summer. We've been booking new and old venues like crazy. As far as party Bands go, we've just entered the elite position of 2 shows a week, making significant income.

Free weekends have been rare and the two weekends I did have free recently were due to the Holidays. It was a nice break because I really missed Jen especially. We've had some tough times, but we're working through them. She works SO hard during the week, full-time as an Electrician/Office Manager for her security systems company. She wakes up at 5:00, with Gina, drops Gina at day care, goes to work every day, picks her up, then goes home, takes care of her and the dog, til 9pm. 5 days a week. She does it all without ANY financial help from her Ex, Gina's biological Father (Hell, I help pay for day care and our apt bills where we all live), and he still only takes Gina on weekends 1/2 the time. Jen barely gets time off and can be considered a FOR REALS Super-Single-Mom.

Because I gig and work full-time in the city, I stay with Bob & Danna in Brooklyn, in my old apartment and throw them a few bucks, to save money on travel (it's expensive to train round trip to Central shore NJ every day), and I only get to be home a couple days a week. We're still winding up barely getting by. I've had friends and family who have been generous enough to lend a hand when they're able, and I do my best to pay them back, or pay them back eventually. But Jen and I do our best to stay afloat, appreciate the time we do have and I enjoy playtime with Gina when we have it. Things are getting a bit better time-wise, but it's a real challenge.

I STILL find a way to see my own happy Girl Gracie once a week and help support her financially, with what I have, without going broke. It's the life of a freelance working Actor. At least a freelance Actor that hasn't gotten his big break...yet...

I suppose weekly gigs (Twice a week now, on average) are my own release and therapy. Tonight's gig is a Private Party in the Gramercy Park section of NYC. They're having an 80s Birthday Bash at a Country Western Bar. Hmmm. There's a Jungian quagmire wrapped in a Hank Williams Jr. nightmare right  there. But we did two huge sets, Double the FUN, and if the bar didn't shut us down at 2am, the party organizers were about to shell out even more money to have us play a third set til 4. That's how cool they were and how well we did our job!

There are about 75+ people here ALL dressed to the nines in 80s garb. I bet a number of them weren't even born in the 80s, but, they have to be the best looking and most enthusiastic group we've EVER SEEN! They're singing along to the tunes, they're dancing, having a great time and they paid us what most bands dream they rightly deserve for a night of work. And they let us know that we exceeded their expectations!

This will hopefully book us more work, and even if it doesn't, they were insanely happy. That's paramount. Even if they paid us half for what we did, we would STILL have given them an all out show because that's what we do.

And at this point, since you may indeed be wondering, what I should do is have you MEET THE BAND!

This is WHITE WEDDING...

Mike (Doc Brown): Mike is our fearless leader, "Who makes all this time-travel possible". He started the group, began the concept, still books gigs, refines our image, buys the costume pieces and props with money we earn, does most of our set lists and plays lead guitar. He actually used to play drums for a "Smiths" Tribute Band, a fact which I personally love. He knows what's best for us, is the backbone of the group and has such an awesome, hardcore, kick-ass stage presence for someone who is a really unassuming, sweet Guy offstage. His beautiful Wife, Tawni, used to be our keyboard player. But they both recently had a gorgeous bundle of joy, Thora, and she spends her time now not only being a Mama, but being a counselor, and had to sacrifice playing in the Band unfortunately. We miss her out there. I Love 'em both and Mike keeps our tight ship afloat.

Hey! I'm a poet and didn't even realize.

I'll make a blanket statement that I LOVE ALL my Bandmates, so that I'm not being redundant. Just FYI. They're all cool, chill and bring their own unique mojo to our growing musical enterprise.

Spike (Animal): Spike is the drummer, "He don't wanna work, he just wanna bang on his drum all day!" I can safely say there have been only two people I have ever known who have had an almost INFINATE knowledge of music. My friend Mark Levy, who I mentioned in an earlier post as the hipster from Austin, who knows Bands, new music, old music and can access an encyclopedic knowledge of almost any genre. Then, there's Spike. Spike not only has that same wealth of knowledge, but being a working musician, has the advantage of knowing the nuances of performance in almost any type of music and appreciates the rich foundation of which it was built on. A Hep-Cat, mellow Dude, the one to hang out with late night, and I always have a good time with. He's always there if you need help and is a really good friend.

Nancy (Billie Jean): My partner-in-crime out Fronting the show, she's the one "Who will dance, on the floor, in the round". One of the kindest, most gentle, genuine and talented people I've ever worked with. And she has a great affinity for New Orleans, never a bad thing! A phenomenal singer and has so much more presence and confidence than she gives herself credit for. In that respect, we're very alike as kindred souls in our ongoing battle against our own worst enemies - ourselves. That's the Singers/Actor's life for ya! However, she's one of the strongest people I've ever met. I don't mean mere physical strength, but in spirit, soul, sheer fortitude and having the will to persevere and move forward even in the most dire of circumstances. I think she's even stronger than me in that respect. And her Parents are the nicest, sweetest people you could ever meet and support us at many of our shows. I wouldn't want anyone else other than Nancy next to me up there out front. I love her so very much.

Dave (Diamond Dave): "He's just a Gigolo and everywhere he goes, people know the part he's playing". Well, sort of. Dave is our bass player, a fiercely intelligent, stand-up Guy, honestly tells-it-like-it-is and always keeps the rhythm down under. In his way, Dave is quiet when it comes to himself and will certainly share, even though he's very self-effacing and modest. But when it comes to how well he plays, what's best for the band  and how enthusiastic he gets when we are kickin' ass, he let's it all out! He's committed to his craft (He's played Carnegie Hall!) and often kids about how "No one really cares about the bass player". Well, the funny thing is, of the bass players I've known, they actually care more than anyone and are one of the coolest Guys out there. Because he seems so quiet and in the background onstage, you would never suspect he's the most serious of all of us, but it's in the best way you can be. He's my litmus test as to how well we're doing. If Dave thinks we're doing well, than we MUST be doing well.

JC (Amadeus): JC and I like to kid the Band that things really didn't take off until WE got into the group!  He's "Straight from 1785 and he's here to Rock You!" When Tawni left, we auditioned for a keyboard player. We had a number of people come in, but not only did he have the mad skills on them 88 keys, but he had the contacts and was serious about succeeding with the Band. JC is a native Brooklynite. He's our "Wheeler & Dealer" and does the majority of our bookings. Since he joined the band, our bookings have doubled and we're getting more NYC high-profile gigs. He is an unbelievably quick study, for not having been a purveyor of popular 80s music, has been on the circuit of over 20 years and possesses a great head for business dealings. But GOD FORBID if you haven't seen The Good, The Bad and The Fuckin' Ugly. Fuggedaboutit. If we ever needed to hide a body, he would knoe EXACTLY where to go. You Capisci' Paisan?

We're now at the point where we're gathering a following, musically we're playing better and better and we've achieved the status of a real force to be reckoned with in the world of event Bands.

We're hoping that we book even more, and have even groomed Understudies for us. Thanks to Dan (My singing understudy) and Marco (Mike's lead guitar understudy) for helping us out if we get even busier! We're mini Rock Stars...I'll take it!

Rock & Roll.

T.G.I.FryDay

January 21st, 2011

Actor's blog. STARdate: 12111sies. Friday's theme: BITE ME

Since I spent a great deal of time venting yesterday and last night, and notice that my Tuesday post was thinking I was gonna suck, I'm going to the lighter side and gonna whip out a happy! 

Maybe I need to not take things so seriously and TREAT MYSELF!

Okay self. What do you wanna talk about. Hey...I'm peckish. That's it!
 
I love FOOD. Food is life. Food is love. Food is better than sex...sometimes. What is it that makes one of our most primary instincts of survival so tantalizing? The taste? The portions? The meat gravy?

Another question I dare ask, (Dare! Dare!) is what does this have to do with Show Business, the Entertainment industry, and my (our) place in it, so that I may impart a modicum of "wisdom" thy way fair Gentles? 

...
...thinking...
...
...rationalizing...
...
...crap.

No. Food is not crap. Honestly, a through-line doesn't immediately spring to mind. What I WILL do is give you some examples how food permeates the industry and where it's place is, in various sundae, I mean sundry, ways. And, I'll even throw in a recipe every week AND give you a recommendation to go patronize a restaurant or reasonably priced food joint here in NYC! 

There. Justi-FRIED! How do ya like them caramel apples? Man, I'm hungry already.

Ever see The Godfather? Or Goodfellas? Eat Drink Man Woman? Iron Chef? Cake Boss? Julia Child (for all you old-schoolers)? Or all those Discovery or Travel Channel shows about the best fast or comfort food shacks? Man, I always wanna eat everything that I see in those movies and shows. Take Blake Edwards' film The Great Race, with Tony Curtis & Jack Lemmon. They had the largest pie fight ever in film history. Sure, it was impressive and I would love to beat that record someday in a Slapsticky film I Write & Produce, but what I was REALLY thinking? Look at those pies they DIDN'T use. I'm pretty sure I saw some banana cream and triple berry running down the walls with gallons of whipped topping everywhere. Mmmmm. Wonder if they had a "pie" themed wrap party.

I piegress.

If you place delicious looking food in a movie or show, I guarantee, a great many people watching will enjoy your movie or show several "Rotten Tomatoes" more for a reason you may never even intended. For example, Soul Food, a good movie, nicely Acted, a bit overwrought and laboriously unoriginal at times, but EVERY SINGLE time they prepare Sunday dinner, with the one exception being the one time the little sister failed because she did it alone, I wanna jump into the screen and CHOW DOWN! And you remember those moments. They intended to do that and I could care less about the sex scenes and story most of the time, because it was all about Big Mama's Sunday Dinner.

Even behind the scenes of a production shoot can be equally as appetizing. When it's a production that has money behind it, craft service is able to not only provide yummy junk food AND healthy snacks, but some of the things they can whip up on a long shoot day? Ultimate omelettes and bagels with lox anyone? And when the ass-busting crew and fortunate cast get the occasional shrimp & lobster for dinner? One time, I was a Stand-In for a TV show. Good work, steady, great pay and got to know everyone. It was cool. But when one of the Producers went down around the corner while we were filming in the Bowery, he had 3 PAs bring back the ENTIRE window of a Pastry Shop. I shit you not. A dozen boxes filled with the most delicious patisserie you could have. There was only the crew and maybe 2 of the lead Actors and the Stand-Ins. So, there were no background Actors (Union or Non-Union) to provide for. No wonder some productions go over budget and spend needlessly, but...Man. It's livin!

And I've gotten PAID on top of THAT to experience things like that. Not a surprise that there are always so many wanna-bes in the industry and so many spoiled Actors and Actresses who are given whatever they want on someone else's dime. Sometimes there is a weird delineation between Union and Non-Union food quality-wise, and I suppose it's understandable with budget constraints (keep buying out Pastry windows Guys), but even non-union eats, are still hearty and part of the deal when getting fed AND paid.  

When not working on set and sitting on my fat ass on the laptop or at home, I REALLY enjoy the show Man vs. Food on The Travel Channel. Not only does it showcase some AWESOME foodstuffs that I have had the pleasure sampling touring around the country, but it celebrates excess. One of my favorite leisurely pastimes. 

It's easy to like Host Adam Richman too. He's affable, jocular, damn clever and he LOVES food. He loves it to the point of making him sick. The "hook' of the show is that he's a kind of food "Prize Fighter". He's not a competetive eater, he just has a huge appetite and takes on eating challenges all over America. He has to defeat each food challenge he's presented with and then answer a barrage of questions from folks who witnessed his "battle". It's got great production value and the way it's handled in the post-process, they actually give eating some drama. He sweats, he pauses, he loops a voiceover track onto to the episode afterward AS he's giving live running commentary, WHILE consuming AND they get on-the-spot reactions from spectators. Eating drama. Who knew?

To justify this seemingly disgusting Host job (Hell, sometimes I want his job), he states in interviews that it celebrates indulgence. Nah. Indulgence is when after your HUGE meal in Little Italy you go to the all-night Ice Cream/Gelato parlor around and "indulge" in a chocolate covered cannoli with a Kahlua & cream Cappuccino. Adam celebrates GLUTTONY and it's like looking at a traffic accident. But hey, that's the American way. Huge portions and an endless supply. I can't judge, but I exercise moderation. It may be different if I got PAID to do what Adam Richman did. You can't watch, but can't seem to turn away, from the sheer volume of delicious food he is ingesting over a short period of time for no other reason than you get a T-shirt and your picture on a wall. 

Wait, traffic accident, train wreck...this sounds awfully familiar. I talked about this type of programming (i.e. Jersey Shore) in my blog a couple days ago on WHERE'S SUBTLETY Wednesdays (What hump...? January 19th, 2011).

NOW, does this show fall into the category of one of them Reality TV shows that are ruining entertainment? 

I say No. 

Travel and Discovery shows are, in all actuality, providing a service. They promote and showcase the restaurants or eateries that they visit all around the country. They simultaneous help each of the establishments with more patronage than they would have gotten by paid advertising, and they infuse the economy of the location they visit with a generous spike in tourism. It's good for them , it's good for the show and it's just plain a hoot to watch. Sure it's excess, but not for the audience. It could be said that he's a bad influence, making it okay to pig out, but he does stress that this is something that is only done for entertainment, shouldn't be practiced by people regularly and as long as Adam stays healthy off season, he does, doesn't permanently damage himself, no harm, no foul. 

So, sorry to be abrubt, but I'm gonna finish up because I have a White Wedding gig to go to tonight. Yay! But, I promised a recipe and a restaurant recommendation:

I'm half Italian and it may be my favorite food, but a REALLY close second is Cajun food, so here's Crawfish Etouffee:

Ingredients

  • 3 cups long grain white rice
  • 6 cups water
  • 3/4 cup butter
  • 1 large onion, chopped
  • 1 clove garlic, chopped
  • 1/4 cup all-purpose flour
  • 1 pound crawfish tails
  • 2 tablespoons canned tomato sauce
  • 1 cup water, or as needed
  • 6 green onions, chopped
  • salt and pepper to taste
  • 1 1/2 tablespoons Cajun seasoning, or to taste

 

Directions

  1. Combine the rice and water in a saucepan, and bring to a boil. Cover, and reduce heat to low. Simmer for 15 to 20 minutes, until rice is tender and water has been absorbed.
  2. While the rice is cooking, melt the butter in a large skillet over medium heat. Add the onion, and saute until transparent. Stir in the garlic, and cook for a minute. Stir in the flour until well blended. Gradually stir in the tomato sauce and water, then add the crawfish tails and bring to a simmer. Add the green onions and season with salt, pepper, and Cajun seasoning. Simmer for 5 to 10 minutes over low heat, until the crawfish is cooked but not tough. Serve over hot cooked rice.

And in order to complete the circle, here's an AWESOME Soul Food restaurant in the East Village:

MAMA'S FOOD SHOP
200 East 3rd Street (btwn Ave A + B) NYC 10009

http://www.mamasfoodshop.com/

Foooood. Happpppy. It's SO good now, but I'm gonna feel fat tomorrow.
Feh. Knew THAT wouldn't last long.
Oh well, it kept my happy happy for today.

Bon AppeTREAT!

I could never get the hang of Thursdays

January 20th, 2011

Actor's blog. STARdate: WhoGivesARatsAss.

Thursday. A Theme? I feel like the planet is about to be destroyed in a few minutes. Like Truman Capote once penned, it's too gruesome. I originally intended today's theme to be something clever, since I'd been implanting every day to have a theme; Monday: FAVORITES, Tuesday: MULLIGAN and Wednesday: WHERE'S SUBTLETY?.

But this just turned into a shitty day. So not inspired right now. Dammit all to hell. If you believe in that kind of thing. But, I'm going forward regardless talking about my profession and where it fits in my life. For good and for oh my sweet baby corn I can't believe I'm posting today's blog...

Thursday will be GLOOM AND DOOM.

Why is it whenever I do my best, I guess my best isn't good enough? I give of myself, sacrifice, look at the big picture, do for others before myself and yet I still come up short. Yes. The pun was intended. Another in a string of failures. As much as I hate therapy, in times like this, I miss it. Sort of. Aw, c'mon self, you hated that too. So, my BLOG is intended to relieve some of that internal pressure, the writhing, grappling and ongoing battle for my identity and sanity. Sigh. BIG SIGH. I HATE WRITING HERE!!! I'm not going to get specific with my own bullshit, but this whole blog-thingie that I'm writing on every day about myself, with such fervent zeal and a great deal of clarity, has me very conflicted. I can't talk, so I talk to you. And that isn't working either.

I hate this as much as I love it.  I can't stand looking at myself in the mirror on days like this. Yet, I kid myself into thinking this is helping me. I feel like crap, so I blow smoke up my own proverbial sphincter hole, venting, and at the same time feel like a quasi-hero for being able to toot my own horn in a scripted, shrill, high-pitched shriek.

Story of my fucking fife.

I just can't seem to make the right decisions to take care of myself. Too much heart not enough head. But for others?

In the Summer of 2007, I was a Musical Director and Teacher at very wonderful and reputable Performing Arts Camp. I Directed Musicals and one in particular was a VERY cool, VERY special and unique experience with some remarkable campers, counselors and staff that I'll never forget. Project Mayhem. Maybe another time I'll talk about it. But I also was required to teach performance-themed classes to campers. One of the myriad of fabulous things they do is that if there is a class that isn't taught there, and they find some value to it, they let you create your own curriculum. So I did. I had already taught classes on Slapstick Comedy and offered The Business of Acting for the older kids and this was yet another chance to talk about the aspects about the business that most don't really talk about. The Psychology of Acting. We had an open dialogue about what was troubling them, what problems they were having and why they even wanted to be in show business at at young age, when they hadn't even experienced life yet? How do you deal with the ongoing rejection, the family pressure to stay out of the business and do something with a future? Or, if you were born into the business, how do you deal with not being able to tell your parents or friends that you want to do something else, even though THIS is what's expected of you? We talked about the shows they were currently in, if there were pressures, problems or if they just wanted to vent. The big question for everyone was if this was indeed what you love more than anything, how do you go about it and stay relatively rational and sane about it all? How do you deal with the internal struggle of your own demons, if you have any, that give you both inspiration and cause so much pain?

I tried to practice what I teach, but all along, I think I was worse off than anyone I ever tried to consul. I'm not a licensed therapist, but that's not what we were doing. We were just talking. Shooting the shit. Most of them never even talked to their Parents, Siblings or other peers about it, but we weren't looking for answers. Just some fellow human beings talking about common interests and they appreciated my advice as a "working" Actor. I always told them to follow their heart and they would know what to do. And other people would have to accept who they were and respect their decision, even if they were seemingly too young and naive. They're smarter than you think. Underage kids are for the most part. Yet adults, whom many are kids themselves, condescend to them as if they're stupid. I see some pretty infantile behavior from so-called "Adults". They don't know any better than kids do. Hell, I don't even know.

Wish I took some of my own advice. But maybe I did. Have I become a Widow to the business?

Are the herculean efforts I make to provide, in every way, too much? It doesn't make any sense to me. I like to think of myself as pretty selfless. I'm making an effort not being closed off so much and staying open-minded to suggestion. Try to be part of the solution rather than being problematic and counter-productive.

The pain I'm causing is not just to myself, but to those around me. How? As hard as I try to bring happiness to those close to me, I don't think I'm trying so hard that I'm either being myopic or ignoring bigger issues. I've become a better communicator over the years and am very cognizant of the feelings of those I care about. But I can't be everything without sacrificing something. If it's not time, it's money, if it's not money, it's time, if it's not extreme emotion, it's outright apathy and so on. I talk to people I'm very close with and I even talk to friends. But even with a friendly ear and a caring heart, they have their own issues and don't know much better than I do. Some are even worse off and are just being kind. Was this whole blog a bad idea and should I have just kept it in?

Is it me?

Is it everyone else?

Is there just too much expected of me? Do I expect too much of myself?

It's overwhelming. I'm really working too hard, trying to be everything for everybody. Going out of my way. Stretching myself too thin. I've quietly snapped before, a couple times. But now this is out there. Crap. I'm naked here. KNEW this was a bad idea. My blog day "A funny thing happened on the way to the forum - January 6th, 2011" explained the huge amount of hesitation I had to begin with.

I can't believe I'm doing this. It's SO not my M.O.. I'm out of my element, yet, the feedback I've gotten says I'm very much in it. Perhaps even perfectly suited for it. I'm not perfect, not by any stretch of the imagination.

If there are those of you out there who clutch at straws, like I do, and just can't make sense of it all, talk to you friends, family, or a journal or blog like I do. Even if you don't think it helps. Pick up the phone, text, IM or even Skype if you don't have the time for human connection. I suck at all of this, but I've been so good paying attention to the blog for three weeks, maybe I should have done it years ago. But I wasn't ready. I'm not ready to continue even now. Maybe I need a day off from this, or, everything. Find my cave. Hibernate.

Wait...

You know what I just realized? It's a full moon. The moon kills you know. Lunar cycles. Erratic behavior.

It's January, Wolf Moon. Old Moon. It's also Waning Gibbous Moon. Shrinking. Out with the old.

If you believe in the cycles of the Universe, I do, and if you also believe in the tenets of Astrology...eh...I'm a Cancer, ruled by the Moon. "M-O-O-N, that spells Moon." I'm not an advocate in the complete Astrological inner-workings. To me, a lot of it is hokum, but there is something to be said for certain energy out THERE in the ether, having an effect on you.

As a Performer, you're ruled by energy. What kind of energy you expend, what kind you you take in (I especially am a slave to that) and HOW MUCH has a "dramatic" effect on those around you, both on and off the stage. In general, people's energies, Performers or not, are fairly consistent. There's a decent amount of predictability. Of course there are exceptions, but like the cycles of nature, they may wax and wane. In our line of work, at least those of us who are able to manipulate their energy so effectively, it's excruciatingly unpredictable. Either you're outwardly temperamental, or inwardly conflicted. Or both. I'm certainly more inward, always have been and I always will be. As I've said previously, It's safer.

I really don't wanna get to a point where I regress yet again to being an ineffectual, say-nothing Fester-er...er.

That's it. I'll shave my head, wear a brown, canvas, monastic robe and howl at the moon.

Creepy, kooky, mysterious, spooky. Ooky.

Fook it.

Lunatic.

What hump...?

January 19th, 2011

Today's weekly Theme...drum roll please...

WHERE'S SUBTLETY?

It's Wednesday! The middle of the week, but I actually have my two days off Thursday and Friday. With the life I lead in this industry, I have no actual weekend. Two days off is actually a treat and I'm spending Friday with Gracie. Yay!

Now we could talk every day, and twice on Wednesday AND Sunday, about how in this day and age, people have a need to be smashed in the face with everything. And conversely, they need to obnoxiously pound others by their loud, brazen and "PAY attention to ME!" attitudes with nearly everything they do. I've seen this in everyday life, especially in NYC, and WHOA NELLY-BELL, I've sure seen it in show business. First hand and certainly in pop culture. It's given people who aren't in the business a reason to act in kind and it's become acceptable.

In entertainment, not too much is subtle anymore because, frankly, subtle doesn't create revenue. People want to watch a train wreck. They want to watch some Dad in Indiana get punched in the nuts by his precocious 2 year old. They want movies with dick, fart and gross-out humor. They wanna TV show where you cheer on two chicks clawing each others' eyes out while they're wearing white spandex and calling each other a Slinky Ho. They want "Jersey Shore".

THAT'S ENTER-TAIN-MENT!

I've joked about these knuckleheads on TV before. I've made "subtle" reference to it. I've tweeted about it and they're everywhere...like LOCUSTS. And my good friend, Mark Levy, a hip, fiercely intelligent, witty, smart Guy who now lives in one of the "hippest" cities in America, Austin, TX (I know, Texas, go figure, but it's REALLY bohemian and cool. It's where SXSW festival is!) with whom my Brother and I went to prep school with, JUST posted something on Facebook that sums up everything I just talked about above. And since I saw it last night I now have my Wednesday theme. Why not. I can talk every week about something in the world of entertainment that isn't subtle til rapture.

This week, witness the horror...the horror:

He's right. The end is near. And he's not alone in this feeling. And what do I call it? Snookpocalypse. That show. Ugh. That show. It has the audacity to call itself "Entertainment". Guilty pleasure or not, it's the lowest common denominator. Most Reality TV shows have single-handedly put a black, ugly stain on Show Business because "Talent" doesn't matter anymore. It's all spectacle and no razzle-dazzle. All smoke-and-mirrors and no real magic. Pure shinola without the shine.

Other than the new "New York Times Best-selling Author" Snooki...ugh, that skeeves me to even say, there are a bunch of other attention whores on that show that pretty much do nothing, get paid huge amounts of money and make new endorsement deals every day, to do it. As a matter of fact, Pauly D and JWowww (yes, they all have nicknames) were at Playstation on the first day I did Sackboy. People really could care less about Sony, the Playstation brand, or Little Big World and Sackboy (The whole reason for the thing), because for almost an hour they stood and took pictures, chatted with the creators, gamers and Sony team because they were paid to promote it. Hmmm. The show "Jersey Shore" is produced by MTV, which is a division of VIACOM, which has nothing to do with Sony. They were paid to be there to promote and market something I'm sure they know little about, may not even play or even care about. But boy, people REALLY seemed to care about THEM.

THAT'S the mentality nowadays. If you're famous for being on TV, in the movies or a "celebrity" even if you don't do anything resembling anything, you're important. The more outrageous you are for that seemingly "important" thing, the more people want you. It's nothing new in entertainment, but you used actually need a discernible skill or some aptitude. At least that's how was.

I'm gonna talk a little about show business history. Let's talk about a golden time in entertainment. The Allies were fighting against oppression, fascism and good had finally triumphed over evil during, and after WWII. The world was in the midst of fighting, healing, rebuilding and people wanted to be transported into a fantasy world. Just as the Silent Era was waning, and that too was a glorious time (for another time), Show Business was finding itself going through a renaissance. 

There were showy Musicals; The Wizard of Oz, Singing In The Rain, The Great Ziegfeld. Gritty crime; The Maltese Falcon, Casablanca, The Big Sleep, The Third Man, The Thin Man Series (which can even be considered comic) and ANYTHING Hitchcock. Drama; Citizen Kane, The Lost Weekend, It's A Wonderful Life, Mr. Smith Goes To Washington, Gone With The Wind and The Bicycle Thief. Comedy; ANY Marx Brothers Film, City Lights, Modern Times, Bringing Up Baby. Horror and Sci-Fi: King Kong, M, Dracula, Frankenstein, The Wolfman and other Universal horror...and I can keep going.

What did these, and many more, have in common? Talent (above and below the line), intelligence and brilliant characters. And when entering the 1950s, movies studios kept with their tried and true method of grooming new talent and keeping the old ones they had. The spent million on acting lessons, singing lessons, dancing lessons and polished bright, attractive, and even Character-looking actors to help them make money and generate a worldwide audience. Even someone like a Marilyn Monroe, who at the time could be considered just a piece of eye candy who could stand in place, look pretty and STILL make studios money (Sound familiar?), was groomed as "Talent". She studied with Lee Strasberg. She took singing and dancing lessons and when she was on screen, not only was she beautiful and charismatic, she was a damn good actress too. Too bad they didn't provide her with a good enough therapist, but they tried. Instead she preferred a pharmacologist, but who am I to judge. She was a sad victim of the whole process and tragedy took many forms in those days, just like today, but at least there was a sense of propriety and respect.

The same could be said for when Television broke through in the 1950s. Jack Benny, Your Show of Shows, The Honeymooners, Milton Berle, Ernie Kovacs, I Love Lucy, Gunsmoke, Ed Sullivan and it continued with quality programs created in the 1960s, 70s and some of the 80s with sitcoms, dramas and movies.

Then, it all seemed to change.

Even though corporations, studios, production companies that work for them now and even with the studio system gone, talent is still essential; actors, writers, producers, directors and crew. There's really no blame to be assigned or a real "culprit". But you know where I'm going with this.

Reality TV.

It's the order of the day. It's cheap to produce, doesn't require a huge crew or a great deal of overhead cost, doesn't require the talent to have "talent" and all you need is a concept. As soon as that concept gets stale, pervert the concept to something more controversial. When controversial gets stale, promote excess...and so on. If I could guess where it started? The Quiz Show scandals of the 50s, where we discovered shows based in reality, were actually produced more for entertainment. Dating Games in the 60s, Allen Funt and "Candid Camera" in the 70s. And "The Real World" on MTV (surprise) in the late 80s and 90s.

The intelligent, subtle, well-crafted and quality productions today become less the standard and more the exception. There are great movies and TV shows still being made and many that stand out in TV; Mad Men, The Walking Dead, 30 Rock, Lost, The Simpsons, South Park and any Joss Whedon. There are even some good Reality TV shows; Mythbusters, Deadliest Catch and Dirty Jobs are intelligent and fun. There are movie Directors like; Christopher Nolan, David Fincher, JJ Abrams (TV & Film), Darren Aronofsky, Judd Apatow, JJ Abrams, Danny Boyle, The Coen Brothers (still) and Martin Scorsese (still). 

The quality will always be there, but most of these names worked REALLY hard to get there, struggled and found their voice and audience after years of work and risk. But with the almost 250+ studio movies released in a year and now with every major television genre channel releasing their own original programming numbering in the hundreds of new shows, these handful of names (There are more, I'm just naming the ones that impress me) are the few and the proud. But it's not as though entertainment didn't have their B movies throughout the years and hack-quality programming, it did. But these days, it's not "B" or "hack" anymore to the people making money. It's become their "B"read-and-"B"utter.

So, let's go roundabout back to the start of this. Do I really have to explain or list the other shows or movies I'm talking about? Not really. Everybody either knows them or has heard of them. It's all sensationalistic, offensive, insulting, over-produced and "scripted" to get people to watch a train wreck. And I'll say it again, guilty pleasures have their place. I'm certain some of these "celebrity" Reality Show performers are okay people and either said "What the Hell" or "It'll help my career so I can find REAL Acting work", but they really weren't thinking. Sure, they're using their own unique "gifts" to further their careers and work at achieving their dreams, but the persona they've forged very likely won't be respected or utilized for anything but their excesses. I don't think I'm alone in this thought process. And that's just it. There should be some thought involved.

The rest of us who work really hard, have talent, are NOT willing to demean ourselves for money, to be famous, or just to take this "work" as a means to an end are now not working. A great deal of work has gone non-union. That equals non-professional. And even those who are able to buy their way into the unions, the rest of us, and the real professionals can tell the difference. If you're already successful, like say, Leonardo DiCaprio and he says to me "Hey man, chill out. Give these kids a break. They wanna live the American Dream just like you right? I happen to think it's fun to fist pump and agree with their philosophy of 'Gym, Tan, Laundry' while they spend an entire TV season shit-faced making fools of themselves. What's the biggie Dude?" Easy for him to say at $25 Million a picture price tag.

I am in NO way complaining about the fact that I can't find work because of Reality TV or that all non-union work isn't quality. We all have to start somewhere, but when I did start almost 20 years ago, union status was what you aspired to. Now it's a hindrance. It's gotten so complicated and I try to remain flexible and go with the flow of the time we live in. But, it's not that simple.

Or...is it? Should I reject subtlety and adopt a whole new boorish persona for a new Agent so I'm more marketable? Should I go to the gym more, tan, fist pump and have barely any self respect? Should I get a substance abuse problem so my family can do an intervention? Or sing in front of a panel of so-called "experts" who will judge whether I'm good enough to get a record deal? Or knock up a teenager and show our sordid lives to the entire world and then wind up on Dr. I'm gonna put you in a house with other recovering has-been "celebrities"? Huh. Let me think for a second about this...okay, I'm done.

FUCK IT!

And YOU know what else SKANKS!?!

I'm stayin RIGHT WHERE I AM!!

And if YOU DON'T LIKE IT I'M GONNA FUCK YOU'RE SHIT UP!!!

YEAH BOYEEE!!!!

GTL. That's me.

Gifted.
Talented.
Literate.

BITCHES!!!!!

Can you beat that?

January 18th, 2011

Actor's blog. StarDate 011801. Blackjack. That's the number of days I've been continually writing the blog. I have not missed a day, slowed down and felt like skipping a day yet.

Til today, that is.

But, since I went and started THEME DAYS, Today: MULLIGAN TUESDAYS.

Yeah. I'm writing about whatever I want on Tuesdays just to either vent, unload my brain or talk about whatever is floating around my head at any given moment since I feel like I may give a piss-poor blog effort. I'm calling a Mulligan.

(mul·li·gan - /ˈmʌlɪgən/ [muhl-i-guhn] –noun 1. Also called mulligan stew. A stew containing meat, vegetables, etc., esp. one made of any available ingredients. 2. Golf term. A shot not counted against the score, permitted in unofficial play to a player whose previous shot was poor.)

So, this entry will be whatever I want it to be on Tuesdays.

This blog has evolved beyond my expectations and imagination. It will REMAIN a blog about how to help Actors through the business. Since my life is "How NOT to succeed in Show Business", I have kept as true as I possibly could to infuse wit, my own life experiences, past and present, and "sage", valuable advice to those who are considering, are still struggling and want to work as a performer in the entertainment industry. Today, even though a mulligan will still most likely have something to do with entertainment since it's what I know. 

This morning as I was finishing yesterday's blog, which is the first time I went beyond the day, to finish my day and life hit a snag. Now I'm in a funk. Today was good workwise and Sackboy (for those who just started reading, I'm the Playstation game character in full-body costume for work this week) went really great for Sony and Playstation. Did my job well, got fed, made money, however, I haven't seen Jen in a week, we're still both struggling, just need some time to rest and I'm working on a multiple day jag. I'm dog tired. It has a silver lining though with Gracie and coming to a nice future arrangement with Cat, but my brain is toast from working 9 of the last 10 days. That's including 2 White Wedding shows. Yesterday was a whirlwind of busy-ness for me and I started the day strong, but it didn't last. Since I'm burnt and lmy blog today is about anything, I'm gonna talk about David Lynch and TWIN PEAKS.

Whaaaaa?!

Yep. From the brilliant, quirky, yet strange mind of David Lynch is the television series that asked the question, "Who killed Laura Palmer".

I'm not gonna spout about the series entire, or give a detailed episode synopsis or character breakdown. That would take too long and I am never here to bore you. I wanna keep everyone who is somewhat interested in my musings, reading voraciously, so I'm only gonna give you teaser bit so that those of you who have not experienced it, or even heard about one of the greatest TV series ever created, has a frame of reference and will seek it out to watch over and over again. I guarantee it. I watch it EVERY year at least once. And I still discover things I didn't notice before.

David Lynch began as an artist and used his talents to infuse art and filmmaking while he was in school. He received a scholarship from The American Film Institute (AFI) and one of his first major projects was a film that helped define the Midnight Movie culture in the 1970s along with The Rocky Horror Picture Show and Night Of The Living Dead; Eraserhead. By the 1980s, David Lynch emerged as a cinematic and artistic mastermind and was tapped to be Director of a new film, The Elephant Man by unlikely Producer, and secret fan of Eraserhead, Mel Brooks. For this unusually restained and brilliant effort, he earned his first Oscar nomination and by 1987, already received his second nomination for the film, considered to still be his best, Blue Velvet. With some considerable respectability now in the film world, he wanted to try his hand at television with an idea that had been developing along with his friend, writer Mark Frost. They created a world where "Nothing is as it seems." ABC picked up the rights and began filming in 1989.   

It centers around FBI Agent Dale Cooper (Kyle MacLachlan) and his investigation of a murdered young girl from the town of Twin Peaks named Laura Palmer (Sheryl Lee). In the first 10 minutes of the pilot episode, she's found wrapped in plastic on a rocky beach. This sets off a chain of events that effect every major and supporting character one way or another. It subsequently unlocks the door to a spirit world hidden in the mysterious woods of the very town they inhabit.

There are literally dozens of websites dedicated to the theories, themes and cult that is Twin Peaks. Now, when I first heard about it in 1990, one of my Brothers' friends, Matt Tansey, had told us about a TV series that we just had to watch. He had been religiously taping it, yes that's VHS everyone, and let us borrow it to catch up with what we had missed.  I started to watch it, and was immediately hooked. When I continued to watch in college, I found a couple guys who were fans and we would occasionally meet for "Twin Peaks" nights along with the rest of America. Having damn good coffee, pie, doughnuts and talk about the previous shows we saw was an event only a few of us enjoyed. The vast majority of our other friends didn't "get it", but the small circle of those who could discuss the show, Lynch and the Man behind every creation in his Universe was just fine with us. It was like a secret society of a head-nodding, hand-shaking, midget-dancing Brotherhood. His visions, characters and stories could keep you talking for hours. The cliff-hangers at the end of each episode would have you hanging for the next 6 days until the next episode would premiere. We revered him, Frost and the entire production team and stock company involved with him.

It's why I have RobOwl is my email callsign, username and other names and symbols to represent me. Pictures of the Twin Peaks' Black Lodge, Great Northern Hotel, RR Diner and Twin Peaks population sign are on my desktop for my laptop computer and smartphone. It's why 21 is a significant number for me. A fantasy world where as strange, horrible and wonderful as it is, it holds secrets. Much like myself, there are things that you cannot possibly unlock. Interpretation is the order of the day and everyone is hiding behind the guise of their own carefully constructed persona. There's only one possible exception: Donna Hayward (Lara Flynn Boyle). Her character is on the surface, and underneath, annoying and predictable. But I'm guessing they planned that too. There always has to be at least one character that you can't stand. But there are always exceptions to every rule. Although, the rules are pretty much out the window too. Watch the show and you'll see what I mean.  

Owls, a dozen Sycamore trees, Glastonbury Grove, Black Lodge, White Lodge, cherry pie, The Log Lady, garmonbozia, Robert, Bob, rings, secrets, Ghostwood, red drapes, giants, baguettes with butter and brie, Dopplegangers, blue roses, trees and take your pick of symbols. They mean something, they mean nothing, they mean everything...21 years later since it premiered on April 8th 1990, and you still are trying to figure this shit out. TV shows and movies rarely ever make you think like that.

The movie, TWIN PEAKS: FIRE WALK WITH ME was a really great companion piece and despite some people's claims that it could stand on it's own without the series, it really can't. However, his projects that followed: Wild At Heart, Lost Highway, Mulholland Drive (His 3rd Oscar nomination for Best Director), Inland Empire and even his music and art, all inhabit their own consciousness and have been birthed and "ear"-marked in his own style. Lynch doesn't make films or do projects for his fans or the mass populous. He's an artist first and foremost and his vision(s) are appreciated by those of us whose minds are willing to open up to it, yet are simultaneously mocked by the Hollywood establishment as too strange, esoteric and weird to even understand or be willing to finance.

Even though Mondays are my "Favorite" days and this was a post about TWIN PEAKS, I'll say it...he's my favorite Director.


http://www.lynchnet.com/tp/
en.wikipedia.org/wiki/Twin_Peaks

http://www.imdb.com/name/nm0000186/

For those willing to venture onward, you'll thank me later.

Or, you'll wanna kick my ass for wasting your time. It's not for everyone.

"Let's Rock!"

There USED to be a me. But I had it surgically removed.

January 17th, 2011

Actor's blog. StarDate: 011711. It's THEME DAYS! Mondays: FAVORITES. Today: My FAVORITE ACTOR(s)

This particular decision has come about partly because my brother suggested it and I thought it was a really good idea. It was also because in entertainment and popular culture, people like things that have something they can relate to or discuss with some feeling, meaning, purpose and not feel left out. And we all like lists, "Best ofs", "Top 10s" & "Favorites". It's organized, does some thinking for us and opens a dialogue.

I'm not going to take for granted that the few of you who read my blog, can, and do, relate to some of my subjects and themes at present already (5 to be exact are subscribed, including myself. And I don't know how many others of you read occasionally, but, subscribe! I'm an intriguing fellow. Right? (Cricket, cricket) Right? (Cricket)) Sigh.

Before I get completely engrossed in my theme, when I got to work today, it was coooool. I'm at Sony Plaza on 56th & Madison in the Playstation Concourse. Oh...my...flippin...Goddess! It's a WONDERland of gaming and infinitely droolworthy. I want everything here. But why am I here? They're launching a new game: Little Big Planet 2, in the further Adventures of Sackboy gaming line. In addition, they're cross promoting their new "Move" technology and trying to set a few gaming world records in their video game playing lounge. I want a video game playing lounge now in my dream house after seeing this one. But again, why am I here at Sony Plaza?


I'm Sackboy.

For the next 3 days I'll be making a pretty decent chunk of change to be in a full body costume. One of the advantages of being small and sturdy. You can fit into small costumes and carry heavily weighted costume pieces on your frame. I'm only 5'4", 138lbs, but fully suited up, Sackboy will be over 6' tall and weighs about 75 lbs on it's own.

Easy peasy, lemon squeezy. Good thing I can be quiet too because my voice isn't fully back 100%. It's 65% at best, presently. Crap. It better be back by 9 tonight for our Brooklyn Bowl gig. Sigh. Man, for a decent work day, I'm sighing a lot already. I can hear R. Lee Ermey now in his Drill Sergeant voice chiding me like from Full Metal Jacket: "What is YOUR MAJOR MALFUNCTION NUMBNUTS!?! Can't you STOP y'er SNIVELIN' for TWO GODDAMN LIMP DICK MINUTES and get to the EVER-LOVIN' POINT of today's blog post YOU PANTY WASTE! "

And with THAT segue...

My Favorite Actor(s)! If any of you recognized my opening quotation for today, then you probably guessed who my favorite character Actor is. And if you didn't recognize it, it's Peter Sellers. He is THE poster boy Character Actor. Almost every role he's done he has completely disappeared into. Why? He HATED himself. He thought he was an oafish, boring and unattractive Man outside of his work. Do not misunderstand me, he is not my hero, my idol or someone I aspire to be like. Except when it comes to his varied career and roles he's gotten to play. Sometimes in the same film. At his pure essence; he was not a happy person, not a very nice Father, extremely  demanding, unreasonable and a spoiled brat.  But he may have been one of the greatest Actors who ever lived. His story is a bit sad, tragic, yet a construction of unhappiness he made for himself. But that's a demented reason why I like him better than anyone else I may list and find him most intriguing. He was so fractured inside as a human being and even at his peak, he considered himself an awful failure. I know that I'm an opposite of him; that I appreciate the friends, family and things I do have, but my brain and psyche won't let me a great deal of the time. So I quietly, and now in public on this blog, torture myself. Like he did.

I remember when I first saw a Pink Panther movie when I was 8 or 9. He made me laugh SO HARD. Like when I would watch The Three Stooges, Laurel & Hardy and Looney Tunes. I discovered later that Sellers' boyhood idol was Stan Laurel and it made more sense about how he worked as a comic Actor. His timing, patience and character commitment provided comedy gold. It was only the tip of the iceberg with his volume of worked as a comic Actor. It was only the tip of the iceberg with his volume of work and I remember he made such an impression on me that I secretly wanted to meet him as a boy. When he died when I was 10, I remember being a little sad, even though I didn't know him. But I would get to. In spades.

Here's a compiled bio I edited myself (because I'm a freak, and have read every book about him), of Peter Sellers: 

Often credited as the greatest Actor/Comedian of all time, Peter Sellers was born into a well-off English acting family in 1925. His mother and father worked in an acting company run by his grandmother that traveled all throughout the British Isles. As a child, Sellers was spoiled, as his parents' first child had died at birth. Thusly, he was rarely disciplined and his only role models were the brash, cavalier and baccanalian performers his Parents would travel around with. He later enlisted in the Royal Air Force and served during World War II in their entertainment service where he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.

After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. After a number of years working for BBC Radio's Home service as a utility voice Actor, he burst into prominence as the voices of numerous favorites on "The Goon Show" (1951-1960), with Milligan, Secombe and Bentine (who only lasted one season). He had often told people that these were the happiest years of his professional and personal life. As he settled into the successes of radio with his first Wife, Ann, and his two children, Michael and Sarah (along with his domineering Mother and meek Father), he got fidgety, felt trapped and yearned for something more professionally AND personally.

He made his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952 - With his Goon-mates). At the age of 32 he convincingly played a 70 year old man in The Smallest Show on Earth (1957), before making his first significant mark as one of the criminals in The Ladykillers (1955) opposite Sir Alec Guinness. These small but showy roles continued throughout the 1950s, including playing 3 different roles (Including Queen Victoria) in The Mouse That Roared (1959), but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959) This role won him a BAFTA for Best Actor.

The film's success led to other starring vehicles into the 1960s that showed off his extreme comic and chameleon-like ability to its fullest. In 1960 he starred in The Millionairess as a Hindi Psychiatrist opposite Sophia Loren. Widely considered one of the most beautiful women in the world at the time, Sellers tried, in vain, to express his love to the then happily married Loren. It subsequently began to tear his family apart. Loren denies anything went on, but Sellers was convinced and somewhat delusional that they were madly in love. He left his family for her love, which was unrequited, but his career, started to skyrocket.

In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962), in which his performance as a mentally unbalanced TV writer, with multiple personalities, landed him part(s) in another Kubrick film, Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb (1964). There he played three different roles which further showed off his rare gifts. He was three completely different characters; British Captain Lionel Mandrake, American President Murkin Muffley, and Oddball German Scientist Dr. Strangelove. This incredible feat earned him his first Oscar nomination and he still remains one of only three people who was lauded by the Academy (The others being Nicholas Cage and Lee Marvin) for playing more than one role in a film. His greatest fame, and own personal hatred for it, came from him playing the klutzy and bumbling French Inspector Jacques Clouseau in The Pink Panther (1963) which led to him reprising the role in A Shot in the Dark (1964).

Shortly after his International star status began to rise, he had a whirlwind romance with Scandanavian film beauty Britt Ekland. They married, had a child together, Victoria, however their relationship soured quickly after only a few years and once again, he abandoned his familial and personal ties.

In May 1964, at age 38, Sellers suffered a series of heart attacks (13 in total, and all within a few days) because of his recreational smoking, drinking, drug use and family history of heart problems (his Father died of heart disease around this time). And although he survived, his heart was permanently damaged and he was never the same physiologically. Sellers' heart condition slowly deteriorated over the course of his career and instead of electing traditional medical treatment, he only consulted with "psychic healers" and continued his self-hatred, substance-abusing, jet-setting lifestyle. It was also believed by close friends that he suffered from anorexia, even though it was not an illness readily diagnosed at the time.

After the relative failure of What's New Pussycat (1965), which was Woody Allen's first film, Sellers then embarked on a rapid downfall to "Grade Z" movies, all of which he claimed to have made only because he needed the money. The death of his beloved Mother, Peg, also took a large toll on him and he then gave up his most famous role to Alan Arkin in the film Inspector Clouseau (1968). He would later reprise the role (for financial reasons again) in three more Pink Panther movies during the 1970s.

In 1972, Sellers read the book Being There by Jerzy Kozinsky. It's the story about a man named Chance the Gardener and his simple approach to life. He has no discernible history, no definable personality, a life outlook that utilizes gardening philosophy and a seemingly milquetoast disposition. He befriends a dying Millionaire and his trophy wife as they mistake him for an upscale Gentleman, Chauncey Gardiner. Like a man-child, he mirrors those around him, unbeknownst to them, and is considered to be brilliant for doing so. He asks for nothing and people ask nothing from him. A blank slate. Sellers felt so connected to this character, he was convinced this would be the next, most compelling and the seminal poignant turn in his career. He was right, but it took him 7 years to get there. In the early 70s, he was considered box office poison. He begrudgingly had to thank his friend, Director Blake Edwards, for reviving his career doing more Pink Panther films, but in typical Sellers fashion, he openly resented him for it and was thankless on top of it.

Being There (1979) earned Sellers another Academy Award nomination for his portrayal of Chance the Gardener (Chauncey Gardiner), Hollywood respectability found him once more and a legion of new fans saw him as something more than Inspector Clouseau. However, he was heartbroken when he lost the Oscar to Dustin Hoffman for Kramer Vs. Kramer at the 1980 Academy Awards. His final performance was a forgettable, lackluster double performance (once again) as Detective Nayland Smith and the title character in The Fiendish Plot Of Dr. Fu Manchu (1980). It was silly fun, but typified Sellers' career as one of phenomenal genius, success and downright embarrassment.

In late 1977, Sellers barely survived another major heart attack and as a result, he had a pacemaker surgically implanted on his failing heart to help regulate his heartbeat, which caused him even more considerable medical problems. He was scheduled to undergo heart surgery in Los Angeles at the very end of July 1980.
A reunion dinner was scheduled in London with his Goon Show partners, Spike Milligan and Harry Secombe, for July 25, 1980 and that is event that he said he wouldn't miss and was looking forward to. However on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and he fell into a coma. Found in his wallet at the time, was a picture if his first Wife, Ann. He died in a London hospital just after midnight on July 24, 1980. He was survived by his fourth wife, Lynne Frederick with whom he bequeathed his entire fortune to. She died a number of years later after squandering the money on luxuries and drugs. Never being one to acknowledge his love for his children, Michael, Sarah and Victoria, he left them only $4000 a piece in his will. He was only 54 years old.

So. Did Sellers have more to give after only being on this earth for 54 years? No. He was like a comet in the framework of his career, success and the Universe. Burned very brightly for a while, fizzled, had a residual burn, then faded out. But there have been very few Actors who have left such an indelible, iconic mark on the entertainment industry in such a short amount of time and still continue to endure. His career lasted some 30 years with character roles that defined a generation, inspired many Actors like myself and gave Sellers the opportunity to work with such talented Directors and Actors as; Stanley Kubrick, Blake Edwards, Orson Welles, Billy Wilder, Sir Alec Guinness, The Beatles and he even did an episode of The Muppet Show. That might have been his "hippest" career move ever, other than working with The Beatles.

Man. What a burn he had. Don't think that Sellers is the BE ALL, END ALL of Actors for me. He's not. I have a large list of Actors whom I LOVE watching, respect and all have that element in their working style, like myself, of inhabiting a role because they are (or were, RIP) consumed by their characters, are pretty quiet and reserved off camera (from what I've heard about most of them, a couple of these guys aren't so much) and let their work speak for them AND they have NO FEAR:

Charles Laughton
Lon Chaney Jr.
Sir Laurence Olivier
Sir Alec Guinness
Sir Peter Ustinov
(Yeah, I know, the Brits, and Knighted as well)
Martin Landau
Gene Hackman
Dustin Hoffman
Geoffrey Rush
Sir Anthony Hopkins
Gary Oldman
Ron Perlman
Daniel Day Lewis
Johnny Depp
Edward Norton
Russell Crowe
Heath Ledger

And there are SO MANY more I could be forgetting, but you get the idea. Some of you you might be saying, where's DeNiro? Pacino? Nicholson? Spacey? Cage? Yes, they are AWESOME Actors, but not my favorites, because they're always themselves in one way or another. You know it's them even under makeup, extra weight and accents. And I'm gonna do a blog about Actresses too. I'm not sexist or forgetting. No worries.

Sellers had the kind of career I WANT and NEED as an Actor. And he's the one I most closely identify with as far as not being happy in his own skin, and feeling like a hollow vessel in which he could fill, and feel, through other distinct personalities. He consumed himself in the characters he created and struggled with his identity outside of the comfort of his work. But his inability to shed his immature, man-child personality off-screen is where he left a great deal of pain in his wake. And that, I do NOT want.

But you know what I WOULD like?

"Birdy num-nums."

P.S. Thank You...fellow Madman.

Hey! You're THAT Guy. AND You're THAT Guy? THAT was YOU?!

January 16th, 2011

Actor's blog. Stardate: 011611. I am the Frogman. Ribbit. I am the Frogman. Ribbit. I am the Walrus. Goo goo ga Joob. I have no voice this morning. The price of working outside every day and a really good gig last night. Well, amendment, GREAT gig last night. Musically we're getting tighter than ever and the "show" aspect is so much fun for everyone watching and for us playing. We're going to do even more elaborate skits and costumes in upcoming shows. But my voice started to crack and the carefully constructed "Rock Star" character began to wane 3-4 songs from the end of the night at around 2:30am. Most of the folks who were either drunk or having a good time didn't even notice. It occurs rarely, if ever, but I was physically exhausted and let it show. I HATE that. And I wasn't the only one who noticed.  

Jamie did. Dammit. She's our (my) gauge that the show is solid and firing on all pistons. I saw her flinch (a couple times) when my voice started giving out in "Come On Eileen". That NEVER happens. And that song is a third set show closer. Jamie is a friend/super fan who is lovely, sweet, comes to almost all of our shows, and is one of those friends who is a kindred spirit. Someone you meet in the world who "gets it". If either of us went on an all-night bender, we would hold our long hair from hanging in the toilet and get each other juice or ice cream if we needed it. We may even take a bullet. Or, at least a rogue water balloon. But she saw through my "Rocker" persona, as one quinquagenarian drunk lady couldn't stop telling me I was, as she fell over herself and her boyfriend. Glad he wasn't a big man. But dammit, dammit dammit.

Steve and Richard are also included in that fold of people who come to almost all of the shows, no matter where they are, and tells it like it is. They didn't notice my croaking, or didn't show it, but it's helpful when we get constructive criticism from honest friends. And hard to believe that they all take the time to come out as often as they do. Even twice a week.  "Little Steve" has been a fan of White Wedding since it's inception and even goes so far as to help us strike and load equipment. He even got to see me flyering in the freezing cold the other day and kindly offered his sympathies. Helluva Guy. Richard could be considered our "Official" photographer. His shots are always stunning, capture the moment (flattering or otherwise, but hey, photos tell it like it is) and just one of his current shots can be seen splashed as our website home page. He's always there, always watching and lurking with his lens cap off. That sounded vaguely dirty. 

These guys ask for nothing in return but to enjoy our music and be our friends. I'm glad not everyone in the world is nice, appreciative and friendly. Not only would it be tiring and monotonous to thank everyone all the time, but all that energy you spend for appreciation, in one form or another, can be down right exhausting. However, the circle of people I know who are cool, and it's not huge in the grand scheme of the cosmos, I tell them as much. And if I haven't done it in this blog yet, or don't have the chance to, I've let them know in person. By and large, my friends are fuckin' cool.  
 
But even in front of them, I hate showing weakness and have them see through my veneer. I'm not a perfectionist, an obsessive-compulsive or a method Actor (I hate that shit). I just have my own personal standards and it's nothing less than giving 183% during any performance.

Spending 8 of the last 9 days outside working was not conducive to staying vocally healthy. I have avoided and skated around a cold for days and I still have to work through Wednesday. AND we have another Brooklyn Bowl show tomorrow night. Time for tea and vocal rest. 
Tomorrow I'll be inside, mercifully, and then I'll REALLY be inside. I'm in a full-body costume. Don't have to put on a character other than do some physical shtick. Less pressure, vocal rest and being paid well. Sigh (good sigh, not exasperated sigh).

I do love to put on a character completely different than myself. Have a look at my photo and video links that show my comfort zone. The more unlike myself I play, the more comfortable I am. I let the character play for me. It's such a freeing feeling. And people are far more intrigued by who I am because I'm somebody willing to be out there playing. I don't have to worry about them making fun of me, judging me or having an opinion of me because it's not me. Sure, it's an extension of me, but the best feeling I ever get when I'm acting is what every character Actor aspires to. And the following is a true story.

I've done character work for so many years in so many places, but last year I was the Improvisational Director and Actor at The New York Renaissance Faire. It had been a few years since I'd been there doing that same job, but I'll spin that yarn why another time. Anyway, if they trust you, they are willing to give you a great deal of creative freedom as long as they know you're professional, reliable and can deliver the goods. And I prided myself on always doing just that. I decided I wanted to play two different characters in a Faire day, but didn't really make a big announcement I was going to do so. Partly because that's not my style to play the "Pay attention to ME!" type of Actor. There so many in the business, working or non-working, who do just that. Nothing wrong with it because some of my very good friends are like that. They're always on. And that works for them. But not for me. The other reason I didn't tell anyone was because I wanted to see what people's reactions were when I quietly changed characters during a work day and see if anyone noticed. It was a calculated move.

And it worked.

I was the filthy, stinking, Mud Guy, Dudley Mudd, for the first 2/3 of the day. Juggling fire and knives, playing the Village slapstick stock character and rooting around in the mud. And, I played the Aristocratic, stiff-lipped God's right hand man of Queen Elizabeth's Court, Archbishop John Whitgift, for the last 1/3 of the day. That first weekend only a few people knew because they were mostly the ones in charge and those I knew from years back who didn't doubt I could do it. It was mostly the Actors in the company who weren't aware I was doing this and only knew me from Directing Improv rehearsals and rehearsing some scenes for the past month or so. And that first day or two I went on with my performance without saying a word.

Some Actors there ACTUALLY thought, and told me, "Who was this new Guy playing the Archbishop? I don't remember him during rehearsals." As the weekend went on I started to get, "Oh my God. Is THAT ROB?!" Others just passed me while I was dressed and said Hi, but then looked a little closer. And then it occurred to them who I was and the looks they gave were absolute shock. I'm not even exaggerating. 

In each example, they gave me THE BEST compliment you could ever give a Character Actor. I seamlessly transformed from a low-class, dirty peasant, to an upper-class, distinguished elder of the church without some people even knowing I did it. The people who ran the Faire are always dubious about decisions like allowing Actors to play multiple characters. Because even if given permission to do it, the majority are not able to pull it off. They have fun trying and give it a go, but don't have the skill. I fooled the bosses too. I say this not to make anyone feel bad, or act like an arrogant prick,but it takes practice, experience and skill to do it convincingly and on top of that, some of us are born to do it. It's not an effort. It's like breathing. There are one or two Actors at Faire who I've worked with who are able to do such transformations very adeptly. We are the same ilk of insecure person outside of performing and have the same people we revere who are famous for doing what we want to do. It'll make sense to you when I explain who they are... 

...Tomorrow. I'm going to start "THEME" days and Monday I think will be my "Favorite Things". And then I don't feel so bad. How do you solve a prob-a-lem like Mondays? My favorite Character Actor(s)! 

I don't wanna be a Leading Man, have no desire to be the most famous movie star or the most award-winning Actor who ever lived. I wanna just get paid STOOPID amounts of money to do what I love. And STOOPID doesn't even mean the absurd salaries that top Stars command. Enough to live comfortably, not have to think about how bills are going to get paid (like now) and enough that my new Agent(s) and Manager(s) are happy to make their well-earned cut. I love being THAT Guy. And I know I'm good enough to do just THAT. I've got a level head, I'm professional and, not to make you think I'm talking out of my ass, complete strangers, friends, family and even some Celebrities* who I've performed for, have told me, unsolicited. They've said things like; "What are doing here?" "You're REALLY good."* "Have we ever worked together? Because you're excellent."* "Why aren't you famous making millions of dollars already?" (Note* - Those were the quotes from actual working Celebrities who make that kind of $)
You damn skippy.

Here are some links and books on those famous, and not-so-famous, Character Actors who always worked because they could play "anyone" or "everyone":

http://www.imdb.com/list/HrFsuvgfn6w/
http://www.digital-polyphony.com/top25characteractors.htm
http://www.screened.com/profile/rockinkemosabe/best-female-character-actors/233-2024/
(Only a very contemporary Female list above. I'll get to some of the GREATS of all time later, but you get the idea)
http://www.amazon.com/Reel-Characters-Great-Character-Actors/dp/0940410796
http://www.amazon.com/Hey-Its-That-Tara-Ariano/dp/1594740429
http://www.amazon.com/Names-Never-Remember-Faces-Forget/dp/1593930410/ref=pd_sim_b_1

And that's what I am. I'm a character Actor. 

I'm THAT Guy.
Not THAT Guy.
THAT Guy.
Or, is it THAT Guy?

Wait...who are You again?

Hey good looking. Whaaaaatcha got...Ooooo. Overcooked.

January 15th, 2011

Actor's Blog StarDate 011511. Looked in the mirror this morning. Ugh. Look 40 today. Granted, I AM 40. But I'm so tired I almost put facial scrub on my toothbrush. I look bloated, dry skin from working outside all day, receding hairline, facial polyps, saggy diaper that leaks...I look like stir-fried crap.

If I didn't abhor the idea of plastic surgery I would actually consider getting some if I could afford it. Maybe. Eh, probably not. But that's the mentality you get. Even if you're comfortable being uncomfortable in your own skin and accept the genetic cards you've been dealt, you still wanna change SOMETHING.

What would I do if I were that crazy enough to do it? Hypothetically, I'd first get my teeth fixed (had laminates done before, but they're only hanging in there now) and whitened. I would have lasik done on my eyes to fix my horrible nearsightedness, some liposuction (not a lot) and perhaps a teensy botox on my face. I'm not unhappy with my appearance too much, but since we're speaking hypothetical. As I said in a previous blog, I'm considered handsome by many. Jen loves me as is and others do to. Thank goodness. I'm alright I guess. I moisturize and have a facial regimen, good hygiene and try to stay healthy and fit.

But the self-criticism and wanting to look perfect is common thinking even if you're not in entertainment. It's just a mindset in our culture. I touched on this in "Dining, Diets and Disorders" (Actor's Blog, Stardate: 010811...BOO-YA! I'm gettin' the hang of this purposeful repetition). If I don't look like Brad Pitt, Gerald Butler, or pick your hot, toned, buttery hunk of ManChowder of the week, I'm deficient in some way. Cat, my Ex-Wife, has always had a point that Brad Pitt looks like a monkey with gout. Gerald Butler I hear is an egomaniacal Hooligan with a superfluous third nipple. I honestly can't confirm that these are true or say them with too much seriousness. I don't know them personally and they're probably very cool guys I would have a beer with. But in this business, you wanna make yourself feel better for not being as rich, famous and on the surface, handsome, as these guys. They probably have days where they look like crap too. At least a dozen or so a year I'm sure. There. I feel a little better.

The situation is even worse for females.

As a woman in entertainment, it's almost like you're a minority. And I have read articles and seen interviews with the most famous, respected and beautiful women in the business and it's astounding to hear these very words. You're demeaned, completely objectified and you have to scratch, claw and dig out from under the pile of those who come from nowhere and are younger, more beautiful and willing to do anything to be rich, famous and noticed. The more history changes, the more it stays the same. You think it's worse? Me too. Blech.

For example, there's the old adage of "stages" in an Actresses' career (paraphrasing): the Young & Beautiful Ingenue, The Tough-as-Nails Lawyer & Miss Daisy. If you can't transition successfully, you either better be one helluva character Actress or, start scratching Miss Kitty! Meow.

But the "quick fix" or "solution" to the inevitable aging dilemma is our friend cosmetic surgery. We all have heard, and SEEN, the lengths people like Michael Jackson, Joan Rivers and the 25 YEAR OLD Heidi Montag will go to so they can "remain competitive" and (the real reason) just feel better about themselves. It's not that Michael Jackson or Joan Rivers weren't Super-ridiculously-gifted AND talented in their respective fields that they couldn't have kept working if they didn't go under the knife. But being famous for doing nothing of note, having minimal skills and just being obnoxious and superficial like Heidi Montag? Sorry Heidi, but, prove me wrong someday. Well, we can talk about "The Situation" with that one another blog.

It comes down to self-image, self-esteem and whether or not you can come to terms with looking at yourself in the mirror and find a healthy balance between - "I actually love myself" and "I look like a diseased duck-billed platypus who need a stomach staple, silicone implants and a serious rhinoplasy."

People are overdoing it. It's become like a monthly visit to your gynecologist or as nonchalant as a haircut. Do Nicholas Cage or Nicole Kidman think they're actually fooling anyone trying to still look like they're 30 at almost 50? We can tell guys. And either they're smart enough to know we can, and they are, and don't care...because they're Nicholas Cage and Nicole Kidman. Or, they're delusional. Poor Lindsay Lohan is delusional. Her attitude, her denial of having addictions and work done and thinking that all will be okay with a psychological and substance abuse program "quick fix". Again, I can't vouch that all these are true, I don't know her, but listening to what she and her Mother say, and really believe when they say it? I honestly hope she works it out. Sad.

Being an Actor is not only living under a microscope, it's living in a microcosm. It is it's own bubble. There are factions, cliques and hangers-on. There are enablers and encouragers. There's rarely any culpability. They do what they want because the money and prestige tells you that you can buy anything; looks, advice, a conscience, looks, friends and more looks.

But even looks may not help fully, because things get so random that if you happen to look like the Producers' money-grubbing Ex-Husband, Ex-Wife, Brother or Sister they disowned, that alone may sink you even if you're the most talented and fixedly gorgeous in the room. There are so many cooks now. It's not just the Director, but the throngs of Producers who have more of a say now because they're the money people and surgeons who can cook up a new nose or more hair or trim a few pounds.

It's worse in L.A. than it is in N.Y. as far as overall attitudes and when looks precede talent when it comes to success. But competing against the countless others who want to make it, and those who want to stay there, means; plastic surgery, working out, eating right and a myriad of other methods to maintain your own personal mojo.

But there are those of us who will succeed on the merits of our talents, quirky character looks and will age gracefully (well, somewhat) as we work til we drop dead and still satisfy the needs of Mary Jane Casting Director, Bartholomew J. Producer and most importantly, Mr. & Mrs. John Q. Public.

And isn't that the bitch of it all. The people who love and appreciate you most, put you on a pedistal and would lick your feet are the ones you're trying to impress the most.

Your adoring public.

I appreciate every audience member I've ever entertained and told them as much. I've signed autographs gracefully, not understanding why, and thanked them profusely for enjoying what I've done and I'm NOBODY.

I'm sure some of those same people will jump on the very first physical flaw they see if I'm ever in OK, People or Us Magazine. Jackals! How dare they.

No wonder we're all crazy, chock full 'o nuts and freakin' lunatics.

But we look GREAT.

Actor's blog. Stardate 3.141592653589793238462643mmmmm.....pi.....

January 14th, 2011

Actor's blog. Stardate 011411. So this morning, my Brother told me that in order to get a better ranking from Google for this blog, I should use the words "Actor's blog" in my content. Primarily towards the front of the post. He did point out that it may be a bit awkward and I wouldn't have to do it every time, but it would be helpful to work it in whenever possible. And of course, my geek brain responded. Live long and prosper. 

I might keep doing that, may not be every time, but I may copyright or trademark my clever musing so I can make money if anyone ever uses it without the expressed written consent and permission of ME. BLOO-HA-HA (tm)! Ha! I don't owe you a quarter THAT time PETE. Given him too many quarters over that. Remember when I joked about that (previous blog post-go lookee where-I ain't doin' all the work) and how I said it was an inside joke? Well, here's the joke. Peter Timony, you know, The Timony Twins, Bobby and Peter? Okay. Here - "Comedy, comedy, comedy - January 11, 2011". There. Now Peter is the Evil Twin and Bobby the Good Twin. Peter came up with his own cackling evil catchphrase BLOO-HA-HA (tm). It's similar to MWA-HA-HA (I doubt anyone did a tm) or AH-HA-HA-HA-HA-HA-HA-HA...ha (Ibid). It was only done in an effort to make sure no one would use it other than him and to make some moolah. He then actually went through the process to trademark his phrase.

I know. Freakin' dupe. I mean, who would actually go through the trouble to spend the money so that NO ONE ELSE would use an evil catchphrase unless they paid him or you tag the two letters (tm) either verbally or in print. People most likely wouldn't even think to use it anyway unless they were either familiar with it, or they knew Pete Timo.....awwwww. You ASSHOLE! 
And he is. He takes pride in it. It's all in fun, sure. But he's the EVIL Twin, make no mistake, and just try to cross him and he'll make you pay. We've all seen it. We've all tried and many of us have run with our tail between our legs after we've been summarily mocked and then laughed at. He's got a gift for it. 

We LOOOVE Bobby though. He's so cute, earnest and friendly. Like a little puppy who'll fetch, roll over when you ask him, eat out of the trash can and then pee on your leg when you least expect it. I've seen that happen too. Damn you Bob and your weak bladder.

I'm actually half-tempted to pee down my own pants leg to keep me warm it's so cold out. Typing is difficult and hurty. If you hadn't noticed me saying it or read about it yet, I do the majority of my blog writing on my smartphone. My Blackberry Tour 9630. It has a keypad, which I still enjoy the functionality over touch screens, and during my trips on the subway and train, I'll write. Where it gets screwy is when I have some spare moments of cerebral brilliance and I HAVE TO type something while I'm flyering outside in the bitter cold. With two pairs of gloves on. I'm actually getting adept with thick gloves at typing on such small keys with over-sized fingers. 

Today is another frosty 28 degree day complete with 10 mph wind chill and yet I sully forth with great vigor and nearly frozen digits. Sigh. Thanks go to Bob and Danna (his very pretty, care-taking Wife, Producer extraordinaire and another best pal of mine) for getting me those hand warmer packs for Xmas. They're SO helping today.

Alright, fine...

I won't be able to get away with not mentioning Pete's equally lovely, talented, sharp-tongued, Goddess of a Wife, Kerry. Love You Kerry!

But, for the rest of today's entry I'll briefly go into why even though the BLOO-HA-HA (tm) is a half kidding/half serious concept, the very reality of the "business" side of Show Business is so important. You have to stay organized, invest your money wisely (which I'm learning still) and think of the big picture. You gotta be smart about your money (still learning and fixing), frugal (still learning) and know the business. There are horror stories you either hear or read about. Remember MC Hammer? Spent all his money on mansion(s), dozens of cars, a completely unnecessary luxurious lifestyle and lost it all. Stupid. Check out the news currently where a Guy is suing MTV because he first came up with the idea of a "Jersey Shore" type show called "Guidos", copyrighted it and is now suing them for stealing his idea. Granted, he just inked a deal to develop "Guidos" with another network to ride on the success of "Jersey Shore", but I don't blame the guy. If he did indeed cover his ass and come up with the idea, went through the steps to ensure it was his and someone still stole it, that's not cool. Nature of the beast though. It can be a house of mirrors...(SLAM!)...OW...Mirror.

Almost everything we've done with Mook Productions has been reviewed by our Entertainment Lawyer. We made our company an LLC, so our projects produced under the umbrella of our corporation would be protected. We've registered many scripts with the Writers Guild of America (WGA) so that we could protect those too. It all costs money, but it's a necessary part of the business and it's smart. Lawyers spend hours helping you understand contracts, rights and is able to talk with anyone who wants to make deals with you without you getting ripped of. In the long run, you'll have fewer problems, less likelihood of facing litigation against you and if someone does steal anything, you've covered your ass and would probably be able to successfully sue them, if it's worth it, and win. Gotta spend money to make money.

The thing I've discovered about most Actors is they're pretty ignorant about the business side of entertainment and just don't wanna deal with it. But, you HAVE to. YOU ARE your OWN business if you have a production company or not. When I manifestoed (yeah, I just made it a verb) yesterday I went over the list of things you gotta do and it's not the first time I've made a list blogging about it. Gotta remind MYSELF occasionally.

I'm GLAD a great number of Actors would rather take the lazy way and call themselves "Artists". Their attitudes are "Let someone else deal with the business" or "That's what you have an Agent or Manager for". That means fewer Actors I have to compete against who give up or can't afford to go on. I've had some good fortune and bad in the survival department, but, either way, I'm still here. Even those who do make it, you have to be vigilant and know every aspect of your OWN career. Ask Dane Cook how that worked out. Ouch. Another example! Harsh, but it's the truth. You can't trust anyone sometimes. Not even your immediate family. Sorry Dane. You have to know who to trust as much as it seems like smoke and mirrors. I trust Bob and Pete implicitly. And Danna and Kerry. We all have our, for lack of a better word, quirks. But we've been through so much, sacrificed, earned our trust countless times and would do anything for each other. 

This is the path we've chosen. We'll get there. And as in any venture, you have to know it inside and out. And what you don't know, you do research. And like looking for Doctors, you get second opinions on things. I'm still learning. Always will be. Even now I'm implementing new strategies, taking new risks and boldly going where no man has gone before.

Well, maybe a couple have. But they haven't been on my path. They wouldn't want to. No one would want to.

Not even me.

I'll be a Super Villain before that happens.

I'm an Actor, not Khan Noonien Singh DAMMIT. 

Hi-Diddley-Dee, it's Manifesto-y

January 13th, 2011

Update from yesterday: Jen is feeling better, although we still don't know if what she has was a passing thing or an ongoing problem. It's not the first time she's felt like this with the same painful symptoms. We'll just hope for the best that it won't show itself again until we get it checked out. It'll be okay.

I also booked that costume character gig for next week. Nice chunk of change for 3 days of work. It equals to almost 2 weeks pay working outside flyering. Surprised it happened so fast, but that's kind of typical. Many times you get cast right away (within a week) or months later. I guess my resume and professionalism does count sometimes. Granted, it's only full-body costume work, but I've done it before and it's money. May make it a little easier to turn down the job I'm interviewing for later, flyering outside, if they don't offer a decent hourly. We'll see.

And finally, if you noticed to the left
<------------------------------------------

the new additions to the site? My headshot, Actor's links and other sundries? My blog site is also now my website!!!

SO MUCH gratitude is owed to my Brother Kev for being so helpful, supportive, a master creative force and brilliant website builder ne plus ultra. Check out his resume and you'll be impressed at some of the sites he's designed. You may just have visited before and never have known. www.kevinpedini.com. Thanks my Brother.

Over the last 16 days I've spouted off, theorized, encapsulized, strategized, belittle-azized, homogenized and Jessie Jacksonsized many things about myself, my beliefs, random thoughts & ideas and made an attempt to lay it all out on the line. For the most part, I've bared my soul and it's mostly come at night...Mostly. I'm gonna make an effort to be more productive and less bitchy and preachy (this post notwithstanding) in order to help those with the affliction of wanting to get into the Entertainment Industry. Like a Zombie, I've been infected and it's too late for me.

Seriously though, I will always be helpful to those of my peers who ask me for advice, are looking for a recommendation, a referral, Actor toolbox assistance and help with achieving their own dreams. As much as I vent to you, Oh Blog of mine, I refuse to piss on anyone else's aspirations who have just started this journey, are in the middle of it, or have sadly given up to pursue, and achieve, new dreams.

I know there are those of you just like that, reading this now. Just as I warned all of you scattered, loyal, dear readers on the first literal day of this; As a "professional" struggling and tortured Actor, I'm offering you no information that you couldn't get from a book or find online. I've got nothing that most likely hasn't been revealed by the shiny, bald-skulled, bespecaled ocular cavity and neatly-trimmed beard on James Lipton's head. As it speaks in a creepy, secret-revealing baritone learning about how performers more famous than I succeeded. I'm also not handing to you self-help advice. Unless, that help is going to either give you the inspiration to continue after learning from my misfortunes, or, leave the business altogether with your sanity intact, because I lost mine already or I still wouldn't be doing this...

...as I ill-advisedly still flounder like a flopping carp with the darkest sole, feeling eel, spreading hake, commenting on contemporary morays, wanting to stab myself with a pike, my mojo out of tuna, randomly seeing how many types of fish I can name and use as bad puns with my stream of consciousness gasping for air on the now-frosty shores of lake Gitche Gumi. Steve fish. That's an actual fish. I just listed it because it's hilarious. Steve fish.

If I had an original Band I would name it that. It's just a fun, clever and cool name. Like the Shitty Beatles.

This is just one Actor's experience who had a decent plan some 18 years ago. When I first came to the revelation that I would be spending my life as an Actor, Schmuck that I am. It seemed like a good idea, AT FIRST. I had the passion and love for what I do, but that's only the foundation to start building the structure. You must acquire the necessary tools, put in the countless hours, don't give yourself a time limit, use any connections you might have, write your own ticket, create your own showcase, do hundreds of targeted mailings, don't forget to follow up, network, be professional, promote, Produce, Write, what you really wanna do is Direct and never let them see you sweat. EVEN when you do every performance as if it were your last. And I do. And lemme tell ya, that operation to remove my pituitary gland was MORE painful than my cosmetic nose job, pectoral implants and butt tuck combined!

I'm kidding. I've never had a nose job, pectoral implants or a butt tuck. Who needs that ridiculous shit?

...

Dammit. WHY am I so bloated today and what's with me lactating?

Anyhoo, this little blog venture and final huge push is only being done because, "I've exhausted every evil plan in my filing cabinet... from A to Y!". That's right you poor, tiny, misunderstood madman. You show Mr. Krabs and that Squarepants where to get off! I can't vouch that my personal Plan Z will be lemon scented, but I can tell you all with the most supreme confidence, this very well may be my last balls-to-the-wall effort.

I know I've said previously that I would ALWAYS do this because this is my identity, what I've been doing for about half my life and know so well that I actually can teach, and do, this better than almost everyone I know. I've got the pictures and the witnesses to prove it.

I can say that with a great deal of confidence too because even if I haven't succeeded (as far as how most people measure success), haven't given up yet AND I've somehow skirted being carried off to mental institution...so far...I know what to do, how to implement it and I actively do it.

But because I'm a relative unknown, I'm not worth dick in this business. Even though that question, "What do you do for a living?", has been answered by me many times truthfully and without feeling embarrassed, "I'm an Actor." But because no one recognizes me, I can't give a resume of starring, or even supporting, roles in anything noteworthy, I STILL get a condescending "That's nice" from people which makes me feel really small. And I'm ALREADY really small. Really small. You can see my feet in my driver's license. How's that for confidence? Didn't plan for THAT.

Fuck it.

I'm a walking paradox. Everything I am and I do, points directly to me being perfect for this business and every decision I've made concerning it was  calculated. Yet, I've made mistakes, regretted them after and chalked it up to being a fragile human who at least learned from them. But for the love of Pete, WHAT DO I GOTTA DO?! There is the Universal enygma. Riddle me that Mr. Hawking.

Entropy, chaos, disorder and the possibility of random chance I planned for. That's the entropic nature of things. The expansive and infinite Universe, however, has planned something else for me. Not a cosmic joke, as it feels like more often than not, but more like a cosmic novelty. In the grand scheme of the Acting world, at least here in NYC, I'm the Universe's novelty item. I come cheap, do the job I was designed for, serve my purpose, am good for a few larfs, but I'm still a dime a dozen. And I'm seemingly no better than the other phoney dog poos and fake rubber vomit. Although millions are inferior, shoddily built, occasionally more trouble than they're worth and unfunny.

Wait just a moment.

I think I know what my plan is. I was being too myopic too see it clearly: Become a Super Genius Arch-Villain.

I'm not joking.

If I have a third nervous breakdown in as many years because this effort fails too, I'm going to snap.

Because this time I CAN'T POSSIBLY fail. I'm more serious than I ever was about succeeding. With almost 20 years of experience under my belt, the immeasurably generous help of my own Brother, the cheering section of family, friends and peers and I'm crazier than a shit-house rat because...well, I'm an Actor. I WILL NOT FAIL!!!

Mark my words though, if I DO fail, I'll be committed to a prototypical sanitarium, begin hatching my diabolical plan and join the ranks of other insane, megalomaniacal, hell-bent on world domination criminal-types. Mythic figures like Lex Luthor, Red Skull, Mr. Glass, Dr. Clayton Forrester, Wile E. Coyote...

And I know how my evil genesis will reveal itself. It will be so simple, elegant and leave nothing behind but a refreshing smell of pine.

Taking a nice trip down amnesia lane

January 13th, 2011

I'm home today. Jen is not feeling well, yet, still working from home and getting paid. This might not be good, the pain comes and goes in waves, but we don't have health insurance right now (as many we know don't) and can't afford a Doctor visit. I'm worried because, well, certain symptoms that arose...it might not be good. We're both concerned. But it'll be okay. She's napping now as Gina and I are playing after her nap. Well, we've been playing for hours today and she's been really good. She's such a good Girl, a happy kid and so smart for her age. So, we're watching Noggin. We try to discourage too much TV, something I wish I had done when Gracie was growing up, but it's "educational". Some days, there's only so much playing you can do before you want to ram a plastic carrot into your nostril cavity and hope it pierces your brain into a state of self-euthanasia.

I have a feeling today's blog may JUST reach 1,000 words, the goal I try, with my Brother's help, to set for myself. Today was productive in that when I wasn't watching Gina because she was napping, I spent those couple hours sending out applications for work. The flyering job goes on hiatus for 5 weeks starting Monday and White Wedding has a few private gigs that will make us some good money, but not enough to pay all the bills AND catch up with old ones long overdue.

Sigh.

I actually heard from two of the gigs I inquired about online and have an interview tomorrow. In a nice ironic titty-twister from the Universe...it's another flyering job, however, it would be money and steady work. The other one was for costume character work, which would pay really well, but I wouldn't get paid for over a month. That's the funny thing about those kind of gigs in NYC that are in the "grey area' of non-union jurisdiction, they take forever to pay you. But, that'll be a nice paycheck in the mail mid to late February, if I get the gig.

Aside of babysitting today and looking for work, I saw Gracie on Skype tonight and it's good, always painful. In all honesty I'm really not waxing melodramatic looking for sympathy. The fact that my Daughter and I have to look at each other on a computer screen and can't hug, spend quality time together and I can't make her feel better when she's cranky, which she was, it sometimes too much to deal with. It's better than not seeing her at all and I only do it once or twice a week because it's too awful when it's more than that. Cat said she was having a hard time with Gracie because she had a snow day (unbelievable how they cancel school when it's not even a Blizzard, as I said a couple days ago, pussies) and the previous day she threw a tantrum on a school field trip. Apparently they took a trip to the Palisades Mall in West Nyack and the class visited the kid playland that has cool jungle gyms and video games. If it's the one I used to take Gracie to, it's fun and she has a ball...until...they had to leave. I had the EXACT same problem and practically had to drag her out of there kicking and screaming on a couple occasions. But usually I was able to quell her with either a distraction, telling her we would be back, or, we would go to somewhere else fun, or, say we'd go get some frozen yogurt or something. They didn't have such luck.

So Gracie was still on the "I want to go back to the arcade" kick when I saw her tonight. And you know kids, they want to act up and get attention and sympathy from other adults when they have a new defense team, Me, to plead their case to. Cat was trying to get Gracie to talk to me as I was trying to talk to her without her glued to her iPad or watching SpongeBob. When Cat calmly took both away to get her to talk to me, THE BATTLE OF WILLS HAD BEGUN. 

Gracie first ran downstairs to her play room and Cat gave chase. Gracie hid in her nylon tunnel and the counting to three began. Gracie came out before 3, but then ran up 2 flights to her room. Cat gave chase. Gracie hid in her bedroom closet and threw a small fit, then ran downstairs to the living room. Cat gave chase. Gracie hid in the front hall closet where all her stuffed animals live and finally, Cat put the computer down aftre a number of valiant, but futile attempts. End of chase. I then gave a last ditch effort to quietly ask Gracie what she wanted. Cat was unfortunately having to be bad cop, since she lives with Gracie, and I was less frustrated and had the advantage of a bit more patience with her. Gracie calmed down and actually talked to me and held a conversation rather than repeat what she wanted in metaphor. Occasionally, talking to Gracie is like that episode of Star Trek: TNG where Paul Winfield plays the alien who only speaks in metaphor - Darmok. But when she really wants something, and in this instance, I really believe it was to be with Daddy and connect with me in some way.

She told me she wanted to go back to the arcade and I said that she could another time, but she had to be good for Mama and her Teachers. And maybe when I go and see her again, we could go together. She just has to be good and know that you have to listen and respect your elders, even when you don't want to. It worked. She calmed down, gave me a smooch on the screen, said goodbye and then I got offline. Then I completely, quietly and painfull lost it.

I miss her SO much. I HATE not being there for her. I HATE myself for being half-responsible for the break-up of our family. And, I HATE myself knowing that until I can afford the expense of seeing her, at the ADULT AGE OF 40 DAMNABLE YEARS OLD, I'm going to have to suck up this feeling of helplessness, failure and disappointment in myself that Gracie is growing up without me there, to cherish and love nearly every second of it.

Okay. Enough pity. Time to really throw a monkey wrench into my evening after THAT...

...let's look at old photos of myself and reminisce about how fat, dorky and awkward I was!

Webster's Dictionary
SELF–ABUSE
noun \-ə-ˈbyüs\
Definition of SELF-ABUSE
1: reproach of oneself
2: abuse of one's body or health
3: Rob Pedini

Alrighhhhht. It wasn't as bad as all that. Jen spent the last couple hours making homemade fried chicken with broccoli and mac and cheese. Oh man, it was so flippin' good. After eating that, accompanied by a Newcastle and having a cigarette (really needed one) I felt a little better. Food. Booze. Nicotine.  The last two are not habitual or necessities for me, but man they're good when you got 'em.

The old pictures of me were for the blog. I found some beauts. I think it's always fun to look at old photos of yourself and your family and friends. Man, the hairstyles, fashions and furnishings of the 70s and 80s alone are both cringe and guffaw-worthy. But also happily nostalgic. I did get them out for the blog, yes, but the impetus for doing that was Jen showing me old photos of her, because she had considered cutting her hair short these past two days. She wanted me to see her with her old "Twiggy" cut. I worked so well on her, but she decided she's just gonna color it. Jen and Gina both had fun looking at mine and Jen, like so many others I've told when they asked me about what I was like when I was younger, could barely believe what she saw I looked like then. My Brother and Mom & Dad too. I'm gonna get some pics on here for past blog days that punctuate some of the themes I talked about. And save some others for future topics I know I'll talk about. There will definitely be a "comic book geek" day where I'll break out Halloween photos of me and Brother donning Superhero alter-egos when we were pre-adolescents. They'll be up soon. Oh yes, they'll be up soon.

Reading through today's blog I think it was time I did a day that solely centered on the day's events. That is what these are for after all. But I like telling stories, spinning yarns and keeping the few of you who actually read this, entertained somewhat. Once again, occupational hazard. It's only my second full week into this and after looking at a few popular blogs, vlogs and other sundry journaly-like dailies, I'm still not sure the method, protocol and actual structure I'm supposed to follow.

But who says I have to follow what everyone else does anyway. That's kind of how I've always been throughout my life. Follow the beat of my own drummer. Bang on my drum all day. Dancing with myself. She-Bop. Okay, that one was gratuitous to make an infantile joke.  Jerk-off that I am...GET IT!?!

I'm tired, but a decent tired. Not too maudlin anymore. Now to sleep, perchance to dream about being naked in 8th grade english class with my red corduroy pants, yellow izod shirt, puma sneakers and oversized prescription eyeglasses lying on the floor, my butt-cutt hairdo bouncing and behaving while my entire family, The Huxtables, Drummonds, Keatons, Cunninghams, The Fonz and Maynard G. Krebs (Not 80s, but don't ask me why Bob Denver is in my dream) are laughing at me while I'm doing the truffle shuffle.

KNEW I shouldn't have looked at those old photos.

Comedy, comedy, comedy...

January 11th, 2011

I would be remiss if after my gushing about British people yesterday I didn't at least talk about my own country's contribution to the fold. I should just grab my passport and move to England...Eurotrash-lovin-CommiePinko-huggin-Jihad-smoochin-red menace that I am. So, what is it that I find funny and appreciate here in the good 'ole U.S. of A.? What is comedy? What makes people laugh? Everyone has their favorites and it seems today that at the water cooler, you tell friends to go online and watch "this hysterical" YouTube video. They can last from 10 seconds to 10 minutes with innumerable themes. Most of which have to do with people paining themselves in some way. Yep. Comedy is pain. Aching of which...

I'm out here flyering today, again...cooooold. Out of curiosity I ask some of my fellow working popcicles who they are influenced by in American comedy. I figured before I give you all my influences, I would ask relative strangers with whom I could get a subjective opinion. One says, "George Carlin, John Stewart, intelligent, political...some Adam Sandler when I'm in the mood for crude and dirty". Another says, "The Wayans Brothers and Eddie Murphy" and the last person I ask lists a few, "Margaret Cho, Ellen Degeneres, Bob Sagat". 

We're running a pretty wide gamut, but not really. I realize they're all Stand-Ups who have carved their own niche in the business. They have a character (themselves), a specific agenda, each their own unique style and craft a routine that centers around observational humor. And most of them draw from personal experiences that originated from dysfunctional families or painful experiences that they found the funny side of and parlayed into a lucrative career. Hmmmmm. There it is again. Pain.

I've never done Stand-Up and I suppose with the pain that I talk about in my blog I was never able to sublimate in front of a brick wall, staring at dozens of people, enjoying their two drink minimum. I did experience that doing Improv and Sketch Comedy, but REALLY experienced catharsis doing Slapstick. So, I PAINed myself physically instead of verbally. Paging Dr. Freud? I'll get to that.

My influences in this country if I had to give you a quick answer? I would say The Marx Brothers, George Carlin and MST3K. But, this is MY blog, so, what I would really say is: Silent Era & Comedy Duo/Trio slapstick, Looney Tunes, Your Show of Shows, Jack Benny, Ernie Kovacs, Jackie Gleason, Lenny Bruce, George Carlin, The Firesign Theater, Nichols & May, Second City, National Lampoon, Early SNL (pre-1980), Cheech & Chong, Christopher Guest & his stock company (Including "This Is Spinal Tap"), The Kids In The Hall (OK, they're my fellow Canadians, but still), MST3K, Trey Parker & Matt Stone and I think I'll stop now. Phew. 

And now, a pause in my writing outside today with this brief announcement from The Emergency Broadcast System...Jen is really sick and no one is able to watch Gina. Not even her Father. He doesn't give a good reason, Jen just said he sounded perturbed and so, she called me leaving work really upset. Like I said before, he's a story to tell someday. Of course I'm going to go home and take care of Gina and the dog while Jen gets some rest. She may even have to see a Doctor and there's a storm headed our way tonight. Man, I hope Jen's okay, but I gotta call my Supervisor and get out of here and switch my schedule for the week. 

I'll pick this up on the train in a little while. I'll be back.

And I'm back. Jen's happy I'm coming home, holding on, but has to deal with Gina and Tango for a bit til I get there. Can't start thinking about money I'll lose because of this emergency trip. It'll work out. This is more important.

Deeeeep cleansing breaths.

Gotta distract myself with continuing about my American comedic influences and why I love what I do. We all have established that I hate it too and my brain is so jumbled right now dammit, but back to the task at hand.

I'm sure I've missed some from my huge list, but looking at it off the top of my head, there is a common thread that permeates most of my list...Improvisation. The ability to think quickly on your feet, create something from nothing, to instantly have an instinctual, comedic, gut reaction, express it (good or bad) and see what happens next. It's not only a skill that takes years of experience to master, but it also has to be practiced a great deal and on top of that, there are rules as well. And even with practice, experience and knowing the rules, it comes easier to some than to most others. Different from my counterparts, but Improv and Stand Up have one thing in common - America. Fuck yeah. 

Improvisation in Theatre takes it's roots from the original Commedia dell'arte and famed Acting teacher Konstantin Stanislavski. But the current definition and incarnations in comedy, began in the U.S. in Chicago with The Compass Players where Viola Spolin, Del Close, Paul Sills, David Shepherd and others first performed as a political platform. The same happened in San Francisco with The Committee but it since has spawned many groups: Second City (Chicago) and it's contemporaries The Groundlings (L.A.) and The Upright Citizens Brigade (N.Y.). It can take the guise of short form (Improv Games) or long form (Harold) and is VERY useful for cold-reading auditions and for performance in any medium when the script can sometimes be constrictive and limiting.  I didn't really need to give you facts you could look up yourself, but I actually know this stuff and really enjoy teaching others. 

I have been a practitioner, advocate and teacher of Improv for most of my Acting career. Anything could happen, usually does, and the immediate audience reaction made it all the more exciting and the positive energy, palpable. That's why I not only love Improv, but also live scripted Theatre. The ability to feed off of the audience's energy, to be able to manipulate their emotional journey and deliver a joyous, satisfying result...there's no feeling quite like it. At least from an Actor's standpoint. Every performance is different, even if it's the same show. I've Directed, Produced and Written projects where you don't get an immediate response sometimes. That delayed, peripheral feeling, wasn't as satisfying. 

Performing Improv is even better when you have fellow artisans who love it as much as you do and are as skilled at it as you are. With some of us, it's like breathing. I have many people I enjoy doing Improv with so much and the wonderful experiences I've had and people I've worked with are too numerous to mention (Those company members of The NY Renaissance Faire and The Jekyll & Hyde Club, you know who you are). There are some I will go into specifics about later I'm sure, but I have had no better partners in the sheer number of experiences, years working together and projects we've produced, than The Timony Twins. Bobby and Peter.

They are my Brothers from another Mother. Kindred spirits. Knuckleheads til the death. "We three, we're all alone, living in a memory. My echo, my shadow and me." Ah, The Ink Spots. Great song. I'll go into the projects we've done another time (It's a WHOLE blog entry in and of itself) but the first one we ever did, The Mook Brothers, was our love letter to classic American slapstick -www.themookbrothers.com. My Brother did the website for THAT one too. 

When we're not trying to be a modern day Marx Brothers, we're like kids when we get together. Our IQs drop, our defenses go down and I think I can say I've never had more fun in my life, and more laughs, then when we get together. It's like a comedic atom bomb goes off. We know each others rhythms, patterns and spend the majority of our time giggling. Why? Because we are literally, open to the experience. Since our heads are empty when we get together, even the dumbest idea has merit. The most ridiculous stunt seems possible. And the delusions of grandeur, attainable. 

Our buddy Clark, Truman Clark McCasland, is our 4th partner, our Zeppo. He has Directed our insanity for many of the projects we've done. He also owns that same sensibility, love and appreciation for the art, but is able to reign it in WHILE joining us in the inspired mania.  That's it's own talent indeed. We still work together and continue to develop projects and breathe life into our old ones. I sincerely hope that we can do it forever. No joke. The journey we've all had so far we wouldn't trade in for anything. We evolved, we grew, we learned from our mistakes. We would do it all over again and if we were given the means to do so without us each going into financial ruin (We all did THAT already) we would leap at the chance without a net. we're looking for the American dream, like our predecessors.

In saying "The land of the free, home of the brave" you may as well be talking about American comedy. Although my deepest influences go across the Atlantic Ocean, I believe that we're loonier here. I am certainly one of them. We feel free to do anything to get a laugh and are brave enough to actually do it. That absolute LACK of propriety, common sense and ability to have no shame is not only abhorred by some comedy purists, but encouraged by others. Even so-called "respected" Actors don't dare do what some of us do here. I guess many people outside of the U.S. think we're nothing but a bunch of "Jackasses". I honestly can say that Johnny Knoxville and those guys of "Jackass" have hit the literal 'nail on the head' with modern-day slapstick. Sadly, me, Bobby, Clark and Pete missed the mark. The more extreme you are to get a laugh, the bigger laughs you get today. Bob, Pete and I did our version of "Jackass" on a live stage, and it "killed". When we tried to sanitize it for the screen, the audience was not nearly as wide and it "died".  Amusing how comedy has such a sense of violence and unpleasantness associated with it. I have always kept that in mind when I first heard the logic to it. Keeping that in mind, the 4 of us came up with 5 rules of comedy: 

1. Comedy is pain
2. Comedy ain't pretty
3. Comedy comes in threes
4. "K" sounds are funny
5. Bend it, don't break it

We came up with these rules doing research and following the rules that are at the heart of all of our favorite comedians, comedy heores and legends of which most I have listed previously. They are pretty universal rules, but the living pulse of comedy is always fluctuating. Maybe our way will be appreciated again while the Jackasses are still making millions as we speak. Even if it's not, we'll continue to laugh and make others laugh. Only now, we have to do it in 3D! Everything comes and goes in cycles. That's nature's absolute rule and truth. Our rules were meant to be broken, but perhaps the nature of comedy in this country, and everywhere, is the same. People's need and instinct to laugh I would like to think is very basic. If this sounds familiar to anyone, it is.

Who better to speak about it and finish this particular day than a man I keep coming back to who inspired many of us and made sense with his logic: George Carlin.

"Comedy's nature has two sides. Everybody wants a good time and a couple of laughs, and of course, the comic wants to be known as a real funny guy. But the language of comedy is fairly grim and violent. It's filled with punchlines, gags and slapstick. After all, what does a comic most worry about? Dying! He doesn't want to die. 'Jeez, I was dyin. It was like death out there. Like a morgue. I really bombed.'
 Comics don't want to die and they don't want to bomb. They want to go over with a bang. And be a real smash. And if everything works out, if they're successful and make you laugh, they can say, 'I killed 'em. I slaughtered those people, I knocked 'em dead.' And what phrases do we use when we talk about the comic? 'He's a riot.' 'A real scream.' 'A rib-splitting knee-slapper.' 'My sides hurt.' 'My cheeks ache.' 'He broke me up, cracked me up, slayed me, fractured me, and had me in stitches.' 'I busted a gut.' 'I get a real kick out of the guy.'

'Laugh? I thought I'd die.'"

Day 13-Unlucky for some

January 10th, 2011

I find it funny how I'm starting my day today on the subway, ready to get off on 42nd St., in real time, about to walk into a railing post while I type on my smartphone (PAY ATTENTION Spaz!) and I finally came up with an idea of what I'm gonna write about today. And just think, today's anticipated events have yet to mysteriously reveal themselves yet. (Creepy music) BLOO-HA-HA (tm). I owe you a quarter Pete. Sorry, inside joke. I'll explain it another day.

Some days I already have an idea and let the rest of the day play itself out. Then, I write in a flood. I had nothing for today. No intelligent thoughts or anecdotes as my brain, my physical being and my soul was exhausted from yesterday's, well, day. My head needed a rest last night, badly.

As I started typing, I put up the date and realized it was Day 13 of my blog. I let it sit there for a moment and thought, 13. "Unlucky for some." THAT'S IT! Thank you Mr. Humphries for giving me the inspiration I needed.

Today is my salute to: THE BRITISH!

I do this blog with great trepidation every day, but can't believe it's almost 2 weeks. The style and humor I always attempt to write with (even for years before this blog on MANY projects), could be considered pithy, clever and possessing a self-depricating wit. At least I've been told that. Even if I consider myself a career failure, I know and can be proud that my creativity and talents as a writer are influenced by people whom I admire, revere and kinda wish I was.

I THANK YOU British people for my comedic thinking and sensibilities. Specifically, I should thank my Dad for tuning into PBS when I was growing up and even allowing me to watch. You have to admit, some of those BBC shows in the 70s were a bit "naughty": Benny Hill, Are You Being Served?, Fawlty Towers & Monty Python's Flying Circus.

Watching them now, that stuff was racy, irreverent and at the very heart of it; just plain gut-wrenchingly funny. I didn't get all of the jokes or subtleties at the time, but my Dad was laughing til he got red in the face, teared up and had coughing fits.

Are You Being Served played out the misadventures of Department Store workers at Grace Brothers. Mr. Humphries (John Inman) could be considered the 1st Gay character on television. Screw "openly Gay", he was as queer as a three dollar bill, everyone knew it, suggestive humor flew by like a twinkly, light-loafered fairy, but it was never discussed. It was just accepted and so cool that the English (And Europeans too) didn't care . It was fuckin' hysterical. He was service worker #13 in Man's fashions. "Unlucky for some" he would say. Way ahead of it's time. Take THAT "Ellen". His catch phrase "I'm free!" came from an exchange with the stiff-lipped Department Head, Captain Peacock:

Captain Peacock: Mr. Humphries are you free?

Mr. Humphries: That depends what you had in mind Captain Peacock.

Captain Peacock: Mr. Humphries...

Mr. Humphries: I'm Free!

What I totally did get was their mannerisms, double-takes and sense of upper class propriety as they acted like absolute buffoons. Many of them had most likely learned from their predecessors (English AND American); Chaplin, Laurel & Hardy, Keaton, Lloyd, Arbuckle, The Marx Brothers and the list goes on and on. So much could be conveyed with just a look, a reaction or a simple stumble.

I remember watching Benny Hill with my Dad and couldn't believe he let us. Here's this rotund, quasi-lecherous, middle-aged man surrounded by all these scantily clad females and all the while he keeps slapping the head of this wrinkled old guy in his underwear and the show always ended with them running after each other with that music...Daaaaa, da-da-datta-datta-datta-datta-datta-datta-da-da-datta-datta-da. Da-da-da-datta-datta-datta-datta-datta-datta-da-da-datta-datta-da...you know it. It was so silly, but sooooo funny.

However, in my opinion, the best British series ever was Fawlty Towers. John Cleese and his Wife (at the time) Connie Booth, created only 12 episodes, but it is hands down the funniest television in modern creation. If you don't believe me, search it out and watch. It's that funny. Cleese is the master of the "slow burn". I'm certain everyone has their favorite shows and it may not include Basil & Sybil Fawlty, Polly, Maunuel and the lunatics residing in Torquey at Fawlty Towers Hotel. But it should. Speaking of lunatics, The Young Ones are a probably a close second for me.

Comedy is always funniest when those performing it are never aware they're trying to be funny. That's the BIG problem with American comedians or comic Actors that I can't stand. The mugging, over the top physical shtick and the vulgar dirty humor done with a wink and a nod. Don't get me wrong, there is a place for that kind of humor, but it's never even come close to the comic brilliance that comes from investment in character, truth and realism. It lends itself to guaranteed hilarious moments.

In classic Laurel & Hardy shorts, Stan could sit there for 3-5 minutes an do practically nothing with any object and you could see the wheels inside of his head turning, trying to work things out. Ollie would be right there with you, but his disbelief was equally hilarious. Stanley would have you transfixed, beside yourself with laughter and you could watch for another five minutes. Chaplin was like that too. And both of them...British. Even drama can work better with peppered moments of humor that accompany the serious moments. It's real, honest and disarming.

However, I can tell you my absolute favorite kind of comedy, next to slapstick, is absurdist.

One discovery I made in British Comedy a number of years ago was The BBC Home Service Radio's The Goon Show - www.thegoonshow.net. Performed in the 1950s by Spike Milligan, Harry Secombe and a young Peter Sellers. It was done every Sunday night, recorded in front of a live audience at The Camden Theater in London and included live foley sounds, orchestral interludes and hardly any breaks or edits.

Spike Milligan was the Head Writer and he had a some co-writers, but he did the brunt of over 250 episodes in their 10 year run non-stop run from 1951-1960. It literally drove him crazy and he spent some time in a sanitarium. Unfortunate as that was, his insanity is what was so wonderful about the show. It was an absurdly, hysterical stream of consciousness storyline with wonderfully crafted stock characters. It showcased Milligan's writing genius and Sellers' facility with characterization and vocal acuity. It deeply influenced members of Monty Python and was listened to weekly by two young English lads; John Lennon and Charles Phillip Arthur George, The Prince of Wales. The American boy who is writing this blog, is a rabid fan who has listened to every single episode that was able to be saved and digitally restored for posterity.

Many contemporary British shows are equally as good as the classics I watched: Mr. Bean, Absolutely Fabulous, Black Adder, A Bit of Fry & Laurie, The Office, Little Britain, Father Ted (Irish, but very similar sensibility) and countless others worth mention. Many great American sitcoms are BASED on old British ones: Steptoe & Son (Sanford & Son), Til Death Do Us Part (All In The Family), Man About The House (Three's Company), The Office, Queer as Folk and Who's Line Is It Anyway?.

There are so many awesome movies, TV series, theatrical productions and Actors from England. For some reason, people give Brits more reverence and respectability when it comes to Acting. It's not just because they have cool accents or because they're too much better or because they do Shakespeare so well. It helps, but I think it's because they have more respect for the craft and that it should be taken seriously.

Today I was talking to one of my flyer jockey mates, Phil, and he's from England. Very talented, super-cool and works as an Actor a lot. I really hope to work with him one day and we've talked about it. It's not that he doesn't work hard or is lacking in any ability, but being British does give him a bit of an edge here in this country. Because he's a native, and he doesn't have to do a forced, awful English accent like most of us here do. Even though he has a survival job with us, he's always booking work because he's not only talented, smart and respects his craft, but he's British. I'm sure even he would agree to a point that it's an advantage. I told Phil what I was writing about and we did chat a bit about shows we watched and I now have some new ones he suggested. One being The Fast Show I think he said. I'll have to ask again, but looking forward to something British and new.

Acting and entertainment is a business. One to be taken seriously. The English know that and those of us who do that in this country are respected equally by our British peers.

Comedy is an especially serious business. I love making people laugh and am VERY serious about comedy. I guess that's why I have a knack for it. I learned at a young age.

You have to free your mind, be open to every possibility, accept and build, take risks and fear nothing.

Are YOU free?

 

The Princess & The iPad

January 9th, 2011

I have to admit, I am bit depressed today. It is balls cold outside working. And because our gig got cancelled over the weekend and I had some financial responsibilities to catch up with, so now, I'm poor. I am literally counting change as we speak so I have enough Metrocard rides to get to tomorrow night. Then I'll make some money at our weekly Brooklyn Bowl gig.

Speaking of suckage, this flyer job ends the 17th and even with more upcoming band gigs, I still need to find another job for 6 weeks until flyering for the next show opens end of February. I've been trying for a month to find work, but the Holidays are over and if anything, people are downsizing and cutting hours. Bills are piling up. I can't even work on this blog outside right now, as I'm apt to do, it's SO flippin' COLD. I'll work on it in a little while on my break. Sigh. Fuck it. Gotta think of something happy or I'll throw myself in front a frozen bus. More later.

And...it's later. Warmer. Better.

I love spending time with my Daughter Gracie. My kinetic faerie princess. She so precious to me. Whenever the opportunity arises amidst my hectic schedule, the long distance to travel and I can take the time and spend the money, I jump at the chance. The good news was that I was able to find some extra time with her unexpectedly this weekend. The bad news? Remember the gig I just said that got cancelled Friday? Fuck it. I miss my Daughter dammit.

The Friday night show was at one of our regular Pub gigs out on the Island. On Friday morning the city and surrounding areas braced themselves for another storm. This time, our illustrious Mayor and the city promised they would be "ready" for a blanketing of 6-8 inches! Good job guys. Where the hell were you on December 24th when they predicted a 2 foot Blizzard on it's way and you still weren't prepared by the 26th while we were in the middle of it? Celebrating a pre-Holiday Holiday or something? Schmucks.

It was starting to snow already as Jen & I took Gina to Renee, her day-care babysitter, at 6AM. I was going to borrow the car so I could get to the city, flyer for half the day, then drive out to East Yahweh L.I. for the gig later that evening after work. But, upon reflection, driving would have been horrendous. Traffic insane going from NJ to Brooklyn to park the car and then getting to Long Island during rush hour. Then, I would drive back up to Suffern 3 hours at 1:30 AM to be at Cat's before 6AM, so she could go to her Mason meeting and I watch Gracie for the day.

What ended up happening was a Parental blessing and a typical, failed Actor curse. The "storm" were expected to get, barely showed itself. In the city snow was falling, but not accumulating. My weather application on my smartphone, and other media outlets, with all their instruments and technological advancements, issued a SEVERE winter storm warning. We braced for another winter behemoth.

Ah, Meteorology. "If you get paid that kind of money being wrong 60% of the time, it'd be working". Thank you Agent Cooper. Love that quote. I use it a great deal. Everything I need know I learned from David Lynch. No wonder I'm so fucking nuts.

Mike, the guitarist and leader of our Band, and JC, our keyboard player and booking guru, had prepared us for the possibility that the Pub, Napper Tandy's (www.nappertandysirishpub.com), would cancel the gig because of the weather.

Bottom line was, they weren't expecting a great deal of people coming out, snow storm or not. First weekend in January post-Holidays, everyone is poor. Why pay the Band the little money they would make and just keep what they had to pay overhead for even opening up. It's a business decision. I understood that, but it would put a big dent in my wallet for expenses and bills.

That's what ended up happening anyway. The storm was accumulating a bit more in the outlying suburbs around the city, but not seriously enough to shut things down. Many did anyway; schools (Gracie had a day off), businesses and we didn't even get more than a few inches. We're such pussies nowadays. If in my Dad's day, he could walk through a Blizzard, uphill, both ways (THAT old chestnut), and in my day, trudge through a monsoon, killing a rabid warthog with my Trapper Keeper, then Gracie could certainly trod around 2-3 inches of snow while beating a mob of unruly Kindergartners to death with her Justin Bieber approved iPad.

Yes. Gracie has an iPad.

When I got to Cat's house after work Friday, I rang the doorbell around 8:30 and got greeted with "DADDY!" Best...sound...in...the...world. My heart, and frozen appendages, melted and she proceeded to show me her room, her pillow pets and then, her newest toy, her iPad.

Cat's half-Brother, Scott, is a Mac tech, consultant and has many clients. One happens to be a named celebrity (self-proclaimed) loud mouth and whenever a client, or the loud mouth, has a problem with their adult toys, they give it to Scott and he fixes it. Or, they can't wait, buy a new one and Scott fixes the ones that are fixable and his family members benefit.

Ergo, Gracie has an iPad thanks to Uncle Scott. Thanks Scott. It's so good for her. It keeps her focused, she had kids books, learning games and fun games (angry birds, cut the rope...ect) and she's making progress with her speech, her eye-hand coordination and she's happy to show me and play with me.

We have such fun playing outside, watching movies, tickles, playing in her stuffed animal closet and especially "Hug Yous".

I really don't like doing this, this blog about myself and what I'm about to say because they go hand-in-hand, but I may cut today's entry short because honestly, talking about Gracie gets me too emotional and I can't focus and get stumped for words with how much I love her, how much she loves me and how much we miss each other.

I'm really sorry to be a party pooper.

I'll pick this up tomorrow.

I said poop.

Dining, Diets & Disorders

January 8th, 2011

I love my flyer jockey Supervisor, Don.  I was nearing the end of my shift last night outside in Times Square and Don showed up to see how the few of us left were doing. As far as I've heard, Don has been doing the flyer thing for almost two years. He may have been doing it longer, but regardless, he's my Supervisor and he's fabulously muti-talented. A Professional Dancer, Actor, Personal Trainer and he also told me that he's studying to be a Male Nurse, or a Physical Therapist, not sure which, but he's busy. And he rules. Everyone who works for different companies outside flyering, knows him. He's laid back, understanding, flexible, yet does his job efficiently and no-nonsense when he has to. "Yay." He says that a lot and it's always happy to hear.

The reason I'm giving him a buildup and appreciating his existence is because he's one of us. He's a working Performer who knows the business, makes the sacrifices you have to make, puts up with the bullshit and lives the life you have to lead. We were talking for a few minutes and he did tell me a few days ago that he's currently dancing in a professional production. Cool right? Well apparently, this 6 foot tall, 195 lb. (more or less), physically fit Personal Trainer and Dancer said that he had to lose 10 lbs. because his costume was a bit tight. Hmmm. I see.

I asked him, "Where are you supposed to lose it from? Are going to cut off your head?". The head averages 12 lbs., so the Producers should be satisfied with that. I realized I sounded like my Dad. Don then proceeded to explain how he and the other Dancers and Actors were talking in the dressing room about how they have to lose the extra weight. They talk about it in front of the very Producers, Directors and Costumers who tell them to lose weight and all they do is laugh it off and leave. Don says they rehearse, work out, walk everywhere, take diuretics, supplements and starve themselves. But, in order to keep functioning properly and not do any permanent damage to their liver or other parts of their body, they only eat bananas when they absolutely need to. 

I couldn't really say anything. Because I myself sometimes fast and skip meals, have purged on a rare occasion after eating way too much (but never made it a bulimic lifestyle and it wasn't purposeful), walk everywhere when I'm in the city and do starve myself to drop weight. But I must have given a look of concern and worry because Don then said, "It's not MY eating disorder, it's the INDUSTRY'S eating disorder." 

I fell out with laughter. I'd never heard that before and he couldn't be more right. Well, sort of.

I told him I was writing a personal blog and asked if I could quote him because I thought it was a brilliantly twisted philosophy. He said it was fine and I proclaimed that I had my topic for next blog. Today. It's about one of our basic, natural, survival instincts: Sustenence. Replenishing your body with whatever necessary nutrients it needs to sustain bodily functions. Only in this day and age, I think we sustain just a teeeeeny-weeeeeny bit too much. Or, in the case of those of us in show business, just a teeeeeny-weeeeeny too little...ahhh who the hell am I kidding....

In the world today, we're either a bunch of compulsively eating overweight fucks, or a gaggle of starved, bulimic anorexics. 

Where did we go wrong? Was it our fault at all? Was it the media? Our upbringing? Slim Goodbody?

Strangely enough, I'm not going to go off on a rant. About how we're too fat, too skinny or how undernourished some third-world countries who don't even have the ability to consume, or waste food the way we do here in more fortunate climbs are literally starving.  Damn. I think I just ranted. All we can deduce, that's common knowledge anyway, is it's the product of your upbringing, poor school nutrition, the media AND your own jugement. 

It's all about moderation. The brilliant comic BLOOM COUNTY, by Pulitzer-prize winning strip creator Berkeley Breathed, may be my favorite comic strip ever. Witty, sardonic, political, satirical and pure genius. I had every book collection he published and can cetainly count him as a writing inspiration for those of us self-proclaimed "smart-asses". Give him a read, a look and just laugh - www.berkeleybreathed.com. One strip in the volume "Billy and The Boingers Bootleg" has Opus the Penguin trying to lose weight. He considers every method imaginable: fad diets, liposuction with a vacuum cleaner and even the negative reinforcement method of being thwacked on the head whenever he approaches food. Our town Hero, Milo Bloom suggests repeatedly he "Eat less and exercise". Opus is very dubious and stubborn at first, but then relents. 

This doesn't make Berke Breathed any more intelligent than the rest of us for drawing a simple solution to a simple problem, but he grew up in a time where moderation was commonplace. Hell, I grew up in the 70s and 80s when moderation and a little self control in the food department was still commonplace. You ate at the table with your family as Mom or Dad, or both, prepared the meal in the kitchen. Going out to eat was a special event and perhaps happened once a month. That included fast food. Going out now happens on average once or twice a week, if not more with families. And fast food chains, gas & fill up marts and even corner pharmacy super stores have rearranged their store configurations to offer meal replacement alternatives before the checkout aisle on a daily basis. Why not? It's fast, inexpensive and sustains. It sustains SUPER SIZE for only a dollar more!

I think we're all aware. You see them at a sports event, on vacation at a theme park, or even walking through the streets in your neighborhood. A ridiculous number of people carrying too much weight for their frame or disgustingly obese. And it's not always a glandular problem or genetics. Humans are complicated machines and there are many factors to consider. We're classified into three body frame types: ectomorphs (thin), mesomorphs (muscular) and endomorphs (heavy set). Each has a propensity to gain or lose weight and muscle. Then, your DNA has a part to play with your body and how it reacts to foods, exercise and the altering the speed of your metabolism. But really? Eating til your 500 lbs. is not a disease. It's a choice. Like drinking too much or doing drugs. 

When I was a kid, I had a weight problem. I wasn't obese, just heavy for my size. My Parents were too, my Brother a bit and our eating habits only bordered on healthy. We were happy eating. Sure, I remember sitting at the table as my Mom cooked almost every single night. We went out once a month and when we did, my Dad would discourage me from eating off the adult menu. But it looked better than the kids menu and I was really hungry. When my Mom would shop, aside of the good foods for meals, there would be chips, dip, devil-dogs, twinkies and other yummy snacks that would be for our lunch box and the weekends. As a teen, I was mistaken for a girl more times than I can remember because my genetics gave me a small frame, a wide pelvis and I had boy boobies and a butt cut hairdo. At my peak weight I was 13 years old, 5 foot 3 inches tall and weighed 175 pounds. No exaggeration. I was tubby. 

But I LOVED to eat. I still do. I consider myself a "foodie" and love that I'm in the BEST city in the world to sample any kind of food you want. And I DO! My Mom is a killer cook and was taught how by my Dad, his Mom (Grandma Edith) and her Mom (Grandma Assunta). Italian food. Now, I cook the same way. It's in the blood. Cooking is love. We love to eat in my family and I enjoy it so much. A little too much sometimes. Especially as a kid. But I wasn't auditioning for parts, being judged by anyone (for employment anyway) and it wasn't a constant worry. But it slowly became an issue. 

I was scorned by the girls. Picked on by the bigger kids and jocks. Blown off by the troublemakers and freaks, but the geeks? I fit there. I was the short, pudgy kid who did all the characters, was a fellow computer nerd, gamer and movie geek. Kind of a combination of Chunk and Mouth from The Goonies. At least I had a clique and wasn't a loner or sociopath. Social misfit, sure, but didn't have a reason to lose weight or goto the prom. I wanted to, but, BIG butt as a matter of fact. We were all scorned and stuck together on nights everyone else was out getting laid. I was a quiet kid anyway, but because of the ridicule, insults and other kids just being plain mean, wow, did I hate myself. So, I did something about it. I left home and the very place where I was loved and hated.

My Brother and I decided to go away to boarding school and I started working out. And fuck me, I was still made fun of by the jocks there. But I started to feel better after dropping about 35 lbs. and finally started dating my Senior year, then more in college. I felt even more confident when I showed an interest in theatre, sang with the traveling a capella group and even rebelled a bit by finding my identity as a raver/goth kid. Then, when I hung out more of the freaks and theatre crowd that were like me, I started smoking. Yep. I started sophmore year and lost some of the weight I gained back from the "freshman 15". In the performance world a LOT of people smoke. It speeds up your metabolism, curbs your appetite and rather than stick food in your mouth, you smoke 'em if you got em.

It kept my weight down for the next 10 years. I tried running, but fuck that. Only do that if you're being chased down a dark alley on the Lower East Side by a group of hyper-evolved speed-freak mutant Zombies. We have them here you know. Instead, if I have the time and I'm within a fifty block radius of my destination here in the city, I walk. Easier on my joints, great aerobic workout and you can window shop.

I finally stopped some of those habits that are really bad for your health. I quit smoking, but find myself still doing it occasionally. And stopped skipping meals, but do it if I need to lose a few pounds for an audition or performance. I consider myself borderline anorexic. Because I actively don't eat to lose weight and hide the fact, or lie when I say that I have. Why I'm borderline is that I love food. I have my comfort foods and my haunts in the city that I frequent have the best foods in the world. Food is good. Food is happy. Yay.

People in the entertainment and fashion industry and kids too young to even start dieting are hurting themselves because they don't have a personal trainer, sushi chef, or a lighting tech to place that soft, china ball light over your head while a professional wardrobe mistress and make-up artist make you look like a lusty-eyed, raven-haired "Lolita" in a Betsey Johnson frock. The media IS part of the problem, but they don't HAVE to be. As long as positive role models teach kids to love themselves. Tell them to be self confident. Don't tell them they have to go to Fat Camp or take them for granted and treat them like they're a burden. Tell them to make fun of the kids who are fat, ugly and poor because it's a cut-throat world and it's either you or them. Too many horror stories I've been told by friends who have things exactly like this said to them.

I have issues not because my Parents didn't care or didn't give me enough love and support, but because it was humiliating. I didn't say anything, retreated into my imagination, my safe fantasy world and knew that these kids who made fun of me would eventually, most of these kids will look like crap at 40. My friends can't believe I have weight issues, because I keep myself at a 'livable" weight. I will always have issues. Now I stay between 135-140 lbs. and will fluctuate under or over depending on how busy, or sedentary I am work-wise. I always feel like that chubby 13 year old even though I'm considered to be a "sexy", "handsome" and even "hot" 40 year old Man. Not my opinion, but I have been told all these as recently as this week. 

Believe me. I'll take it.

And I'll take an everything bagel with lox spread, a veal cutlet parmigiana hero, plate of cajun crawfish ettouffee with a side of sauteed spinach, a Reeses peanut butter cup sundae, slice of damn fine cherry pie with vanilla ice cream and a cup of black coffee. 

And a Diet Coke.

What?

The end of days and confused

January 7th, 2011

Apparently, the end is near. Birds falling out of the sky. Fish dying. Dead crabs. Jersey Shore.

Huh. Whod've thunk it? All them religious book stories and Nostradamus predictions may be onto something.

IF YA BELIEVE IN THAT SORTA THING!

These "signs" of the apocalypse we've been hearing the last few days and people predicting Doomsday are seriously bothersome. And not in the way you think. It's more akin to annoying. Every event, natural or man-made, that seems to happen, prey upon people's fears and to add to the hysteria. They add the word -pocalypse to sell papers, attract unique hits and get traffic to their website(s).

I find it damned amusing. We had a blizzard a week ago and they called it Snowpocalypse (We've had snowstorms far worse and debilitating, Blizzard of '77 or '96 anyone?). This week's bird droppings, Aflockalypse. The SpongeBob Squarepants movie, Planktopolis. Now that was a fear I could believe in: Fear I was gonna wet myself from them jettisoning great gobs of hilarity.

These events and subsequent religious-based fear surrounding it, pisses me off to the very end of it all. Here's an article I read today confirming my suspicions about the latest dead animal outbreak:

Connecticut experienced a strange phenomenon with dead fish over a century ago. The New York Times  of 1895 published a story of the Connecticut lakes in Middletown and  other surrounding areas experiencing dead fish by the masses showing up on the shores of lakes.

Due to the lack of sanitation technology, or even a formal sanitation department for that day and age, the fish carcasses fell apart and rotted, tainting the water and causing a horrendous stench.
Connecticut’s 1895 dead fish in masses just proves that these natural phenomenon’s are nothing new, it is just the numbers of incidents were vast around the globe in the last few days.

Although, in 1895 if the same thing was happening world wide, the Connecticut residents would have probably never known. The Internet has made it possible to know of all these dead birds and dead fish occurrences at the same time. In 1895, even if dead fish and dead birds were occurring in the next state, they may not have known about it in Connecticut.

So, as I suspected, people need to chill out. Your own personal deity is not calling down the thunder and summoning you to stand before him, or her (for those politically-correct and feminist types), for the Jugement day.

Religion. Either taken as literal truth or misinterpreted for an individual's, or group's, own selfish means, provokes; fear, bigotry, war and separatism. If there is a God, I don't think this is what he (bite me) had in mind.

As far as Actors go, some of my fellow thespians are Athiest, Agnostic, Discordian or don't believe anything at all. We're majority thinkers and philosophers rather than believers. It's the "wise move" for some of us because we think of ourselves as a clean-slate, open to experiences and ideas that are not based so much on dogmatic mythos, but reality. Seeing as how we have to delve in and out of ourselves to portray characters, we have to dump our beliefs, be malleable, flexible and live our lives on and off the stage as experiential dilettantes. I had been following this bent for quite a while. The type of extreme and/or fervent belief system in a religious context is still practiced regularly by many great Actors. But just as many, have no beliefs.


As an example, I did some research and 45% of the Academy Award winners in any given category (not that awards are a definitive measure of how great an Actor's talents are or how typical an Actor's faith is) for the last 75 years had NO religious belief listed or (?). Maybe the researchers just couldn't find out. However, what about the other 55% who were listed as specific as "Jewish Hindu Quaker" (Ben Kingsley)? I love the internet for reasons like this. Such random, unnecessary knowledge.

I grew up Catholic (Roman). My Parents, my Brother and his Family and the majority of my family and some of my friends are. Many other friends and acquaintances are practicing their own religious faith; Judaism, Protestant, Scientologist, Satanist, Jedi (no joke, it's recognized) and so on. Whatever gets you through the day and brings you inner peace, I am an advocate of. I'm not sure about the merchandising end of religion, fees you have to pay or tests you have to take just to qualify & start practicing (i.e. Scientology), but, who am I to judge. Besides, I'm a HUGE Sci-Fi fan. Awww c'mon, lighten up.


Religion - ln Stores Now!

I personally lost my faith around college when I was home on vacation. I went to services alone and had an experience one Saturday afternoon at the 4:00 mass, that shook me to my very foundation. It was a very simple moment in mass that I had done hundreds of times since I could speak it. The Nicene Creed.

"We believe in one God, Father almighty, maker of heaven and earth, of all that is seen and unseen...". I still remember it like my own name. Thinking back upon that day at St. Luke's Church (I think that was it), I had an epiphany. I was scared straight. Straight into questioning the very beliefs I was raised with, the very principles I learned, and didn't really understand anyway, when being raised to go to church.

Going every Sunday since I was baptized. Every Sunday since my first communion. Every Sunday since confirmation. Every Sunday as an altar boy. I would sit there every Sunday, respectfully and quietly, next to my Family. My Father was a Lector (one who does the readings, leads prayers and does announcements) and sang hymns next to me in the pew and in the choir. Beautifully, proud and louder than everyone. Yeah, I guess the apple didn't fall so far from the tree when it comes to having natural performing ability. My Brother does it now too, equally so. I also sat very dutiful and well-behaved next to my Mother. She was a former Sister Mary Theresa (sorry Ma if I got the name wrong), church organizer and wonderful assistant Deacon. We would also usually stay after mass and go to the Rectory for damn good coffee and doughnuts (Twin Peaks worthy), meet-and-greet and my Parents would help count the collections.

This wasn't a horrible experience or even traumatizing . It was our tradition, our ritual and just what we did. No questions asked or even posed. You just did it and accepted it.

So why then, on that Saturday in St. Luke's, did I hesitate continuing the Lord's Prayer? Why did I look around at the hundreds of Parishoners and respectfully, quietly, dutifully and even remaining well-behaved, freak out?

"We believe in one God, Father almighty, maker of heaven and earth, of all that is seen and unseen..." --- I stopped. Stood there, starting to feel uncomfortable. Wanting to get out of there. All of these people murmuring, chanting and speaking in this eerie monotone --- "...we believe in one Lord Jesus Christ the only son of our God, begotten of the Father..." ---It was getting louder. I figured it out. It hit me. They were Zombies, Drones, Robots. Unemotional, dead eyes, working on instinct rather than actual feeling. I thought, "Do they have any idea what they are saying? Do they know what it means? Do they really feel love for the Lord? 'Who invented liquid soap and why?'" It was creeping through my body, literally terrifying me, consuming my being and not in a good way---"...God from God, light from light, true God from true God..." ---Calm down, get a grip. You only have twenty minutes left, you've done this your whole life and just keep cool. So I did. And the Creed ended, then mass. I got in the car, took some deep breaths, got the HELL out of there and went back to the house.

Spiritually, I was never the same again.

I went back to college and carried on with my routine, which didn't include church. Thank GOD.

My family didn't have a problem with it because it wasn't practical for me. Not only did I have school work, but extra-curricular activities that would keep me busy through the weekends. And no...it wasn't just partying. Anyhoo, the next summer I actually found a job working in the college town video store. It was great. Made money and free rentals. I would be doing that again in the future, oh patterned behavior friend of mine. Loved that place. I asked my Parents if it was okay to stay and they loved that I found a job and totally supported my decision. They didn't begrudge me not going to church as long as when I went home I did the age-old practice of observing 2 times a year C&E (Christmas and Easter). So, I said no problem (not really) and gutted through it.

About a year later my Mom and I got into a small-talk discussion about school, if I was doing okay and why I hadn't been going to church, even when I came home. She finally asked. Thusly, I tried to elaborate philosophically, intellectually and logically how I just wasn't sure if I wanted to go or if I even believed anymore.

Philosophy or not, she flipped out. Not physically or verbally, but gave me this wide-eyed look of disBELIEF. When I tried to elaborate, perhaps not the wisest move, and told of my experience at St. Luke's, she said "You've changed Robert." And she looked so sad, so disappointed and even hurt. I felt horrible and slightly indignant. She called me Robert.

I had changed. I don't know why. I wasn't trying to hurt my Mom, Dad or Brother, who still to this day wholeheartedly, believe. This was about me. I can't explain it. I just knew. I had questions, doubts and started to assert my individuality, which didn't include God. I mean, isn't that what you're supposed to do? Isn't my life, mine? Even though my Family still loved me, supported me, and I loved them, things were different, stifled and uncomfortable when it came to religion. We didn't talk about it. That was the pattern in our house. Just let it go and maybe it'll work itself out.

The strange thing was, I still would pray out of habit before sleeping. I still would ask God for things. I STILL prayed when I felt lonely, depressed and utterly lost. What the fuck? I was a lapsed Catholic now. Abandoning religion means you don't pray, you don't believe and you don't keep calling out and asking "Operator? Information. Get me Jesus on the line."
 


Brother Nathanial. God's Traffic Cop in Times Square.
Guiding you through gridlock...to SALVATION!
 
It was SO ingrained in me, such a habit that I hadn't taken the time to break, that I was a walking contradiction. I slowly started to unleash the hooks, gradually. Tell "GOD" that I was so sorry. I didn't mean not to believe in him and know inside of me inherently that he...well...didn't really exist. But no one could prove to me otherwise. I even read some of the Bible and it was a difficult read. No storyline, horrible and unspeakable acts, backwards rules and philosophies, horrifying scenes of death worse than any horror movie I've seen (Men, Women, animals AND babies, BABIES!!!) and no logic to any of it. Logic. I use that a lot. Then it dawned on me. These are just a whole bunch of moral lessons compiled into one book that are meant to be guideposts for how to live your life. There WAS a philosophy to it. But that included fear, bigotry, war and separatism. It also promoted the condemnation of homosexuals, other religious beliefs, free speech and sodomy (the NERVE!).


All joking aside, it's all interpretation. If there is a God, like I said, the way the world has become would seem embarrassing and is not what "The Great Architect" had in mind. I have to admit the Masons have a pretty good line on the religious tip. Love your "Brother". I myself, have gone through  numerous permutations of finding my faith again. I tried being an Athiest (Close, but too logical and no soul), Buddist (I'm sure I could find the focus to mediate if I kept at it, but I couldn't, brain too busy) and after giving half-hearted efforts, I think I've settled into a belief system. I have been dazed and confused for so long, but I may have found my peace.

Wicca. I was curious about it before (I had seriously asked my friend Erika a while back, a High Priestess and very groovy person) and just started practicing it with Jen (practicing Wiccan for years). Suprisingly, it puts me in touch with the spirit of my former beliefs, however, without all the guilt, fear of eternal damnation and repentance. And no, it's not like you see or hear about from misinterpreted media and naysayers that we, as Witches, worship the Devil, roast goats and are casting spells to summon the Gods to do your bidding. It's polytheistic: The Goddess, God, Mother Earth, The Moon, The Sun, The Universe...There's even magic.

We all believe in magic in one form or another, right? RIGHT!?! Don't make me HEX YOUR ASS!

In the world today, there's too much fear, too much hate and too much death in the name of some folks' personal deity. And not all religious folk are like that. My Family, Friends and many other Families I don't know, are beautiful, deeply religious people. It's just sad that a whole bunch of bad apples ruin it for the well-meaning, nice, faithful few. And these days, it seems like few.

I think what The Goddesses, Gods, God and other omnipotent beings were trying to say is:

Love.
We all know this anyway.
It's simple.
The Beatles knew.

"There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be.
It's easy.
All you need is love."

Love. Peace Hippies!

A funny thing happened on the way to the forum

January 6th, 2011

Social networks. Public forums. Status updates. I remember when MySpace became all the rage. Put up your profile, your bio, interests, pics, videos, post to a wall and you can even enter code to "pimp" your page and personalize it a skosh. Because I hadn't been on in a while, and I'll get to why in a sentence or two, I checked it out just now (Mercifully, I have the day off) and it's lost it's very reason for why it differentiated itself, sauntered off to more modified pastures to reap the benefits of other more popular site formats and changed the one aspect I actually liked about it in the first place. My personalized profile is not the home page anymore. My "pimped" page got sloppy seconds. MAN I outta slap 'dat BITCH HO on principle!

I did it back then because, alright, everybody else seemed to be doing it. You should never want to be in any kind of club that would have someone like you as a member. I think I was member 56,000,000 when I signed up in 2005, I don't know. By the time 2007 rolled around the membership had peaked at 300,000,000 or some-such ridiculous number, the summer rolled around and someone said to me, "Hey. You on Facebook?". I said, "No. What's Facebook?".

I think many of us, in retrospect, may have regretting asking that question when we were first asked it. Seemed harmless enough at the time. "What's Facebook?". Simple. Innocent. Interrogative. Life-sucking. Deadly.

If you asked that question today, January 6th, 2011, "What's Facebook?", it's likely A FedEx driver should have taken that left turn at Albuquerque and ended up in Pyinmana Township, Burma (population unknown) initiating small-talk will the only local villager who speaks English to see if there's anywhere he can pick a few bars of a signal to Facebook status post "I'm cold, I'm wet and I'm just plain scared."

Facebook is an obsession. A world phenomenon. The social networking, application playing and media posting brain child of a 26 year-old Harvard educated computer hacker from White Plains, NY. After launching it in 2004, it now has over 500 million users, continues to grow at an exponential rate and creator Mark Zuckerberg is now worth 15 billion dollars.

The other phenom in the social spectrum is Twitter. A microblogging and networking service that allows you to post your status, by the second, in 140 characters or less. With almost 200 million users, Jack Dorsey and his buddies in San Francisco have also touched upon the public nerve. I only cite these as examples that lead the pack for the other dozens of sites and services that you can link to reach even more of the SAME people to pose a socializing question: When did we stop talking to one another? Yet, with finding it even easier now and socially acceptable to not have to be face-to-face or eye-to-eye with each other, people hate the fact that no one pays attention to them in what seems to be the height of our socialization.

It's what everyone wants nowadays. To be heard by an audience. Any audience. Their 642 "Friends", 283 "Followers" and the 52 capacity sitting on the bus across from you. People in their lives feel ignored, pushed aside or suffer from some complex and have to over-compensate for what they either didn't get at home, work or even ironically, online. Society owes them some consideration and courtesy for just being alive.

"Pay attention to ME!"

The age of ENTITLEMENT.
That's what we should call it unless someone penned it before I did.

I do it myself in fits and spurts. I'll occasionally post a status on Facebook and once in a blue moon, Tweet something. It's usually when I have something "meaningful" to say and not just because I rearranged my sock drawer or because I want you to help me defend the 31 petunias I just planted in my victory garden that's being overtaken by the Vampyre Mafia. As an Actor, the internet, social networking, blogging, vlogging and email blasts to promote your career, your wares and most importantly, YOURSELF, is the best thing that ever happened to an Actor. It save us the stamps, the manila envelopes, door-to-door knocking on Agent's doors, promotion and the industrial line mailings we used to do. Isn't that just another bitch of my existence? Something that was supposed to make my job easier and get me more excited to get my name, talents and abilities out there, and I rarely do it. I actually avoid it. I started old school, it worked, and even though I make the minimal effort at submissions and promotion online, I can't stand promoting myself or letting people know what I'm doing. Honestly, it's partly because when all this came about, I DID throw myself into the fray. I messaged, linked, emailed, snail-mailed, postcarded AND called on the phone old school to get people interested. To get them to come. Industry, new contacts and even friends. I constantly gigged. But people hardly came.

After a while, industry, new contacts and yes, even friends, didn't come. They still don't when I Facebook invite and even in person when I get "Absolutely, next gig you have!". So I stopped bothering. Stopped caring. I'm not saying this to make anyone feel bad and no, not every gig I had no matter what type of performance it was, was either too expensive or too out-of-the-way. I would have stretches where my Facebook was generic and gave only minimal information. Even to friends. I hardly ever put up a profile picture of myself. It's usually some Peter Sellers incarnation. He was the ultimate no-identity crybaby who loved his characters more than himself. My anti-hero. And my Twitter would remain dormant for months. Why do I even have them? My carefully devised plan was to disconnect myself from the the world. "Sell the house. Sell the car. Sell the kids. Find someone else. Forget it. I'm never coming back. Forget it!" Well, not exactly, but my point is...ACK...I just swallowed a bug.

I'm very selective with people I hang out with now, who I want to spend time with and I never expect anyone to reciprocate even if I do a solid for them and give my support. It's not that people don't have their own lives. They do. But they prioritize. I'm guilty of punking out on supporting friends' endeavors even though I said I was gonna, or wanted to come. We're all guilty of it. But dammit, I've been doing this for SO LONG and given SO MUCH of myself and my previous posts on negativity and getting rejected were purposeful indictments of my continual ongoing disappointments with people and things. So, I regress.

I hide in my social networking cave and come out like the groundhog, or the changing of the seasons. And when I do, it's usually pithy, significant, something that poses a discussion and becomes a mini event as I do get a number of people paying attention to ME! When you post, status and blog every day (and sometimes every other minute of every day), people tend to zone you out because it's too much. It becomes inane, insipid and pedantic to need a cheering section because you stepped out the door, drove to work and then did your freakin' laundry. But that's me. To me, it's safer this way.

And last night, I just threw that plan, and my mojo, completely into the crapper. I HATED that I eventually had to post this out into the world. I was comfy in my own self-congratulatory wit, rambling about myself and being able to calculate a 1,000 words a day (and sometimes WAY over) so I can call myself a writer and at least get the damage and pain inside my skull out onto a word processor after years of deliberate delay. I also do it in the hopes that maybe it could help my Acting career and if it doesn't, perhaps this writing thing could take me in a whole new direction. Keep your options open, I suppose. In all sincerity, I have to thank my Brother for kicking me in the ass. This is as much his as it is mine.

This blog IS helpful to me and my closet need to be heard at the end of every day. I hope it's at the very least comical amidst the tragedy that I keep skirting and postponing every 24 hours toward my inevitable failure. I'm not attempting to be too clever clever for my own good and then discovering that no one really gives a shit. That I'm a talentless hack and just one more whiny blogger, feeling sorry for himself. I don't want sympathy, or empathy from anyone on that ole' world of wide interweb and am not asking for it. In finding my own semblances of happiness and knowing that I have friends, family and loved ones who do care, the true enemy is my own psyche and it's lonely fragility. I'm FraGILE. Must be Italian. Eh. Predictable, but it was there.

But, I love patterns and predictability and I'm at the very least not going to disappoint myself. I know where this is going: Fuck it.

Tragedy tomorrow. Comedy tonight.

Yes Virginia, there is a Sigmund Freud

January 5th, 2011

I can see Burgess Meredith now...the cantankerous snarl and fiery eyes. Cold sweat beads on his furrowed brow. His craggy mouth opens and he's ready to eat lightning and crap thunder as he says, "Colder than a witches titty out here."

It's flippin cold out here AGAIN. Well, it's winter. This is 8 straight days out here working. Phew. Gettin' worn out. I know I'm tired when I start muttering under my breath. And it's likely I mean yesterday if you're reading this today. I'll get used to this blog thing. I'll try not to over-explain and just let your intelligent selves read and figure it out. It'll be less annoying for you and now, I'm totally "committed".

Today, I'm in Herald Square and as I'm passing the window displays at Macy's, there's quite a grim shot of reality. It nearly borders on the disturbing.

At Macy's in Herald Square NYC, for the benefit of those who have never been, there are 2 sets of window displays: 1 set of windows that line the block on the west side of Broadway between 34th & 35th St. and one set that lines the north side of 34th St. between 6th & 7th Ave. They both depict a theme having to do with Holidays, each with their own design and production team and both typically having a unique form of storytelling and mechanized movement.

This year the active word emblazoned upon the building and peppered around the store is "Believe". On 34th street itself are 5 windows with scenes from the movie "Miracle on 34th St." done with 1 ft. Tall figurines that have some limited movement in the limbs and head and represent a great deal of work and detail. I especially like the sepia tone feel they've given it to capture the 1940s. I notice some of the background figurines in different windows were from the same generic male or female mold. Just with different outfits, accessories or facial hair, but that's practical more than lazy or non-creative. Those windows are still up, intact and haven't been touched yet, but on Broadway...

... and this is where it gets gruesome. Apparently a major network did an animated special called "Yes, Virginia" that does a computer generated interpretation of the folkloric editorial from The New York SUN in 1897 that proclaimed "Yes, Virginia. There IS a Santa Claus". The figures are plastic and have a "Rugrats" and "Hey Arnold" feel to them. The sets are very well done with forced perspective set design and animatics working in tandem. A very cool, noteworthy aspect as well is the fact that majority of sets, production and detailing were done with recycled paper. It's mighty impressive and really gorgeous.

However, as I passed it today the crews are breaking it down in one window brandishing hammers, screwdrivers and doing their job having to strike after the Holidays. Sure, it's sad for some of the families and people passing it because after all, the holidays are over. The magic is done for the next 300 or so days until stores start their holiday fervor again around July or so. You can never be too early to start merchandising these days.

Anyway, while they were working in one window, another had the curtain down that says "Pardon our appearance, Macy's windows will return soon". And another couple windows still had the display up, but in it's pupal stage before it blooms into glorious mechanical yuletide and theatrically engineered magnificence. Not so terrible, but then, I see the remaining 2 windows...and even I can't help but shudder.

I'm looking in the window and I see what I can only describe as a  scene of carnage. If Ken Burns had a theatre group stage a interpretive production of his WW II documentary "The War" depicting scenes of pure unadulterated toy carnage, this would be it. It looked like a war-strewn puppet town in Krakow, Poland 1939. Walls are torn down with huge gaping holes. Furniture is overturned and miniature building debris is strewn throughout the window. But that's not the most disturbing part. What strikes deeply into my most Muppet of hearts is to see some of the plastic figurines on the ground on their sides, hanging of the beds and lying in the corner. Limbs unattached, pieces torn off of their legs and torsos and cracks in the head.

It was kinda horrific in it's own artistic way and I'm not sure they even meant to have people see the crew in the middle of breaking it down, or if they cared. Or, conversely, I'm just a sick little monkey who may have been the only person to think of it this way, when in essence, they were just taking down the holiday window scene in Macy's.

Maybe I should have my head examined. But I did. It's almost like one of the prerequisites to being a performing artist. You either are already consuming a pharmacological cocktail of sorts to battle your anxiety, ADHD, OCD, substance abuse, eating disorder, body dysmorphia or you are seeing a therapist to deal with anger management, manic depression, bi-polar disorder (like I have) or any myrid of issues. While Cat and I were first separated I went to get help for the first time in  my life. I always felt detatched from things, yet connected. Put a brave face on for the world and hid my real feelings of inadequacy and self-hatred.

So, I found an outlet. I'd hide behind characters who would speak, emote and feel for me. My happiness became dependant upon others'. It took me the first 23 years of my life to come to that realization AFTER I graduated from college. You know, the place where try to figure out what it was I was placed on this planet to do. I always was a to little, to late bloomer. I enjoy making people feel. Because I couldn't. Or at least I was afraid to.

I was a TV baby. Born into a family of pop-culture enthusiasts in Connecticut. I grew up during the technical revolution of the 1970s. I may very well been the first generation of kids who were saddled with the couch potato mentality. My brother Kevin and I would read our comic books, Mad, Cracked and National Lampoon magazines and were the first kids on his block to have cable TV, a top loading VCR and the first wave of home video games including Pong, Atari 2600, Colecovision, Nintendo, Commodore 64, Apple II and so on. My parents, Bob and Irene, spent quality family time with me and my brother playing Trivial Pursiut, enjoying TV, watching movies and I loved it.

I happily absorbed all of it, like my Dad did before me. He went to the theatres as a kid in the 40s & 50s, where a nickel would get you a double feature, cartoon short, news reel, bucket of popcorn the size of a Buick, a bar of candy, liter of soda and one acre of commercial waterfront property in Coral Gables.

I loved my imagination, the escapism of all the things I was fortunate enough to have and experience and on the surface, had a happy childhood. My Dad was a very hard worker and my Mother was a domestic Goddess, before Rosanne perverted the term into something of a joke, and we lived in the upper-middle class. As I said, very fortunate.

But because we had all this stuff and I was able to escape in to the world of movies, TV, comics and video games, I wasn't much of a talker. And my Parents weren't either. They were, don't misunderstand, and they were (are) nuturing, loving, giving, caring and the best symbols for parenting a person could ask for. But emotionally, we never talked. We just understood. The love was inherent and never were provided with, or never thought to ask for, mental or emotional help if we needed it. It was just the way it was back then. There were friends I had that had horror stories, were latch-key kids and acted out because they didn't even have that understanding of familial love. I kind of held everything in and hoped for the best. For years. Til the last few years when it all went to hell.

Maybe the girl next door would eventually talk to me and maybe the bully would move away and maybe being in the geek clique wasn't so bad because at least I had an identity as the short, pudgy kid who would take dares and do funny character voices and maybe monkeys may fly out of my ass before I decided to move away to prep school on my own volition because I can't relate to anyone here. I liked the friends I had, but felt like I needed something more. I felt trapped and isolated. I knew even then, the world was a bigger place. David Lean showed me The Bridge on The River Kwai, Blake Edwards would jet set Inspector Clouseau to the Swiss Alps, Stanley Kubrick demonstrated the sins of our world leaders and how they could blow us up because they're a bunch of knuckleheads. I knew even then how to play pretend like they did.

Instead of acting out scenes from my favorite actors in front of the mirror or masturbating with the water running, I would hide under the sink in my cave next to the cleaning fluids and daydream. Alright, maybe a couple few times with the water running. I didn't like looking at myself in the mirror anyway then, because I didn't know how to hide behind a character. I notice I do it a lot more now because I know how to hide even when I'm me, playing me.

Does that make sense to anyone? You, Pedini, are a MENTAL CASE.

Roses are red, violets are blue, I'm schizophrenic and so am I.

Pay no attention to the man behind the mirror.

There's a fine line between clever and stupid

January 4th, 2011

Gonna be a long winter having to work outside. I'm sure I'll bemoan how cold it is again this season. I'm pretty certain. At least a few more times. Five at the absolute maximum.

This is certainly not the coldest day we've had yet, being only the second week of winter. But after yesterday's balmy 47 degrees in Times Square, 28 degrees today, sucks. And the sun just went behind the Ernst & Young building. Crapola. Gotta keep the pipes warmed up with vocal exercises for the show tonight. This job is not condusive to being a singer. Sigh.

What's keeping me partially warm is the thought of being home tomorrow night with Jen. Mmmmm. Electric space heater that looks like a fireplace, toasty, intimate snuggles while watching a good, gory horror movie and on my warm crotch, the wet nose of a Boxer named Tango...(record scratch)...wait...ah fuck it. Fantasy spoiled. Dumb dog. Love him to pieces, he's loyal and always eager to be a good boy, but he's as smart as a bag of hammers. Although, he wiggles and jiggles when he's excited. It's so funny how excited he gets even if you leave him for 10 minutes and go to the store and come back. Jen told me an anecdote about how a co-worker once told her "If you locked your dog and your wife in the trunk of a car and then got them out after an hour, who would be more excited to see you?" Good boy.

What also WAS keeping me warm was the thought of being done with the survival job in a few hours, then heading to the cool and trendy, Brooklyn Bowl for my Band's gig. It's an AWESOME venue www.brooklynbowl.com.

I'm-a getting there early to order something off the menu, have a beer and sit back in the green room before we step on stage to entertain the "masses" who will come to do their own personal white-man's overbite to the sounds of Pat Benetar, Cyndi Lauper, Survivor, Journey and Bob Seger, to name just a few.


Pre-Show. Just wait til those fans show up.
Just you wait...waiting...ROCK 'N ROLL!!!

You know, I don't think I've even hipped you to my Band's name: White Wedding.

Yup that's us. Visit us at www.whiteweddingband.com. There shameless plug, link included.

I was in a couple other Bands in the last few years. A hard rock Band called Vermont Wisconsin (Cheesy Rock, get it?) and we did classic rock, metal, grunge and hardcore. It was great to rock out with those guys (Pat, Rich and Rob). They still gig with a different lineup in Long Island and I miss them. After that I was with a classic rock/blues Band called Urban Shock (Rich (same Rich), Greg, Gas & Anthony) and even though it was short lived, it was my favorite music to rock out to: Hendrix, Zeppelin, Stones, Bad Company, CCR, ZZ Top...

But now, it's all 80s. It's so popular now. Musak in clothing stores and supermarkets play it everywhere. Teens and college kids know it because it's retro and also thanks to nostalgic movies and satellite radio.

Even though it's a bowling alley, it's the same people who booked White Wedding at BB King's. Hell, The Roots played here at Brooklyn Bowl a few days ago on New Years Eve. BB King's gave us the same Rock Star treatment too. Rock Stars. That's how we're treated at some of these places now. Only...without the huge paycheck, lines of coke on the glass tabletop and a topless groupie underneath pressing her boobies up against it. Hee. Boobies. Ah-hem.


Our Green Room.
Are those leather couches? Swaaaaanky.

This can qualify as a non-failure in my career right? We've worked our asses off to get to this point and continue to do so in order to get bigger, better gigs. I mean, right now it's not enough to live on alone, but maybe it will be. That's why you do it. You do it for free at first to prove yourself and then keep proving yourself until you graduate to the next level. Then you get paid to do it. Then you only accept a minimum as to not undervalue what you supply to meet the demand. I'm getting paid, there are perks and it keeps me out of the cold. At least for tonight. Tomorrow morning it's back to flyer jockeying in the cold. But tonight...ROCK & ROLL!!!

Time to go.

"HELLO CLEVELAND!"

Life is a great big bang up, whenever there's a hang up.

January 3rd, 2011

Musicals. Ahhh.

I love musicals. I equate musicals in my life with travel. I'm half Canadian on my Mom's side. Her Mom & Dad, my Memere and Pepere, lived in Quebec and for summers when I was a pre-teen, we would goto live there, enjoy the great outdoors; fish, swim and take trips to the Galleria in Montreal. I remember it vividly mostly because we would drive there. Starting in Connecticut, through Massachusetts, Vermont, across the border and it would take us around and about a day or so. And that's where it all began. First on 8 track, then on cassette: Fiddler on The Roof, Joseph, My Fair Lady, The King And I and so on. There was the occasional operatic aria featuring Pavarotti, but musicals ruled the airwaves of the family Caddy. My brother and I had our comic books, mad libs and first generation of hand-held video games (primitive, yet portable stand-up arcade game design, Pac-Man and Donkey Kong ring a bell?), but I could never get those songs out of my head because we heard them over and over.

The other memorable musical trip I remember taking was when my Dad arranged a family trip to NYC for the four of us to see some Broadway shows. It was excellent. I remember we saw the first run of Little Shop of Horrors and Yul Brenner did one of his last performances in The King and I. Too cool. It's funny how I've lived in NYC for almost 18 years, yet back then, around '82-'83, it scared the ever loving crap out of me. It was a scarier place back then. I think I would have loved it if I were born 20 years earlier. Had more character back then. But there was something about listening in that car and hearing the music and seeing the shows in a dark theatre that felt so safe.

Musicals are where no one could really get hurt, production numbers were majestic, grand, showy, razzle-dazzle and right in front of you on that stage larger than life. I can say this and still remain comfortable in my sexuality. It really was a fabulous, safe haven.

Til now that is.

I'm a very creative person who loves taking risks. I'm all for artistically ambitious and groundbreaking, but this wasn't a great idea to begin with, for the performers OR the audience. TOO much entropy & chaos in "play". I'd like to believe the Theatre Gods are kinda pissed. I'm simultaneously livid and really sad. NYC theatre has slowly been dying with small theatre companies going under and seat prices skyrocketing. This is a movie blockbuster, not a Broadway musical. It's a circus and aerial show, but they're not preparing it or rehearsing it like one. It doesn't belong in a theatre. This production is SO not helping Broadway. They can't possibly tour this production can they? Did they think this whole thing through? We're experiencing a historic theatrical tragedy as we speak. I'm really depressed about this. What am I talking about?

Spider-Man: Turn Off The Dark

I heard about the worst accident yet when I was walking from Herald Square flyering and walked by the Foxwoods Theater the day after Christopher Tierney ended up in the hospital. The injured tally is up to 4 now. The main female villain, Actress Natalie Mendoza, has now left the production. She received a concussion during the first preview show. I actually know one of the dancer/aerialists who got both wrists broken during rehearsals, Kevin Aubin. He's a dance judge on the touring show I went out with for a few seasons as an Emcee/DJ, StarQuest.

Okay, www.starquestdance.com. There you go Steve (The Owner), my friend. My pleasure.

Theatre must endure, prevail and persevere through all this. This show has been rushed because the Investors/Producers/Director Julie Taymor are bleeding money and every day they're "dark" they lose even more.

This show is many years in the making, 65 MILLION dollars in it's current budget, people are now buying tickets and selling out shows not because the music is good (it's not) or the story is good (it's not) or for the new musical theatre experience (it's not). They are waiting to see a spectacle. They're getting it. Sure, Actors in PJs are flying through the theatre in people's faces and just a couple of feet above the audience's heads. Daring new theatre or an Actor/audience death wish?

Performer Christopher Tierney was lucky he didn't die from the internal bleeding, his fractured skill or broken ribs with his stunt misfire. Does anyone in that cast honestly want to continue? They ALL have to be thinking, "Am I next?" Natalie Mendoza must have. And even IF this time they've gone through every safety procedure 3 times before each stunt (like they should have since they started rehearsals, but we see where that got those 4 poor Actors), but what if it's the rigging or a set piece that causes ANOTHER concussion that a performer WON'T walk away from?

I hope the Producers can live with themselves after this. I hope no one else gets hurt. I hope I can GLADLY eat my words that I've sadly, yet angrily, spouted about this issue (mostly because it hits a huge nerve with my own personal experiences with safety in shows). I hope they can perform subsequent shows safely WITHOUT any more serious incidents (because they're gonna keep going no matter what dammit). Sincerely and honestly, I hope it runs sold-out for 10 years. It has no choice now. I HOPE.

Theatre is supposed to be a wonderful, thrilling, experience. Like I remembered. Safe.

And you wanna know the real bitch of this? If I auditioned for the show and was cast, I would do it in a heartbeat and if I were injured, I would heal and go back if it were still running. That's what Christopher Tierney is doing as we speak. He was released from the hospital and started rehab yesterday so he can go back to the show. I almost hate hearing myself say this after the last two weeks of condemning the show, but, good for him. He's a true performer. Like the rest of us who are the real deal.

It's one thing to talk about it, be self-righteously indignant and judge something you're not actually in.

But the crazy mother-fucker I am? I've done stupider stunts without observing safety, without concern for my health or well being and mostly because it would entertain. And it did. And it was stupid. And it entertained.

Okay.

- I played in the mud and would be head to toe in the stuff while I had open wounds. Many times a day.

- I dislocated my shoulder jumping into a mud pit.

- I do slapstick, somersaults, flips on hard surfaces and ram into walls without mats or safety measures.

- I juggle knives and eat fire.

- I rummaged through trash cans and ate garbage like a peasant would. It was funny! Disgusting and unsanitary. But funny!

What can I say? I did it to entertain. And I've done it for years. And will continue to do so. Because it makes people happy. That's the main reason I do it positioned right next to the love of it. I've made literally tens of thousands of people happy. It's made me spiritually, psychologically and mentally fulfilled, but financially, and garnering the attention I deserve to warrant such a consistently lucrative payday? Not so much.

Wealth and fame, he's ignored. Action is his reward.

Fuck that. I wanna get paid.

Bitch, Moan, Complain (Day 5*)

January 2nd, 2011

Blog Day 4, hump day of the first week of my Blog. Now I know it's actually Day 5 with the Origin Story Day starting the whole thing. The Origin Story being a figurative Day 1 rather than a literal one. For those actually reading and paying attention, it's a literal Day 5 (January 2nd)  and figurative Day 4 (that day being literal January 1st) with figurative Day 1 (being literal December 30th) and literal Day 1 (literal December 29th) being an Origin Story. I got it.

SO, felt like crap after work yesterday. Working on a cold. It's a good one. Good pacing in the congestion department and aches and pains are coming along nicely. Working every day since the day after the Blizzard of 2010 (Figurative Pre-Origin Story Day negative 2 and literal December 27th...anyway) is not helping. Been drinking OJ, takin' meds and trying to combat the sluggishness of working the past six days outside while feeling crappy. And I have three more work days to go with a show tomorrow night.

Hate being poor. But the SHOW will actually be SUPER-GROOVY. We get a green room, get fed off the awesome menu for free, free booze, and a 2 hour show featuring your favorite 80s hits starting at 8. AND we get paid. Not too shabby. THAT'S all of our full-time freakin' dream job isn't it? Nothing but performance without having to wait tables, bartend, cater or stand outside handing out flyers to make ends meet.

But today as I head to Times Square and hand out flyers to make ends meet and... it's raining.

Sigh.

Fuck it.

Wait, I've actually been writing that all along with no irony. Origin Story. What am I a Superhero?

Mild mannered, painfully shy, wallflower and cub reporter for the Picayune Blog Daily Inquisitor by day, PRETENTIOUS MAN fights a never-ending battle for the fine art of bullshit, flim-flam and let's play pretend til we're way to old! Douchebag.

I can't stand it sometimes that I'm over 40 and still can barely take care of myself and my loved ones. I really tried to give up and live a normal life. REALLY tried. A number of times. I looked, applied and made a herculean effort job hunting: teaching, retail and I even tried to be a bank teller. They either told me I was underqualified, needed a specialized degree or they just aren't hiring because of downsizing. I even took online aptitude tests for HOURS for a few corporate giants and they told me "Your skills and aptitude does not meet our minimum requirements." You believe that? I can't qualify to deliver packages or rent cars to people due to the fact that their application process and query told me so. What the shit is this? Weed out those who are qualified, competent and professional because their "personality quiz" said so? Goat fuckers.

Hard times aplenty for the last few years and despite the optimistic forcast for 2011, people still aren't hiring. I can only seem to find jobs that hire Actors because we'll do the stuff people don't want to, or can't do. I'm thankful for the good friends I have who have recommended me and thrown work my way. I'm very appreciative. But it's like the Universe wants me to hang on. Still. For 18 years though? I hate this and me.

Bitch, bitch, bitch, is that all I ever do? Whiny shithead.

And I think that will be it the colorful name-calling. At least for today. Don't want to overuse a theme or literal device. Have to pace myself the way a true literati would...dickweed.

But this is Day 5. Day 5! However, the number five is universally significant in many circles (Spritual AND Science based!). Do some research and see. Fellow Wiccans and Discordians especially know what I'm talking about. Five is a great number day to try being positive.

It's still difficult to be glass half-full Guy when rain is filling the glass. Stupid glass glass now being one-quarter empty. In this freakin' rain outside it's difficult to type without damaging my smartphone. But through the spritzing, schvitzing and plotzing...OY VEY...I notice a couple new workers they hired and one is chronically late. She seems nice, introduced herself, but may have a problem keeping her job if it's a thing with her. And she even tells me this as much today.  I hate being late personally. It's a thing with me. I actually get pissed at myself when I'm late for ANYTHING and get irked when I'm late because of others. It's honestly only for professional stuff when I really get mad, but it rarely happens.

And I'll tell you why.

My first professionally paid acting gig ever was a voiceover gig for a local cable company here in the city. Well, not really the city, but being one of the boroughs it's part of the city. Staten Island. Well, it's really not even completely an Island. It's partly a landfill. For garbage. Used to be. It's pungent legacy remains. Stinkin Island. I booked a gig there and their transporation system is, well, let's kindly say, limited. And unless you have a car, which I didn't at the time, you're kinda steeped in shaight as ya may very well be in da Scottish Highlands fer feck saik. I was late because I ONLY gave myself 2 hours, coming from my first apatment in Astoria, Queens. I had to take the N train, to the 1 train, to the Staten Island Ferry, to the one MTA S.I. Bus, only to have the bus driver be non-too helpful with the address I had for the TV station that I had to go to, so I was dropped off 1 mile away with only 10 minutes to get there.

The worst thing about being late to a professional gig is that they usually say it's "no problem". But it is. Because being late wastes their time and wasting their time costs money and they don't care if you've never been to Staten Island and underestimated what a travel challenge it was going to be. Bottom line, I never heard from them again and the person whom I booked the gig with said it would be a recurring gig. It certainly didn't end my career, but I only understood later when disappointment set in and KNEW why they didn't call me back. As a producer and director of projects I learned first-hand how unprofessional being late is.

Now I always leave myself more than enough time when I'm going to anything. And I don't show up too-too early, but I arrive at least 10 minutes before I have to be there. Relaxed. Not rushing. They can see you sweat. They know what frightens you. In space no one can hear you scream. Because there's no oxygen. In the Acting world, no one can hear you scream because they don't give a shit unless they're making money from you doing it because Director Eli Roth set your naughty bits on fire as they're sitting in a rusty vice.

Just don't be late. Ever. Your naughty bits may depend on it.

I'm now going to attempt to stay positive for this 5th day of my blog and I don't want to disappoint anyone, but have no fear kiddies, Gothy Rain Cloud Boy will return.

This being the second day of the New Year, I'm being fashionably late because it's trendy, I'm not going to make a laundry list of resolutions to feel better about myself. Always hated resolutions, "Here's what I'm gonna try and do that I shouldn't have done so much of last year that I knew damn well was bad for me and non-productive, SO, I'm gonna make a list of each and every one of those things (most of which I like doing and make me happy) only to remind me that the likelihood of me doing it ALL OVER AGAIN it will be pretty damn likely."

Horseshit-New Years resolutions-stupid marketing ploy.

C'mon Dude. Positive. POSITIVE!

I'm going to gush a bit about a few things that actually were GOOD in the last year. Enough complaining and let's tip our hats to happiness!

1. My daughter Gracie. It can be said that I am a complete mess without my little girl, but I've learned to deal. I went from being a full-time Daddy to rarely seeing her. But I'm grateful that my Ex is understanding and flexible with my visiting and when I have more money I can possibly see her more.

Gracie is stronger than me for only 5 1/2. She has told me she loves me, but also has told me she misses me and is beginning to understand the situation. Her communication has been flourishing and her special school is just what she needed to get her up to speed. Time, care and Cat being a constant, nuturing presence as her Primary Parent is so good for her. Gracie and I are apart, but are very similar that we both feel very much without having to say anything. We're apart, but things will get better. I believe that.

Funniest thing she did this past year? So, my Ex is in the downstairs playroom with Gracie and they're watching Mulan. Going to war they cry "FOR CHINA!" Gracie get's Mama's attention. "Look Mama." Gracie points at her crotch "VAGINA!". Priceless. She's gonna be okay. I love you Gracie. Daddy loves you.

2. My girlfriend Jen. She found me on her three day free trial on a Goth dating website. Don't say it. We both know. Inevitable explanation to come.

She's SO freakin' cool. We're exactly alike (even with our damage), both are pretty quiet and have similar senses of humor. And one of the coolest things: she's not an Actress. I will admit to always being attracted to the kind of Girl who was like myself as an Actor; fearless, witty and creative. But Jen, even though a blue-collar electrician, is a DJ, plays the guitar really well and is an awesome artist.

It's difficult to make me laugh. I'm especially impressed when females are able to do it, thus the inherent attraction. It's not a sexist thing, it's just the way it is. We're in the car coming back from a pub in Red Bank on New Years Eve. Jen's on her GPS when it starts giving incorrect directions, as they do (stupid computers). She grumbles and as if to make it feel bad yells "You're Mother was an Atari!". I almost drove into a snow bank. She's doesn't feel the need to be "on" all the time, but when she randomly does that, it kills me.

We've had some difficult times with my myriad of issues and her own personal issues (we all have our bad days), but we worked at it even when all seemed lost, and it nearly was. Because that's what you have to do. Inherently, you need so much in common and I now know that YES INDEED you should date someone EXACTLY like yourself. If not indefinitely, then try it at least once. You know what to expect. We're happy. We don't even count time. We just are. We both hate ourselves and loathe our very existence while we pat ourselves on the back because we can't stand how cool, clever and hip we are sometimes together.

And Jen has a little girl too. Gina. She's a cute, precocious 2 1/2 and a freaky communicator, speaking like a 6 year old now. She's also goofy-ass, like her Mama, and can rave dance like nobody's business. Her Daddy is another Blog entry entirely, but she took to me right away and I to her. She's not my blood, but I love her all the same.

Gracie & Gina will rule the world someday.

3. Friends & Family. Not that I should be surprised at the gobs of support I received during this difficult time. To every single person who heard the sordid tale, saw the confusion and pain and even extended their own sympathy and/or empathy, I'm eternally grateful.

What actually did surprise me was HOW MUCH support I received. ETERNALLY grateful.

I can even consider my Ex Wife, Cat, sorry, as one of those who was, and continues to be, supportive. We both put Gracie first and have her best interests at the heart of it all. We don't see eye to eye on many things, and will continue to work through our differences amicably. But working together, finding common ground and remaining friendly will ensure Gracie will grow up a happy soul. That's what matters the most to me (us).

And those of you without a cracked psyche may cast the first stress ball. Cracked people are the best. Old and young. Well, the good kind of cracked anyway.

"VAGINA!"

Luck be a harsh Mistress

January 1st, 2011

So yesterday, amidst the din of multitudes milling about Times Square ready to shit themselves in anticipation for the New Year, I ruminated about the vices and virtues of the word NO while handing out flyers. Again. One last time for 2010, I'll contemplate the intricate philosophy and meaning of my previous day's post about the word no...

No, I am not staying here in the city.

The cacophony is mind numbing. I can take the energy on a regular day in the proverbial center of the Universe and even got off on the insane amount of energy produced by the throngs of people when I was in the middle of it a long time ago to celebrate.



The aftermath. Notice the "Police Line Do Not Cross"?
Poor confetti never had a chance.


Yeah. I was in there. Been here for New Years, done that. Twice. Both times were more than 15 years ago, but you'd figure once was enough. Gotta face it, there's something seriously wrong with me to go back to that lunacy for seconds. Waiting a seemingly interminable amount of time in the cold for a shiny, sparlking ball to drop.

Sounds like a fabulously gay, glam-rock Canadian boy going through half of puberty.

I have better things to do, like seeing my happy, energetic, beautiful, 5 1/2 year old daughter, Gracie. We'll play for a while, have lots of "Hug Yous" and I'll wish her a Happy New Year. Hoping that this year fares better in my seeing her more often if I wasn't so poor. She's so cool. She can do anything. Not just because she's MY daughter. I'm not one for blowing my own horn, mostly because I'm a self-proclaimed failure, but I have some skills and her Mama, my Ex-Wife is a super-talented, moxie-infused Gal. Even though we're not together anymore, our problems are ours but I can't talk bad about her. Not just for Gracie's sake, but quite simply, nobody's perfect. Nevertheless, Gracie has a stunning mix of DNA.

If she wants to be in Show Business, she has connections on my Ex-Wife's side that her Grandpa would provide, which unfortunately never really helped me or my Ex-Wife. Cat. She has a name and please excuse me if I call her my "Ex" in my flurry of excess verbiage. I'll try call her by her name as best as I can. Gracie's Daddy could help her too as his former (current, I don't know) Agent is still chomping at the bit for her. I hope she doesn't want to, but I would happily and enthusiastically support and encourage her no matter what.

Man, I love her and miss her so much. Sigh. Another time, just keep going.

Anyhoo, upon facing a brand New Year I thought to myself, "I know what you're thinking, have I been doing this 17 years, or was it 18? Well, I kinda lost track myself with all this excitement. But seeing how this is a New Year and you can learn from your mistakes, avoid another nervous breakdown and perhaps start fresh all tabularassa...you have to ask youeself one question. Do I feel lucky? Well do I? Punk?!"

The truth? I don't believe in luck. Never have. It's widely considered to be one of the main ingredients in "success". But I scoff at it.

Fuck luck.

Sure, you can assimilate "luck" as a good explanation for why things happen the way they do to some people, if it helps you sleep better at night. She's a harsh mistress when she's bad and the sexiest bitch in creation when she's good. But I don't find her all that appealing.

Maybe that's why. Because I don't believe in it is perhaps why in this business I haven't gotten my "big break" yet after all these flippin years. Why I haven't stumbled into being at the right place at the right time during that certain gig or auditioned for the right person or even discovered I'm RELATED to the right person, and even got any help at all if I were, to help me along.

Is that luck? Being born a 7 lb. 5 oz. bundle of joy to Mr. & Mrs. (or Mr. & Ms. or Mr. & Mr. & Surrogate or Mr. & Ms. and adoptive Swahili village family)  already famous celebrity, or being related to a celebrity, and being called Daredevil Kumquat Starchild CruiseJoliePinkett-SmithPittBullockMoviestarProgeny Jr.? Then that child tells unfortunate stories when they're older about how regardless of their lineage, they still had to trudge, suffer and struggle by waiting tables for a year and a half and audition just like every other Actor before they made it? That's a varitable cornucopia of Native American campfire mythos chocked full of pure determination, grit and fortitude in the face of Mummy and/or Daddykins' publicity team. What a brave little papoose. Wampum already included. Nepotism is as old as the hills. It's who you know. It's like that in ANY business. Even if you cleverly change your name, we all know who's related to who in this business. And if you don't know, you'd be surprised. I'm not anymore. Haven't been for a while.

Or, is luck having Young & Beautiful genetics and walking into an Agent's office and getting that second look? Shoving aside every other hard working actor and proceeding right to the front of the line, because Y&B is always the standard and always given preferential treatment? Until you turn 25 that is. Then you're over the hill and have to get 13 plastic surgeries in one day to keep up with the next Y&B right behind your personal trainer-toned ass who is ready to push you down a flight of stairs before the next big musical number.

Or...is luck a simply matter of opportunity meeting preparation?

Take Actor Geoffrey Rush.

Born on July 6, 1951, in Toowoomba, Queensland, Australia, but raised in Brisbane, Queensland, Australia after his parents (he an accountant, she a sales clerk) split up, actor Geoffrey Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.

Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".

Rush made an inauspicious debut in films with the feature "Hoodwink", having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of "Twelfth Night". Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.

Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years filmgoers finally began taking notice of Geoffrey after his performance in "Children of the Revolution". This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in "Shine". Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.

And the rest is his story.

Lucky Bastard.

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